An inquiry into hearing voices-one of humanity's most profound phenomena Auditory hallucination is one of the most awe-inspiring, terrifying, and ill- understood tricks of which the human psyche is capable. In the age of modern medical science, we have relegated this experience to nothing more than a biological glitch. Yet as Daniel B. Smith puts forth in Muses, Madmen, and Prophets, some of the greatest thinkers, leaders, and prophets in history heard, listened to, and had dialogues with voices inside their heads. In a fascinating quest for understanding, Smith examines the history of this powerful phenomenon, and delivers a ringing defense of the validity of unusual human experiences.

Smith presents the strange history of auditory hallucination and reevaluates the popular conception of the phenomenon today and through the ages. He reveals the roots of the medical understanding and treatment of it along with its relationship to the nature of pure faith.

Shares the author's personal experiences with anxiety, describing its painful coherence and absurdities while sharing the stories of other sufferers to illustrate anxiety's intellectual history and influence.

We live immersed in thought. But do we actually know what a thought is? To answer this question, psychology professor Charles Fernyhough draws on everything from neuroscience to literary history to grasp the true nature of this most inscrutable of acts: thinking. Whether a medieval saint who hears voices or a writer absorbed in an imagined world, a daydreamer riding the subway or a captivated reader, we experience thought as a creative inner dialogue featuring multiple voices. Fernyhough uses this conception to demystify mental illness, showing that imagining voices is intimately linked to the feeling of artistic production. Drawing on literature, film, and psychology, as well as cognitive science, The Voices Within is a poetic venture into the depths of our mind. It will revolutionize the way we hear and understand the voices in our heads.

Hallucinations, for most people, imply madness. But there are many different types of non-psychotic hallucination caused by various illnesses or injuries, by intoxication--even, for many people, by falling sleep. From the elementary geometrical shapes that we see when we rub our eyes to the complex swirls and blind spots and zigzags of a visual migraine, hallucination takes many forms. At a higher level, hallucinations associated with the altered states of consciousness that may come with sensory deprivation or certain brain disorders can lead to religious epiphanies or conversions. Drawing on a wealth of clinical examples from his own patients as well as historical and literary descriptions, Oliver Sacks investigates the fundamental differences and similarities of these many sorts of hallucinations, what they say about the organization and structure of our brains, how they have influenced every culture's folklore and art, and why the potential for hallucination is present in us all.

In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.

This collection of papers explores the sacred and magical aspects of ethno-medicine. The subject area is marked out by the points of connection between religious anthropology, ethno-medicine and medical anthropology, focusing on topics such as magical and religious concepts of health and disease, causes of disease, religious and magical averting and healing rites, healing gods, saints and, last but not least, the role that these play in the society, religion, mentality and everyday life of a community, as well as their various representations in folklore, literature or art. This volume includes, without restrictions of a methodological, temporal or geographical nature, works from the fields of folklore studies, anthropology, cultural history, comparative historical and textual philology, as well as research findings using the latest methods of analysis in textual folklore or based on archival research or fieldwork in or outside of Europe. This book will appeal to researchers and students of religion, folklore, and medical anthropology, as well as general readers interested in the humanities and cultural history.