Recent feminist criticism has revolutionized the way we view modern literature, none more than the stories and novels of Virginia Woolf. Jane Marcus here collects twelve provocative new essays by women scholars, all of them taking feminist critical approaches to yield fresh readings of Woolf's work. Ellen Hawke's "The Magical Garden of Women" and Jane Marcus's "Thinking Back through Our Mothers" explore Woolf's relationships with women and offer a historical approach to her identification with other women writers. Marcus points out Woolf's technical achievement in the creation of a demotic chorus, the "collective sublime," in direct opposition to the "egotistical sublime" of male writers. Sara Ruddick's "Private Brothers/Public World" compares Woolf's relations with real and fictional brothers. Judy Little revises all previous readings of Jacob's Room by treating it as parody. J. J. Wilson's "Why Is Orlando Difficult?" broaches the central problem of Woolf's most notorious novel. Jane Lilienfeld's investigation of To the Lighthouse provides new insight into the Ramsays' marriage. Suzette Henke's reading of Mrs. Dalloway detects an interlacing of feminism and Christian mysticism in the novel. Madeline Moore's essay on The Voyage Out explains that puzzling novel in terms of the myth of Demeter and Persephone, again a mother-daughter relationship. Susan Squier, overturning established opinion, argues that They Years is one of Woolf's most important novels. Louise DeSalvo's "Shakespeare's Other Sister" analyzes an unpublished Woolf story. Nora Eisenberg uses "Anon," an unpublished manuscript in the Berg Collections, to elucidate Between the Acts.

This updated edition of Bowlby's now classic work on Woolf features five new chapters.

"Woolf on Women" is a collection of Virginia Woolf’s essays about women (fictional, historical and those Woolf knew personally) and about how women should live. This compilation features essays that were published between 1924 and 1941 (the year of Woolf’s death) and includes work that was published posthumously. This book allows readers to catch a glimpse into Woolf’s mind, particularly her political, social and socio-economic opinions. It contains famous works such as ‘A Room of One’s Own’ (1928), focusing on women’s lack of freedom both in the law and in their creative expression, ‘Professions for Women’ (1931), discussing the role of a housewife, and ‘Three Guineas’ (1938), the sequel to ‘A Room of One’s Own’, which explores anti-war themes. An essential read for fans of Woolf and those who want to take a deeper dive into her thoughts, this book is also the perfect gift for lovers of feminist literature. Virginia Woolf (1882–1941) was an English writer and feminist pioneer. She was integral to the widespread use of the narrator style stream of consciousness as a literary technique. Some of her most notable work includes the novels 'Mrs Dalloway' (1925) and 'To the Lighthouse' (1927). Read & Co. Great Essays is proudly republishing these essays in a brand-new collection for the enjoyment of collectors of Woolf’s books and those who are new to her work.

This collection of new feminist essays represents the work of young critics researching and teaching in British Universities. Aiming to set the agenda for feminist criticism in the nineties, the essays debate themes crucial to the development of feminist thought: among them, the problems of gendered knowledge and the implications of accounts of gendered language, cultural restraints on the representation of sexuality, women’s agency, cultural and political change, a feminist aesthetics and new readings of race and class. This variety is given coherence by a unity of aim – to forge new feminist discourses by addressing conceptual and cultural questions central to problems of gender and sexual difference. The topics of discussion range from matrilinear thought to seventeenth-century prophecy; the poetry of Amelia Lanyer to Julia Margaret Cameron’s photographs; from Dorothy Richardson and Virginia Woolf to eighteenth-century colonial painting of the South Pacific; from medieval romance to feminist epistemology. The essays utilise and question the disciplines of literary criticism, art history, photography, psychoanalysis, Marxist history and post-structuralist theory.

A Room of One’s Own is an essay written by Virginia Woolf. It was published in 1929 and is based on two lectures given by the author in 1928 at two colleges for women at Cambridge. In this famous essay, Woolf addressed the status of women, and women artists in particular. In this essay, the author also asserts that a woman must have money and a room of her own if she is to write. According to Woolf, women’s creativity has been curtailed due to centuries of prejudice and financial and educational disadvantages. To emphasize her view, she offers the example of an imaginary gifted but uneducated sister of William Shakespeare, who, discouraged from all eventually kills herself. Woolf celebrates the work of women who have overcome that tradition and become writers, including Jane Austen, George Eliot, and the Brontë sisters, Anne, Charlotte, and Emily. In the final section Woolf suggests that great minds are neutral and argues that intellectual freedom requires financial freedom. The author entreats her audience to write not only fiction but poetry, criticism, and scholarly works as well.

This study argues that Virginia Woolf taught herself to be a feminist artist and public intellectual through her revisionary reading. Fernald gives a clear view of Woolf's tremendous body of knowledge and her contrast references to past literary periods

Studienarbeit aus dem Jahr 2005 im Fachbereich Anglistik - Literatur, Note: 2.0, Universität Paderborn, Veranstaltung: Selected Novels in the first half of the 20th century, Sprache: Deutsch, Abstract: Virginia Woolf (1882-1941) was one of the most important female authors in the transitional period from Victorian age to the Edwardian age. Until her death at the age of 59 she published several novels, feminist essays and held two classes in Cambridge about "Women and Fiction". In this term paper I would like to introduce the feminism aspects of her life and novels, and give an over-view of the essays she wrote. After giving a short introduction with the most important facts about Virginia Woolf's life, my first intention is to define the theory of feminism and show how it affected Virginia already as a young girl and mainly as an independent woman. Later, three of her novels are taken to demonstrate how Virginia Woolf's development influenced her literary output. I would also like to show the differences between Virginia Woolf's attitude towards women and men and compare it to theories of the feministic movement in the 20th century. This will be followed by a summary and conclusion, and a Bibliography, which only shows the most relevant books published for this subject, for there are numerous biographies and essays written on Virginia Woolf's life.