This volume deepens thinking and research about literature and Catholicism in the 19th and 20th centuries. It develops the understanding that a number of acclaimed literary texts have reflected, in imaginative and memorable ways, a distinctive Catholic sensibility, identity and philosophy of life, and, in so doing, have shed light on profound spiritual experiences in a variety of fictional settings.

This volume deepens thinking and research about literature and Catholicism in the 19th and 20th centuries. It develops the understanding that a number of acclaimed literary texts have reflected, in imaginative and memorable ways, a distinctive Catholic sensibility, identity and philosophy of life, and, in so doing, have shed light on profound spiritual experiences in a variety of fictional settings.

This volume investigates how literary texts have reflected, in ground-breaking ways, distinctive features of a Catholic philosophy of life. It demonstrates how literature, by its ability to capture the imagination, is able to evoke facets of human experience related specifically to a Catholic understanding of life.

This volume deepens thinking and research about literature and Catholicism in the 19th and 20th centuries. It develops the understanding that a number of acclaimed literary texts have reflected, in imaginative and memorable ways, a distinctive Catholic sensibility, identity and philosophy of life, and, in so doing, have shed light on profound spiritual experiences in a variety of fictional settings.

From the early nineteenth to the mid-twentieth century, an impressive group of English speaking intellectuals converted to Catholicism. Outspoken and gifted, they intended to show the fallacies of religious skeptics and place Catholicism, once again, at the center of western intellectual life. The lives of individual converts—such as John Henry Newman, G. K. Chesterton, Thomas Merton, and Dorothy Day—have been well documented, but Patrick Allitt has written the first account of converts' collective impact on Catholic intellectual life. His book is also the first to characterize the distinctive style of Catholicism they helped to create and the first to investigate the extensive contacts among Catholic convert writers in the United States and Britain. Allitt explains how, despite the Church's dogmatic style and hierarchical structure, converts working in the areas of history, science, literature, and philosophy maintained that Catholicism was intellectually liberating. British and American converts followed each other's progress closely, visiting each other and sending work back and forth across the Atlantic. The outcome of their labors was not what the converts had hoped. Although they influenced the Catholic Church for three or four generations, they were unable to restore it to the central place in Western intellectual life that it had enjoyed before the Reformation.

This work introduces key debates, movements, and ideas relating to the Christian religion, and connects these to literary developments from 1750-1914. The authors provide close readings of popular texts and use these to explore complex religious ideas.

Margaret Stieg Dalton offers a comprehensive study of the German Catholic cultural movement that lasted from the late nineteenth century until 1933. Rapidly advancing industrialization, higher literacy rates, rising real income, and increased leisure time created a demand for intellectually accessible entertainment. Technological developments gave rise not only to new forms of entertainment, but also to the means by which they were marketed and disseminated. high culture. Dalton's book examines the encounter of clergy and lay Catholics with both high culture and popular culture in Germany. German Catholic culture was more than the product of an individual who happened to be Catholic; it was intellectual and artistic activity with a specifically Catholic stamp, a unique blend that offered distinctive variants of art, literature, and music. In response to the predominant Protestant, nationalistic culture, German Catholics attempted to create an alternative cultural universe that would insulate them from a world that seemed to threaten their faith. and other Germans tried to determine to what extent the new world could be accepted while still holding on to traditional values. Catholicism, Popular Culture, and the Arts in Germany, 1880-1933 will be welcomed by anyone interested in European intellectual and cultural history.