Everyone in the world wants to be happy. Right? Now what if I found the easy way to happiness and passed it on. Wouldn’t that be a classic contribution to mankind? Well, I did find it and anyone can do it. The three essentials for progress in life are good health, someone who loves you and a potful of money. Those I can’t guarantee but my exclusive, unique way to happiness has been proven by me over the years and I have seen others do the same. A crackpot, you say. Perhaps, but it worked. Ready. You clone yourself. Definitely a crackpot, you say. No, listen. I became a great admirer of actress Agnes Moorehead. I earned my way into her good graces and besides living my own active life, responded to all her victories, defeats, temperaments, exultations, happiness, depression, all the human emotions

In a career spanning six decades, Agnes Moorehead (1900-1974) was perhaps unique among 20th-century American actresses in making her name in four entertainment media--radio, theater, film and television--after age 40. Focusing on 25 of her most representative performances, this retrospective analyzes her work on radio serials like Mayor of the Town (1942-1949) and Suspense (1942-1962), her stage productions of Don Juan in Hell and Gigi, her television appearances on Bewitched and The Twilight Zone and her Emmy-winning appearance on The Wild Wild West. The author presents Moorehead's roles in the context of her personal life, discusses her relationship with directors, producers and other performers and provides little known facts about the productions.

Jerome Kern (1885-1945) is considered one of the most versatile and influential of all American theatre and film composers. His pioneer work in developing a truly American musical sound inspired many of the great songwriters of the 1920s, 1930s, and 1940s, and his songs include dozens of beloved standards still heard today, such as “Smoke Gets in Your Eyes” and “The Way You Look Tonight.” The Jerome Kern Encyclopedia consists of entries on people, theatre and film musicals, songs, subjects, and themes related to the composer. Not only are all of Kern’s stage and screen projects from 1904 to 1946 covered, but there are also entries on all the major librettists and lyricists with whom he worked, as well as producers, directors, actors, and other individuals who figured prominently in his career. Approximately 100 of Kern’s most important songs are discussed, and other entries address awards, collaborations, working methods, song styles, and other related subjects. The encyclopedia also includes a brief biography of Kern, a chronology of his life and work, and appendices on recordings, interpolations, revivals, and remakes. The most complete work on one of America’s greatest composers, this fascinating, readable, and extensive look at Kern will appeal totheatregoers, movie musical fans, students, teachers, and professionals in musical theatre.

Before she achieved immortality on the long-running situation comedy Bewitched, Agnes Moorehead had established a distinguished career as a character actress. After her screen debut in Citizen Kane (1941), Moorehead became one of the most familiar female faces on the silver screen. For moviegoers of the 1940s and ‘50s, she was the quintessential character actress, earning four Academy Award nominations during a career that saw her gain the respect of her peers in all four major entertainment media: radio, film, theater, and television. In The Films of Agnes Moorehead, Axel Nissen looks at the actress’s sixty-three feature films between 1941 and 1973. Each film is profiled here, with particular emphasis placed on the films that merit closer attention: Citizen Kane, The Magnificent Ambersons, Mrs. Parkington, Dark Passage, All That Heaven Allows, The Left Hand of God, The Swan, Tempest, The Bat, and Hush… Hush, Sweet Charlotte. Arranged in chronological order, the discussion of these films highlights Moorehead’s contribution to each feature. In addition to analyzing her performances, the author discusses the development of Moorehead’s career as a whole, along with her relationship with various studios, directors, producers, and fellow actors. Based on extensive interviews with the actress’s surviving friends and co-workers, as well as detailed archival research into primary sources, this book brings to light new information not just about Moorehead’s work in film, but on her life and career in general. Though this book will certainly appeal to movie buffs, The Films of Agnes Moorehead will also be of interest to students and scholars of classic Hollywood films, including those interested in women and film, gender studies, and film history.

This is the HARDBACK version. Lovers of old-time radio hold a special place in their heart for Agnes Moorehead. She was one of the busiest and most definitive actresses of that medium. The bottom line is that Agnes Moorehead is one of the few actresses who succeeded in every realm of show business: stage, radio, film, and television. The respect of her peers can be summed up in these statistics: four Academy Award nominations, seven Emmy nominations - with one win - two Golden Globe nominations - with two wins - and the Best Actress award from the New York Film Critics. This impressive, 400+ page biography, complete with filmography and radiography, proves to readers and scholars alike that she was much more than the witch of Endor! *This is the 2nd edition of the bestselling book, with new material and cover!*

SURRENDER - JESUIT PRIEST/SOVIET PRISONER SURRENDER is the true story of the vocation of an American Jesuit priest, accused by the Soviet era K.G.B. of being a Vatican spy, who survived fifteen years of hard labor in Siberian prison camps. Father Walter Ciszek not only survived but learned to surrender to God's Providence. SURRENDER is a narrative digest based entirely on Father Ciszek's two books: With God in Russia, (1964), published one year after his release from Russia, and his second book, He Leadeth Me, (1973), published nine years later. SURRENDER interweaves these two books and telescopes the most dramatic events of Father Ciszek's vocation and steadfast fidelity to that calling through the crucible of unjust imprisonment following the end of World War II. Hopefully, through the relative brevity of SURRENDER, the major chords of Father Ciszek's heroic embrace of God's Providence in the most extreme conditions will resonate. The reason why Father Ciszek's cause for Canonization, the process of declaration of Sainthood in the Roman Catholic Church, is currently proceeding should be abundantly evident. SURRENDER describes not the triumph of human will-power but the freedom of total dependence on God. The paradox of power to love is only born in the powerlessness of surrender of self-will to God's Providence.

Dit boek is een vervolg op een eerdere gesprekkenreeks met homo's uit de wereld van film en theater. Enkele namen: Dorothy Arzner, Barbara Stanwyck en Marjorie Main. De gesprekken gaan natuurlijk vooral over film en de respectievelijke carrières van de geïnterviewden, maar er is ook plaats en tijd voor uitweidingen zoals bijvoorbeeld over vrouwen en politiek.