New Philadelphia chronicles the history of a town founded in 1836 in Central Illinois by a freed slave. The book covers the history of the town, the inhabitants, their descendants, and the archeological digs.

New Philadelphia, Illinois, was founded in 1836 by Frank McWorter, a Kentucky slave who purchased his own freedom and then acquired land on the prairie for establishing a new—and integrated—community. McWorter sold property to other freed slaves and to whites, and used the proceeds to buy his family out of slavery. The town population reached 160, but declined when the railroad bypassed it. By 1940 New Philadelphia had virtually disappeared from the landscape. In this book, Paul A. Shackel resurrects McWorter’s great achievement of self-determinism, independence, and the will to exist. Shackel describes a cooperative effort by two universities, the state museum, the New Philadelphia Association, and numerous descendents to explore the history and archaeology of this unusual multi-racial community.

"A groundbreaking study in which an engaged archaeology produces nuanced understandings of the past and shapes new understandings of the present. New Philadelphia promotes a rethinking of race relations between African and European Americans."—Claire Smith, President, World Archaeological Congress "Shackel shows in explicit detail how one community archaeology project—dealing with the delicate subject of race—is being put into practice in the American Midwest. This is required reading for archaeologists and historic preservation activists who confront bondage and freedom, and who wrestle with remembrance and representation in real time."—Charles Orser, author of Race and Practice in Archaeological Interpretation "New Philadelphia examines an historic struggle for social justice and the role for archaeology in anti-racist projects. Shackel's engaging narrative shifts among artifacts, landscapes, and documents to illuminate the lives of African Americans and European Americans in a 19th- and early 20th-century community. This is an important book for archaeologists, historians, and cultural heritage practitioners interested in recovering the past to address pressing issues of the present."—Robert Paynter, co-editor of Lines that Divide and co-director of archaeological research at the W.E.B. Du Bois Boyhood Homesite

Over the past two decades, Pulitzer Prize-winning architecture critic Inga Saffron has served as the premier chronicler of Philadelphia's transformation as it emerged from a half century of decline. Becoming Philadelphia collects the best of Saffron's work, as she explores the tangled intersections of design, politics, and money at the heart of the city's resurgence.

Everybody has a bellybutton, Everybody has a nose, Everybody has a mouth, Everybody has toes. Everybody has hair . . . Some have black or brown or blonde or red, Some have gray or silver on their head. The different colors all aglow . . . Make everybody special, like a rainbow. Everybody Has a Belly Button is a timeless and delightful book for babies and toddlers that teaches our youngest readers about skin color, equality, and equity in the same way we teach our babies to find their belly button, nose, eyes, and toes. Cerina Vincent's effortless rhymes and Zoi Hunter's digital watercolor designs illustrate that “every body” is the same. And the subtle differences in our bodies’ colors (eyes, hair, skin) is what makes us all beautiful and special, “like a rainbow.” Babies learn through rhyme—it boosts brain activity and early literacy—and Everybody Has a Belly Button starts the conversation about racial equality immediately while also tenderly pointing out their other tiny body parts.

The Lady from Philadelphia records the antics of the most memorably and hopelessly bumbling of respectable American families. Confronted by the endless challenges of daily life, the Peterkins rise to every occasion with misguided aplomb: They sit out in the sun for hours and fail to go for a ride because they’ve forgotten to unhitch the horse; they play the piano from the porch through the parlor window because the movers left the keyboard turned that way; they decide to raise the ceiling to accommodate a too-tall Christmas tree. Only the timely intervention of their great and good friend, the lady from Philadelphia, can be counted on to get the Peterkins out of their latest scrape. A classic of American children’s literature and a masterpiece of deadpan drollery, The Lady from Philadelphia restores our astonishment at the ordinary, finding a rich vein of humor and happy surprise in the mere fact of our surviving the trivialities and tribulations of family life.

In 1772, Native Americans granted land in the Tuscarawas Valley to Moravian missionary David Zeisberger, and he established the Christian community of Schoenbrunn Village, which remained until 1777 when members were forced to relocate. Then in late 1804, John Knisely, his family, and other pioneers braved the western frontier and settled on the Tuscarawas River near the Schoenbrunn Village site. On October 23, 1804, John Knisely founded the town of New Philadelphia. He was a great philanthropist, donating land to the city for future public buildings, guaranteeing its selection as the Tuscarawas County Seat. In Schoenbrunn Village, which has been partially excavated and rebuilt as a historic site in New Philadelphia, missionaries lived in harmony with Native Americans, and so it seems fitting that New Philadelphia, through the influence of John Knisely's generosity, has maintained its image as the new "city of brotherly love." Two hundred years later, the city strives to keep Knisely's dream alive with its generous allocation of resources and commitment to those in need.