His name summons up our earliest images of the beloved books we read as children. His illustrations for Scribner's Illustrated Classics (Treasure Island, Kidnapped, The Last of the Mohicans, The Yearling) are etched into the collective memory of generations of readers. He was hailed as the greatest American illustrator of his day. For forty-three years, starting in 1902, N.C. Wyeth painted landscapes, still lifes, portraits, and murals, as well as illustrations for a long shelf of world literature. Yet despite worldwide acclaim, he judged himself a failure, believing that illustration was of no importance. David Michaelis tells the story of Wyeth's family through four generations -- a saga that begins and ends with tragedy -- and brings to life the huge-spirited, deeply complicated man, and an America that was quickly vanishing.

This nostalgic collection vividly reproduces the work of N.C. Wyeth, Howard Pyle, Harvey Dunn, Frank Schoonover, Philip R. Goodwin and Dean Cornwell from their original paintings that illustrated the pages of popular books and magazines of up to a century ago. 45 color, 15 b&w illustrations.

Recounts the coming of the Pilgrims to America, with illustrations by N.C. Wyeth.

N. C. Wyeth was one of America's greatest illustrators and the founder of a dynasty of artists that continues to enrich the American scene. This collection of letters, written from his eighteenth year to his tragic death at sixty-one, constitutes in effect his intimate autobiography, and traces and development and flowering of the "Wyeth tradition" over the course of several generations. -- Amazon.com.

First catalogue raisonn, of N.C. Wyeth's work, compiled by the foremost historian on the subject.

Published in conjunction with an exhibition held at Brandywine River Museum of Art, June 23-September 15, 2019, Portland Museum of Art, October 4, 2019-January 12, 2020, and at the Taft Museum of Art, February 8-May 3, 2020.

More than 300 four-color and black-and-white illustrations by one of America's preeminent painters are collected here, along with illuminating text from the artist's letters, magazine articles about his work, and many other sources. The result: a fully realized portrait of a golden age illustrator whose work appeared in then Saturday Evening Post, a classic edition of Treasure Island, and elsewhere for 42 years.