With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche’s ‘God is Dead’ in connection with the notion of freedom as the original dynamic of the will to power.

'We have left dry land and put out to sea! We have burned the bridge behind us - what is more, we have burned the land behind us!' Nietzsche's devastating demolition of religion would have seismic consequences for future generations. With God dead, he envisages a brilliant future for humanity: one in which individuals would at last be responsible for their destinies. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

German philosopher and self-proclaimed nihilist Friedrich Wilhelm Nietzsche stands out as a furious, explosive thinker who repeatedly pulled apart the certainties of the nineteenth century and whose writings attract, astonish, and unsettle readers to this day. This volume offers a selection of Nietzsche's writings, all newly translated by the author, that facilitate an understanding and discussion of his philosophies, style, and influence. In an engaging and accessible introduction, Peter Fritzsche familiarizes students with elements key to Nietzsche's thought and his extraordinary intellectual and political influence: his condemnation of the nineteenth century as degenerate and uncreative; his rejection of Christianity, democracy, and socialism; his belief that all cultures are founded on lies and illusions; and his conviction that individuals should seek to overcome convention and morality in order to create themselves as supermen. Document headnotes give students background and guidance in reading Nietzsche's writings, and a chronology, questions for consideration, and a selected bibliography provide additional pedagogical support.

This work locates multiple affinities between the philosophies of Nietzsche and Lévinas, finding that both questioned the nature of subjectivity and the meaning of responsibility after the 'death of God', and argued the goodness exists independently of a naïve faith in reason.

A compact introduction to Nietzsche’s writings about God, language, truth, and myth, this collection will engage and appeal to both veteran and novice readers. Fritzsche’s insightful introduction presents valuable historical, biographical, and cultural guidelines for exploring Nietzsche’s ideas and influence, without ignoring his literary acumen. The samples of Nietzsche’s writing were carefully chosen to represent Nietzsche’s enduring relevance for contemporary life. With “the death of God” as his starting point, Fritzsche selected and translated documents from the full range of Nietzsche’s explosive writings to expose readers to key ideas he developed. His bold concepts ignited reactions in his time and continue to energize and shape worldviews. Selections include Nietzsche’s thoughts on such topics as how humans have fallen into a subordinate relationship with systems of morality of their own making, and the importance of recognizing new possibilities; how different cultures and languages enable unique interpretations—that is, there is no common or real world; and how the “slave mentality” of the West inclines people to see each other as victims instead of masters of their own lives. All of the documents feature notations about publication history and context for the readings that follow; gloss notes explain literary allusions, historical references, and unfamiliar terms; appendixes include a chronology of Nietzsche’s life, questions for consideration, and a bibliography of selected works by and about Nietzsche.

With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche's 'God is Dead' in connection with the notion of freedom as the original dynamic of the will to power.

"David Strauss: the Confessor and the Writer" attacks David Strauss's "The Old and the New Faith: A Confession," which Nietzsche holds up as an example of the German thought of the time. He paints Strauss's "New Faith"— a scientifically-determined universal mechanism based on the progression of history—as a vulgar reading of history in the service of a degenerate culture. Nietzsche polemically attacks not only the book but also Strauss as a Philistine of pseudo-culture.