From the only journalist to win a Pulitzer Prize for his reporting from Iraq, here is a riveting account of ordinary people caught between the struggles of nations Like her country, Karima—a widow with eight children—was caught between America and Saddam. It was March 2003 in proud but battered Baghdad. As night drew near, she took her son to board a rickety bus to join Hussein's army. "God protect you," she said, handing him something she could not afford to give—the thirty-cent fare. The Washington Post's Anthony Shadid also went to war in Iraq although he was neither embedded with soldiers nor briefed by politicians. Because he is fluent in Arabic, Shadid—an Arab American born and raised in Oklahoma—was able to disappear into the divided, dangerous worlds of Iraq. Day by day, as the American dream of freedom clashed with Arab notions of justice, he pieced together the human story of ordinary Iraqis weathering the terrible dislocations and tragedies of war. Through the lives of men and women, Sunnis and Shiites, American sympathizers and outraged young jihadists newly transformed into martyrs, Shadid shows us the journey of defiant, hopeful, resilient Iraq. Moving from battle scenes to subdued streets enlivened only by the call to prayer, Shadid uses the experiences of his characters to illustrate how Saddam's downfall paved the way not only for democracy but also for an Islamic reawakening and jihad. Night Draws Near—as compelling as it is human—is an illuminating and poignant account from a repoter whose coverage has drawn international attention and acclaim.

From the only journalist to win a Pulitzer Prize for his reporting from Iraq, this riveting account illuminates ordinary people caught between the struggles of nations.

AND THEN THERE WERE TWO…. A handful of survivors, a killer among them—amd two former lovers caught in the cross fire…. Elizabeth Boothe was grateful to be alive after the wreckage of her ill-fated flight. But even as she and pilot Seth Brody waited for a rescue plane, neither could deny what was happening between them. Their past differences melted away as easily as the snow beneath their heated bodies. Yet their rediscovered passion could not protect them from danger. There was a killer on the loose, and no way off the mountain. But Seth had found Elizabeth again—and no one, not even a murderer, was going to take her away from him….

“Wonderful . . . One of the finest memoirs I’ve read.” — Philip Caputo, Washington Post In the summer of 2006, racing through Lebanon to report on the Israeli invasion, Anthony Shadid found himself in his family’s ancestral hometown of Marjayoun. There, he discovered his great-grandfather’s once magnificent estate in near ruins, devastated by war. One year later, Shadid returned to Marjayoun, not to chronicle the violence, but to rebuild in its wake. So begins the story of a battle-scarred home and a journalist’s wounded spirit, and of how reconstructing the one came to fortify the other. In this bittersweet and resonant memoir, Shadid creates a mosaic of past and present, tracing the house’s renewal alongside the history of his family’s flight from Lebanon and resettlement in America around the turn of the twentieth century. In the process, he memorializes a lost world and provides profound insights into a shifting Middle East. This paperback edition includes an afterword by the journalist Nada Bakri, Anthony Shadid’s wife, reflecting on his legacy. “A poignant dedication to family, to home, and to history . . . Breathtaking.” — San Francisco Chronicle “Entertaining, informative, and deeply moving . . . House of Stone will stand a long time, for those fortunate enough to read it.” — Telegraph (London)

It’s 1952, and E.F. Bloodworth is finally coming home to Ackerman’s Field, Tennessee. Itinerant banjo picker and volatile vagrant, he’s been gone ever since he gunned down a deputy thirty years before. Two of his sons won’t be home to greet him: Warren lives a life of alcoholic philandering down in Alabama, and Boyd has gone to Detroit in vengeful pursuit of his wife and the peddler she ran off with. His third son, Brady, is still home, but he’s an addled soothsayer given to voodoo and bent on doing whatever it takes to keep E.F. from seeing the wife he abandoned. Only Fleming, E.F.’s grandson, is pleased with the old man’s homecoming, but Fleming’s life is soon to careen down an unpredictable path hewn by the beautiful Raven Lee Halfacre. In the great Southern tradition of Faulkner, Styron, and Cormac McCarthy, William Gay wields a prose as evocative and lush as the haunted and humid world it depicts. Provinces of Night is a tale redolent of violence and redemption–a whiskey-scented, knife-scarred novel whose indelible finale is not an ending nearly so much as it is an apotheosis.

In Drawing Near, John Bevere invites readers to explore a life of intimacy with God. Emphasizing the need for obedience, he urges us to practice-just as we would practice anything we hope to improve-our communication with the Holy Spirit. Understanding that prayer is a dialogue, not a monologue, Bevere encourages us to listen at the Father's feet. Study questions in each chapter offer opportunity for reflection, and a "How to draw near to God" section offers practical steps toward developing true intimacy with Him.