This book fills a gap in the study of mystery cults in Graeco-Roman Antiquity. Focusing on the visual language surrounding these cults, it aims to understand how images depict mysteries in different cults: Dionysus, Mithras, Mother of the Gods, and Isiac cults.

Mystery cults are one of the most intriguing areas of Greek and Roman religion. In the nocturnal mysteries at Eleusis, participants dramatically re-enacted the story of Demeter's loss and recovery of her daughter Persephone; in Bacchic cult, bands of women ran wild in the Greek countryside to honour Dionysus; in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important part of life in the ancient Mediterranean world, but their actual practices were shrouded in secrecy, and much of what they were about has remained unclear until now. This is the first book to describe and explain all the major mystery cults of the ancient world, cult by cult, reconstructing the rituals and exploring their origins. It makes plentiful use of artistic and archaeological evidence, as well as ancient literature and epigraphy. Greek painted pottery, Roman frescoes, inscribed gold tablets from Greek and South Italian tombs and the excavated sites of ancient religious sanctuaries all contribute to our understanding of ancient mystery cults. Making use of the most recent work on these cults, the book is also informed by crucial current work on the anthropology and cognitive science of religion. Not only is this clearly written book a significant contribution to the study of these cults, but it is also accessible to a general readership. More than any other book on ancient religion, it allows the reader to understand what it was like to participate in these life-transforming religious events.

Martyrdom is a phenomenon common to many of the world's religious traditions. But why? In this study, John Soboslai offers insights into the practices of self-sacrifice within specific sociopolitical contexts. Providing a new understanding of martyrdom through the lens of political theology, he analyzes discourses and performances in four religious traditions during social and political crises, beginning with second-century Christianity in Asia Minor, where the term 'martyr' first took its meaning. He also analyzes Shi'a Islam in the 1980s, when 'suicide bombing' first appeared as a strategy in West Asia; global Sikhism during World War I, where martyrs stood for and against the British Raj; and twenty-first-century Tibetan Buddhism, where self-immolators used their bodies in opposition to the programs of the People's Republic of China. Presenting a new theory of martyrdom linked to constructions of sovereign authority, Soboslai reveals common features of self-sacrifice and demonstrates how bodily performances buttress conceptions of authority.

Choreonarratives, a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees’ responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives rethink dance’s capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann

The Roman world was diverse and complex. And so were religious understandings and practices as mirrored in the enormous variety presented by archaeological, iconographic, and epigraphic evidence. Conventional approaches principally focus on the political role of civic cults as a means of social cohesion, often considered to be instrumentalized by elites. But by doing so, religious diversity is frequently overlooked, marginalizing ‘deviating’ cult activities that do not fit the Classical canon, as well as the multitude of funerary practices and other religious activities that were all part of everyday life. In the Roman Empire, a person’s religious experiences were shaped by many and sometimes seemingly incompatible cult practices, whereby the ‘civic’ and ‘imperial’ cults might have had the least impact of all. Our goal therefore is to rethink our methodologies, aiming for a more dynamic image of religion that takes into account the varied and often contradictory choices and actions of individual, which reflects the discrepant religious experiences in the Roman world. Is it possible to ‘poke into the mind’ of an individual in Roman times, whatever his/her status and ethnicity, and try to understand the individual’s diverse experiences in such a complex, interconnected empire, exploring the choices that were open to an individual? This also raises the question whether the concept of individuality is valid for Roman times. In some periods, the impact of individual actions can be more momentous: the very first adoption of Roman-style sculpture, cult practices or Latin theonyms for indigenous deities can set in motion long-term processes that will significantly influence people’s perceptions of local deities, their characteristics, and functions. Do individual choices and preferences prevail over collective identities in the Roman Empire compared to pre-Roman times? To examine these questions, this volume presents case studies that analyze individual actions in the religious sphere.

Wars never run according to plan, perhaps never more so than during the Italian campaign, 1943–45, where necessary coordination between the different armies added additional complexity to Allied plans. Errors in the strategies, tactics, the coalition tensions, and operations at campaign command level can clearly be seen in firsthand accounts of the period. This new account examines the Italian campaign, from Sicily to surrender in 1945, exploring the strategy, intentions, motives, plans, and deeds. It then offers a detailed insight into the five commanders who led the battles in Italy—the two British commanders, Montgomery and Alexander; two American, Patton and Clark; and the leading German commander, Field Marshal Kesselring. Their personal notes and accounts, taken alongside archival material, provides some surprising conclusions—Montgomery was not quite the master of war he is portrayed as; Patton had serious flaws, exposed by wasting men’s lives to save a relative and overlooking the shooting of prisoners of war; Clark lost lives to bolster his image; Alexander the gentleman was far too vague to be effective as a senior leader. Meanwhile, condemned war criminal Kesselring appears to be the most efficient and also, like Alexander, one of the most popular leaders.

SENSORIVM publishes the first results of a collective investigation into how Roman rituals smelled, sounded, felt and struck the eye. It brings Roman religious experience into the realm of the senses.