This book introduces the concept of narrative tradition to study representation in international politics. Focusing specifically on the case of Turkey, the book shows how narrative traditions are constructed, maintained, and passed on by a loose epistemic community that involves practitioners and experts including scholars, journalists, diplomats, and political representatives. Employing an interpretative approach, the book distinguishes between four narrative traditions in the study of Turkey: Turkey as a state that is (1) getting lost, (2) standing at a decisive crossroad, (3) led by strongmen, and (4) struggling with a creeping Islamisation.These narrative traditions carry enduring beliefs that not only describe, moralise, judge, and stigmatise Turkey, but also contribute to the idea of the West. The book focuses on knowledge that is produced from a Western perspective, showing that Turkey provides a channel through which the Western self can be debated, challenged, celebrated, and judged.

This volume harnesses the virtual explosion of narrative writing in contemporary academic international politics. It comprises a prologue, an epilogue, and sixteen chapters that both build upon and diversify the success of the 2011 volume Autobiographical International Relations . Here, as in that volume, academics place their narratives in the context of world politics, culture, and history. Contributors explore moments in their academic lives that are often inexpressible in the standard academic voice and which, in turn, require a different way of writing and knowing. They write in the belief that academic IR has already begun to benefit from a different kind of writing—a stylae that retrieves the I and explicitly demonstrates its presence both within the world and within academic writing. By working within the overlap between theory, history, and autobiography, these chapters aim to increase the clarity, urgency, and meaningfulness of academic work. Highlighting the autoethnographic and autobiographic turn in critical international relations, this work will be of great interest to students and scholars in international relations, IR theory and global politics.

This book introduces the concept of narrative tradition to study representation in international politics. Focusing specifically on the case of Turkey, the book shows how narrative traditions are constructed, maintained, and passed on by a loose epistemic community that involves practitioners and experts including scholars, journalists, diplomats, and political representatives. Employing an interpretative approach, the book distinguishes between four narrative traditions in the study of Turkey: Turkey as a state that is (1) getting lost, (2) standing at a decisive crossroad, (3) led by strongmen, and (4) struggling with a creeping Islamisation.These narrative traditions carry enduring beliefs that not only describe, moralise, judge, and stigmatise Turkey, but also contribute to the idea of the West. The book focuses on knowledge that is produced from a Western perspective, showing that Turkey provides a channel through which the Western self can be debated, challenged, celebrated, and judged.

This book systematically explores how different theoretical concepts of myth can be utilised to interpretively explore contemporary international politics. From the international community to warlords, from participation to effectiveness – international politics is replete with powerful narratives and commonly held beliefs that qualify as myths. Rebutting the understanding of myth-as-lie, this collection of essays unearths the ideological, naturalising, and depoliticising effect of myths. Myth and Narrative in International Politics: Interpretive Approaches to the Study of IR offers conceptual and methodological guidance on how to make sense of different myth theories and how to employ them in order to explore the powerful collective imaginations and ambiguities that underpin international politics today. Further, it assembles case studies of specific myths in different fields of International Relations, including warfare, global governance, interventionism, development aid, and statebuilding. The findings challenge conventional assumptions in International Relations, encouraging academics in IR and across a range of different fields and disciplines, including development studies, global governance studies, strategic and military studies, intervention and statebuilding studies, and peace and conflict studies, to rethink ideas that are widely unquestioned by policy and academic communities.

Showcases a range of empirical studies that highlight the potential, inclusivity, and durability of the strategic narrative approach to International Relations

This book presents an innovative approach to research in International Relations by examining 12 theoretical contributions to the field as competing narrative bids. It demonstrates the pervasive nature of storytelling and considers narratives as a means of causal explanation in the human sciences. By introducing four classic literary plot structures with their respective characters, events, moods and denouements, the book divides IR literature into tragedies, romances/epics, comedies and ironic/satirical stories. For each plot type, its characteristic features, logic and appeal are first reprised through some well-known prose examples before being employed in the analysis of major IR texts. King Lear, for example, helps bring out the tragic logic of Politics among Nations, and Sleeping Beauty demonstrates the romantic appeal inherent in The End of History. Twelfth Night is used to approach The Transformation of Political Community as a comedy, and A Modest Proposal paves the way for the examination of Bananas, Beaches and Bases as irony/satire. Rather than assess the absolute merits and shortcomings of the competing theories, the book discusses the relative strengths and weaknesses of stories that adhere to different plots in giving meaning to actors and events in the international arena. Discussing a broad range of theories, this text will be of interest to scholars and students of International Relations and World Politics, including various subcommunities such as specialists in peace research and Feminist IR.

Communication is central to how we understand international affairs. Political leaders, diplomats, and citizens recognize that communication shapes global politics. This has only been amplified in a new media environment characterized by Internet access to information, social media, and the transformation of who can communicate and how. Soft power, public diplomacy 2.0, network power – scholars and policymakers are concerned with understanding what is happening. This book is the first to develop a systematic framework to understand how political actors seek to shape order through narrative projection in this new environment. To explain the changing world order – the rise of the BRICS, the dilemmas of climate change, poverty and terrorism, the intractability of conflict – the authors explore how actors form and project narratives and how third parties interpret and interact with these narratives. The concept of strategic narrative draws together the most salient of international relations concepts, including the links between power and ideas; international and domestic; and state and non-state actors. The book is anchored around four themes: order, actors, uncertainty, and contestation. Through these, Strategic Narratives shows both the possibilities and the limits of communication and power, and makes an important contribution to theorizing and studying empirically contemporary international relations. International Studies Association: International Communication Best Book Award