Lauren Beukes's frighteningly persuasive, high-tech fable that follows four narrators living in a dystopian near-future. Kendra, an art-school dropout, brands herself for a nanotech marketing program. Lerato, an ambitious AIDS baby, plots to defect from her corporate employers. Tendeka, a hot-headed activist, is becoming increasingly rabid. Toby, a roguish blogger, discovers that the video games he plays for cash are much more than they seem. On a collision course that will rewire their lives, these characters crackle with bold and infectious ideas, connecting a ruthless corporate-apartheid government with video games, biotech attack dogs, slippery online identities, a township soccer school, shocking cell phones, addictive branding, and genetically modified art. Taking hedonistic trends in society to their ultimate conclusions, Lauren Beukes spins a tale of a utopia gone wrong, satirically undermining the idea of progress as society's white knight.

A new paperback edition of Lauren Beukes's Arthur C Clarke Award-winning novel set in a world where murderers and other criminals acquire magical animals that are mystically bonded to them. Zinzi has a Sloth on her back, a dirty 419 scam habit, and a talent for finding lost things. When a little old lady turns up dead and the cops confiscate her last paycheck, Zinzi's forced to take on her least favorite kind of job--missing persons. Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell's undertow. Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she'll be forced to confront the dark secrets of former lives--including her own.

In a future where most of the men are dead, Cole and her twelve-year-old son Miles are on the run from the most dangerous person she knows ... her sister. Miles is one of the lucky survivors of a global epidemic. But, in a world of women, that also makes him a hot commodity. The Department of Men wants to lock him away in quarantine, forever, maybe. A sinister cult of neon nuns wants to claim him for their own; the answer to their prayers. And boy traffickers are close on their heels, thanks to Billie, Cole’s ruthless sister, who Cole thought she left for dead. In a desperate chase across a radically changed America, Cole will do whatever it takes to get Miles to safety. Because she’s all he’s got.

The jaw-dropping, page-turning, critically-acclaimed book of the year: a serial-killer thriller unlike any other from the award-winning Lauren Beukes. ‘GONE GIRL has not exactly gone. But THE SHINING GIRLS have arrived’ (The Times).

A criminal mastermind creates violent tableaus in abandoned Detroit warehouses in Lauren Beukes's genre-bending novel of suspense. Detective Gabriella Versado has seen a lot of bodies. But this one is unique even by Detroit's standards: half boy, half deer, somehow fused together. As stranger and more disturbing bodies are discovered, how can the city hold on to a reality that is already tearing at its seams? If you're Detective Versado's geeky teenage daughter, Layla, you commence a dangerous flirtation with a potential predator online. If you're desperate freelance journalist Jonno, you do whatever it takes to get the exclusive on a horrific story. If you're Thomas Keen, known on the street as TK, you'll do what you can to keep your homeless family safe -- and find the monster who is possessed by the dream of violently remaking the world. If Lauren Beukes's internationally bestselling The Shining Girls was a time-jumping thrill ride through the past, her Broken Monsters is a genre-redefining thriller about broken cities, broken dreams, and broken people trying to put themselves back together again. "Scary as hell and hypnotic. I couldn't put it down...I'd grab it if I were you." -- Stephen King

A Punk Lolita fighter-pilot rescues Tokyo from a marauding art installation. A young architect’s life is derailed by an inquisitive girl who happens to be a ghost. Loyalty to a favorite product can be addictive when it gets under your skin. In her edgy and satiric debut collection, award-winning South African author Lauren Beukes (The Shining Girls) never holds back. Ranging from Johannesburg to outer space, Beukes is a fierce and captivating presence in the literary landscape.

Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren Beukes, Justin Carwright, and Lynn Freed to negotiate the complexities of post-apartheid identities in their fiction. Joseph-Vilain argues that the literary representations of emblematic places, real or imagined (the home, the farm, the city or the “non-places” of dystopia), express and reveal anxieties linked to the sharing of space in post-apartheid South Africa. The text successively (re-)visits the places that have been shaping South African white writing since Olive Schreiner’s African Farm—in other words, its topoi, both in the etymological sense of “place” and in the literary sense of recurring themes or arguments. Joseph-Vilain argues that these Gothicized topoi have provided writers with tools to explore the deep anxieties generated by the redefinition of South African society as the Rainbow Nation. While focusing specifically on the South African avatars of the Gothic and their interaction with local forms and genres like the plaasroman, the text also discusses the impact of globalization on South African literary, cultural, social, and political identities.