Halloween 1636: sightings of the ghost of an old woman begin to be reported in the small English coastal town of Minehead, and a royal commission is sent to investigate. December 1640: a disgraced Protestant bishop is hanged in the Irish capital, Dublin, after being convicted of an 'unspeakable' crime. In this remarkable piece of historical detective work, Peter Marshall sets out to uncover the intriguing links between these two seemingly unconnected events. The result is a compelling tale of dark family secrets, of efforts to suppress them, and of the ways in which they finally come to light. It is also the story of a shocking seventeenth-century Church scandal which cast its shadow over religion and politics in Britain and Ireland for the best part of three centuries, drawing in a host of well known and not-so-well-known characters along the way, including Jonathan Swift, Samuel Taylor Coleridge, and Walter Scott. A fascinating story in its own right, Mother Leakey and the Bishop is also a sparkling demonstration of how the telling of stories is central to the way we remember the past, and can become part of the fabric of history itself.

The story of the development of Minehead and its change from an important early port to a popular holiday resort by the early twentieth century.

For centuries, countless Christians have turned to the Westminster Standards for insights into the Christian faith. These renowned documents—first published in the middle of the 17th century—are still considered by many to be some of the most beautifully written summaries of the Bible's teaching ever produced. Church historian John Fesko walks readers through the background and theology of the Westminster Confession, the Larger Catechism, and the Shorter Catechism, helpfully situating them within their original context. Organized according to the major categories of systematic theology, this book utilizes quotations from other key works from the same time period to shed light on the history and significance of these influential documents.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

When, in October 1517, Martin Luther pinned his Ninety-Five Theses to the door of All Saints' Church in Wittenberg he shattered the foundations of western Christendom. The Reformation of doctrine and practice that followed Luther's seismic action, and protest against the sale of indulgences, fragmented the Church and overturned previously accepted certainties and priorities. But it did more, challenging the relationship between spiritual and secular authority, perceptions of the supernatural, the interpretation of the past, the role of women in society and church, and clerical attitudes towards marriage and sex. Drawing on the most recent historiography, Helen L Parish locates the Protestant Reformation in its many cultural, social and political contexts. She assesses the Reformers' impact on art and architecture; on notions of authority, scripture and tradition; and - reflecting on the extent to which the printing press helped spread Reformation ideas - on oral, print and written culture.

A study of the production, circulation and consumption of English ghost stories during the Age of Reason. This work examines a variety of mediums: ballads and chapbooks, newspapers, sermons, medical treatises and scientific journals, novels and plays. It relates the telling of ghost stories to changes associated with the Enlightenment.

Horrors of the caves! The ghastly true story of the Cheddar cannibals! Twilight of the Empire! Romans, Saxons and the legends of King Arthur! Swords against the Vikings! The Somerset heroes who defied the Norse hordes! Martyrs, murderers, pirates and mad scientists – Somerset’s strangest residents revealed! Death storm! The terrible toll of the Great Storm of 1703! Spies in Somerset! Containing more than two thousand years of Somerset history, thrill to stunning true stories of battles and bloodshed, executions and exorcisms, sinister Templars and Victorian sex cults! With more than 60 illustrations plus an eight-page colour section, you’ll never see the county in the same way again!