Based on the hit TV series, a murder at exclusive spa resort leaves a small circle of suspects for the British detective inspector on the case. DI Richard Poole has been seconded from London to the beautiful Caribbean island of Saint Marie. More comfortable in woolen suits than short-sleeved shirts, he’s struggling to adapt to his new home. But this paradise is about to get deadly. When self-appointed guru Aslan Kennedy gets murdered in his spiritual retreat for wealthy holidaymakers, it’s down to DI Poole to find the killer. The murder took place in a locked room with five other people inside, and when someone confesses, it seems an open and shut case. But DI Poole knows the facts just don’t add up, and there is more to the mystery than meets the eye. . . . The first installment of the Death in Paradise Mysteries, perfect for fans of Agatha Christie and Caroline Graham. “I love Robert Thorogood’s writing.” —Peter James, international bestselling author of Picture You Dead

Meditation leads to peace and tranquility-or deadly visions if you're psychic Sunshine Meadows... Sunny's parents and Granny couldn't be happier-or more overbearing-with the news of their first grandchild on the way, and Sunny's new husband Detective Mitch Stone couldn't be more terrified-or overprotective. Even her biggest ally Morty the cat has turned against her and partnered up with her husband, which is something she never thought she'd see in this lifetime. All because trouble has a way of seeking her out. When Sunny becomes over-stressed, her doctor orders her to meditate. Not an easy task with a psychic convention in town. Sunny's visions are not of pink and blue; she's seeing red as meditation leads to murder and the head psychic winds up dead. With no prime suspects, Sunny has no choice but to seek out trouble and use her clairvoyant abilities to solve this case if she is ever going to be free to focus on being a mother. That is if the real killer doesn't make her lose her mind first...

Meet Helen Thorpe. She’s smart, preternaturally calm, deeply insightful and a freshly trained butler. On the day she is supposed to start her career as an unusually equanimous domestic professional serving one of the wealthiest families in the world, she is called back to a spiritual retreat where she used to work, the Yatra Institute, on one of British Columbia’s gulf islands. The owner of the lodge, Helen’s former employer Edna, has died while on a three-month silent self-retreat, leaving Helen instructions to settle her affairs. But Edna’s will is more detailed than most, and getting things in order means Helen must run the retreat for a select group to determine which of Edna’s relatives will inherit the institute. Helen’s classmates, newly minted butlers themselves, decide they can’t let her go it alone and arrive to help Helen pull things off. After all, is there anything three butlers can’t handle? As Helen carries out the will’s instructions, she begins to think that someone had reason to want Edna dead. A reluctantly suspicious investigator, Helen and her band of butlers find themselves caught up in the mystery.

Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours. Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us, and fragments from Jane’s own diaries written when she was 13 and 21, its eight sections cover Jane’s childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson’s girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane’s sister) to retrace the path of Jane’s final hours. Each piece in Jane has its own form, and the movement from each piece to the next--along with the white space that surrounds each fragment--serve as important fissures, disrupting the tabloid, “page-turner” quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Equal parts a meditation on violence (serial, sexual violence in particular), and a conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of--what kind of stories it can tell, and how it can tell them.

In the early nineteenth century, a series of murders took place in and around London which shocked the whole of England. The appalling nature of the crimes—a brutal slaying in the gambling netherworld, the slaughter of two entire households, and the first of the modern lust-murders—was magnified not only by the lurid atmosphere of an age in which candlelight gave way to gaslight, but also by the efforts of some of the keenest minds of the period to uncover the gruesomest details of the killings.These slayings took place against the backdrop of a London in which the splendor of the fashionable world was haunted by the squalor of the slums. Sir Walter Scott, Lord Byron, Thomas De Quincey, Thomas Carlyle, and Percy Bysshe Shelley and others were fascinated by the blood and deviltry of the macabre. In their contemplations of the most notorious murders of their time, they discerned in the act of killing itself a depth of hideousness that we have lost sight of, now living in an age in which murder has been reduced to a problem of social science and skillful detective work. Interweaving these cultural vignettes alongside criminal history, acclaimed author Michael Beran paints a vivid picture of a time when homicide was thought of as the intrusion of the diabolic into ordinary life.

Based on a true story--one of Idaho's strangest murders (1917). Frieda lives by the laws of the wilderness in primitive isolation with her husband--until she finds something more important than raw survival. Suspense intensifies to the shocking conclusion, then resolves in deliverance. Set on the Middle Fork of the Salmon River. "This is one of those rare gems... a small but powerful work. It captures the roughness of life and the people, and the awesome land in which they struggled... The writing is finely balanced, the tale both universal and yet specific to its time and place... up there with Conrad Richter's Sea of Grass." -Persia Woolley, author of The Guinevere Trilogy