"In the Technicolor glow of the early seventies, Jessica B. Harris debated, celebrated, and danced her way from the jazz clubs of the Manhattan's West Side to the restaurants of the Village, living out her buoyant youth alongside the great minds of the day--luminaries like Maya Angelou, James Baldwin, and Toni Morrison. [This memoir] is her paean to that ... social circle and the depth of their shared commitment to activism, intellectual engagement, and each other"--Publisher marketing.

One of the most pivotal moments in American history is brought to light through stirring, thought-provoking eyewitness accounts from people who have played active roles in the civil rights movement over the past 50 years.

"What is the relationship," James Cone asks, "between my training as a theologian and the black struggle for freedom? For what reason has God allowed a poor black boy from Bearden to become a professional systematic theologian? As I struggled with these questions...I could not escape the overwhelming conviction that God's spirit was calling me to do what I could for the enhancement of justice in the world, especially on behalf of my people. 'My Soul Looks Back' chronicles the author's grappling with these questions, as well as his formulation of an answer--an answer that would lead to the development of a black theology of liberation. Firmly rooted in the black church tradition, James Cone relates the formative features of his faith journey, from his childhood experience in Bearden, Arkansas, and his father's steadfast resistance to racism, through racial discrimination in graduate school, to his controversial articulation of a faith that seeks to break the shackles of racial oppression. In describing his more recent encounters with feminist, Marxist, and Third World thinkers, James Cone provides a compelling description of liberation theology, and a vivid portrayal of what it means to profess "a faith that does justice". (Back cover).

In this compelling collection of words and pictures, thirteen major poets contribute poems to emotionally vivid portraits by artist Tom Feelings. An outstandingly beautiful and powerful book." --Kirkus Reviews

She doesn't see dead people, but… She senses when someone near her is about to die. And when that happens, a force beyond her control compels her to scream bloody murder. Literally. Kaylee just wants to enjoy having caught the attention of the hottest guy in school. But a normal date is hard to come by when Nash seems to know more about her need to scream than she does. And when classmates start dropping dead for no apparent reason, only Kaylee knows who'll be next…

In this presentation, Dr. David C. Penn invites the reader on a historical pilgrimage back to the early portion of the nineteenth century, in order to revisit the lineage and inception of the George-Kennedy-Anderson-Cathey family of African descent. According to the author, It is incumbent upon those of us who are surrogates of their sacrifices, to remember the longsuffering, the labor, the toil and the tears, which has been given on our behalf by this esteemed ?ÇÿCollective which had its beginning in the ?Çÿslave state of Tennessee. It is without question a legacy of unfaltering faith that we should never forget.

Night’s chill tickled her skin. Lonnie pressed her hands together and glanced up. He was even more handsome up close. Having grown up the shy, awkward daughter of Joel Sawyer, she’d hardly spoken to any boy, let alone the one who had mothers whispering warnings in their daughter’s ears and fathers loading shotguns. Pretty Lonnie Sawyer is shy and innocent, used to fading into the background within her family, and among the creeks and hollows of the Appalachian hills. Though her family is poor and her father abusive, she clings to a quiet faith. But when handsome ladies’ man and bluegrass musician Gideon O’Riley steals a kiss, that one action seals her fate. Her father forces her into a hasty marriage with Gideon—a man she barely knows and does not love. Equally frustrated and confused by his new responsibilities, Gideon yearns for a fresh start, forcing Lonnie on an arduous journey away from her home in Rocky Knob. Her distant groom can’t seem to surrender his rage at the injustice of the forced matrimony or give Lonnie any claim in his life. What will it take for Gideon to give up his past, embrace Lonnie’s God, and discover a hope that can heal their two fractured hearts? Gideon only ever cared about himself. Now that Lonnie is his wife, will he ever be worthy of her heart?