This book gives an account of the ways in which Islamic traditions have contributed to the construction of modern Muslim selfhoods. They underpin Eisenstadt’s argument that religious traditions can play a pivotal role in the historically different interpretations of modernity.

What have the concepts of modernity and secularization meant for Islamic tradition, culture and society? How have the discourses which surround all of these issues influenced Muslim self-perception and individual identity? There have been many attempts to describe and analyse the encounter between Islam and modernity in the Middle East, but few have been able so effectively to explore the impact this has on the idea and reality of religious identity and individual religiosity. Maha F. Habib examines modernity from this angle, offering socio-cultural, philosophical and literary perspectives. She assesses how this is played out in Egypt, analysing cultural changes in the country through its intellectual thought and literature, from the nineteenth century to the present day. Her references to the works of Muhammad Abdu, Muhammad Husayn Haykal, 'Abbas Mahmud al-'Aqqad, Naguib Mahfouz, Alaa al-Aswany and Salwa Bakr reveal contemporary issues and concerns which will interest those researching the cultural and social milieu of modern Egypt.

Rather than focus solely on theological concerns, this well-rounded introduction takes an expansive view of Islamic ideology, culture, and tradition, sourcing a range of historical, sociological, and literary perspectives. Neither overly critical nor apologetic, this book reflects the rich diversity of Muslim identities across the centuries and counters the unflattering, superficial portrayals of Islam that are shaping public discourse today. Aaron W. Hughes uniquely traces the development of Islam in relation to historical, intellectual, and cultural influences, enriching his narrative with the findings, debates, and methodologies of related disciplines, such as archaeology, history, and Near Eastern studies. Hughes's work challenges the dominance of traditional terms and concepts in religious studies, recasting religion as a set of social and cultural facts imagined, manipulated, and contested by various actors and groups over time. Making extensive use of contemporary identity theory, Hughes rethinks the teaching of Islam and religions in general and helps facilitate a more critical approach to Muslim sources. For readers seeking a non-theological, unbiased, and richly human portrait of Islam, as well as a strong grasp of Islamic study's major issues and debates, this textbook is a productive, progressive alternative to more classic surveys.

This book addresses the increasing role of queer politics within forms of Islamophobia, both by exploring the framing of lesbian, gay, bisexual, and transgender (LGBT) issues as a key marker of western superiority and by identifying the ways in which Muslim homophobia contributes to this dialectic.

The Isma'ili Muslims, a major sect of Shi'i Islam, form a community that is intriguing in its deterritorialized social organization. Informed by the richness of Isma'ili history, theories of transnationalism and globalization, and firsthand ethnographic f

This volume considers literary fiction by Muslim writers, dealing with the interaction of Muslim and non-Muslim cultures and exploring liberal orthodoxies such as secularism and multiculturalism. It covers writers such as Rushdie, Kureishi, Hamid, Aslam and Shamsie in essays by experts in English, South Asian, and postcolonial literatures in English.

"What have the concepts of modernity and secularization meant for Islamic tradition, culture and society? How have the discourses which surround all of these issues influenced Muslim self-perception and individual identity? There have been many attempts to describe and analyse the encounter between Islam and modernity in the Middle East, but few have been able so effectively to explore the impact this has on the idea and reality of religious identity and individual religiosity. Maha F. Habib examines modernity from this angle, offering socio-cultural, philosophical and literary perspectives. She assesses how this is played out in Egypt, analysing cultural changes in the country through its intellectual thought and literature, from the nineteenth century to the present day. Her references to the works of Muhammad Abdu, Muhammad Husayn Haykal, 'Abbas Mahmud al-'Aqqad, Naguib Mahfouz, Alaa al-Aswany and Salwa Bakr reveal contemporary issues and concerns which will interest those researching the cultural and social milieu of modern Egypt."--Bloomsbury Publishing.