"[W]hat is true of Rwanda is true in each of us; we all share in Africa." -- L'Harmattan "[This novel] comes closer than have many political scientists or historians to trying to understand why this small country... sank in such appalling violence." -- Radio France International In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Now, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation. The novel recounts the story of a Rwandan history teacher, Cornelius Uvimana, who was living and working in Djibouti at the time of the massacre. He returns to Rwanda to try to comprehend the death of his family and to write a play about the events that took place there. As the novel unfolds, Cornelius begins to understand that it is only our humanity that will save us, and that as a writer, he must bear witness to the atrocities of the genocide. From the novel: "If only by the way people are walking, you can see that tension is mounting by the minute. I can feel it almost physically. Everyone is running or at least hurrying about. I meet more and more passersby who seem to be walking around in circles. There seems to be another light in their eyes. I think of the fathers who have to face the anguished eyes of their children and who can't tell them anything. For them, the country has become an immense trap in the space of just a few hours. Death is on the prowl. They can't even dream of defending themselves. Everything has been meticulously prepared for a long time: the administration, the army, and the [militia] are going to combine forces to kill, if possible, every last one of them."

A novel about the 1994 slaughter of nearly a million Rwandans.

In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Here, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation and a compelling afterword by Diop. The novel recounts the story of a Rwandan history teacher, Cornelius Uvimana, who was living and working in Djibouti at the time of the massacre. He returns to Rwanda to try to comprehend the death of his family and to write a play about the events that took place there. As the novel unfolds, Cornelius begins to understand that it is only our humanity that will save us, and that as a writer, he must bear witness to the atrocities of the genocide.

This dark and suspenseful novel tells the story of a fictitious West African country caught in the grip of civil war. The dispassionate and deadpan narrator, Asante Kroma, is a former head of Secret Services and finds himself living with the corpse of the dictator, a man who once ruled his nation with an iron fist. Through a series of flashbacks and letters penned by the dictator, N'Zo Nikiema, readers discover the role of the French shadow leader, Pierre Castaneda, whose ongoing ambition to exploit the natural resources of the country knows no limits. As these powerful men use others as pawns in a violent real-life chess match, it is the murder of six-year-old Kaveena and her mother's quest for vengeance that brings about a surprise reckoning.

As evidence emerged of the genocide in Rwanda in 1994, the outside world reeled in shock. What could have motivated these individual and collective acts of evil? In 1998, Véronique Tadjo traveled to Rwanda to try to find out. She started with the premise that what happened in Rwanda concerns us all: “We need to understand. Our humanity is in peril.” The Shadow of Imana is a reminder that humankind the world over is capable of genocide. Records of what the author saw—sites of massacres, corpses, weapons dumps—are combined with personal stories of traumatized returnees, bereaved survivors, rape victims, orphans, lawyers faced with the impossible task of doing justice, prisoners. But Tadjo’s story goes beyond mere reportage of death and cruelty. Her poetically wrought account incorporates traditional tales, explores the spiritual legacy of the genocide, and uncovers a healing vitality as well as a commitment to forgiveness. Véronique Tadjo was born in Paris and grew up in Côte d’Ivoire. The Shadow of Imana has been translated from the French by Véronique Wakerley.

Set during Burma's military dictatorship of the mid—1990s, Karen Connelly’s exquisitely written and harshly realistic debut novel is a hymn to human resilience and love. In the sealed-off world of a vast Burmese prison known as the cage, Teza languishes in solitary confinement seven years into a twenty-year sentence. Arrested in 1988 for his involvement in mass protests, he is the nation’s most celebrated songwriter whose resonant words and powerful voice pose an ongoing threat to the state. Forced to catch lizards to supplement his meager rations, Teza finds emotional and spiritual sustenance through memories and Buddhist meditation. The tiniest creatures and things–a burrowing ant, a copper-coloured spider, a fragment of newspaper within a cheroot filter–help to connect him to life beyond the prison walls. Even in isolation, Teza has a profound influence on the people around him. His integrity and humour inspire Chit Naing, the senior jailer, to find the courage to follow his conscience despite the serious risks involved, while Teza’s very existence challenges the brutal authority of the junior jailer, perversely nicknamed Handsome. Sein Yun, a gem smuggler and prison fixer, is his most steady human contact, who finds delight in taking advantage of Teza by cleverly tempting him into Handsome's web with the most dangerous contraband of all: pen and paper. Lastly, there's Little Brother, an orphan raised in the jail, imprisoned by his own deprivation. Making his home in a tiny, corrugated-metal shack, Little Brother stays alive by killing rats and selling them to the inmates. As the political prisoner and the young boy forge a cautious friendship, we learn that both are prisoners of different orders; only one of them dreams of escape and only one of them achieves it. Barely able to speak, losing the battle of the flesh but winning the battle of the spirit, Teza knows he has the power to transfigure one small life, and to send a message of hope and resistance out of the cage. Shortlisted for both the Kiriyama Prize for Fiction and the IMPAC Dublin Literary Award, The Lizard Cage has received rave reviews nationally and internationally.

What can we do to prevent more atrocities from happening in the future, and to stop the ones that are happening right now? That the World May Know tells the powerful and moving story of the successes and failures of the modern human rights movement. Drawing on firsthand accounts from fieldworkers around the world, the book gives a painfully clear picture of the human cost of confronting inhumanity in our day.