Mosaic Fictions reveals the tensions between national and global affiliations in Spanish Civil War literature, highlighting writers such as Leonard Cohen, Dorothy Livesay, and Mordecai Richler.

Mosaic Fictions is the first book-length critical analysis of Canadian Spanish Civil War literature. Exploring published and archival writings, the book focuses on the extensive contributions of Jewish Canadian authors as they articulate the stakes of the Spanish Civil War (1936–9) in the language of a nascent North American multiculturalism. Placing Jewish Canadian writers within overlapping North American networks of Jewish, Black, immigrant, female, and queer writers challenges the national distinctions that dominate current critical approaches to Anglophone Spanish Civil War literature. Reframing the narrative of Spain’s noble but tragic struggle against fascism in the Spanish Civil War, the book demonstrates how marginalized North American supporters of the Spanish Republic crafted narratives of inclusive citizenship amidst a national crisis not entirely their own. Mosaic Fictions examines texts composed between the war’s outbreak and the present to illuminate the integral connections between Canada’s developing national identity and global leftist action.

A dazzling collection of the finest literature from female writers, from Jane Austen and Virginia Woolf to Toni Morrison and Lorrie Moore, also includes Mary Shelley, Emily Dickinson, Maya Angelou, Toni Morrison, and Sylvia Plath. This wide ranging collection features the most brilliant fiction, poetry, memoir, letters, and essays by women writers with a pitch perfect ear and a rich understanding of the unique female perspective.

Topaz Lane is an internationally successful children's artist, who is embittered that she'll never have a family of her own. Betrayed by love, she has sworn off men for life. A chance meeting with five local women changes her life forever. She learns that we all have a wound, and that we all have a gift to share.

Regaining her sight only long enough to witness her own mother's murder, blind concert pianist Julia Austrian vows to find the killer and plunges into a terrible conspiracy, while CIA analyst Sam Keeline finds a simple quest linked to Julia's.

Guy Gavriel Kay, the international bestselling and multiple award-winning author of The Fionavar Tapestry, brings his unique storytelling imagination to an alternate Byzantine world… Sarantium is the golden city: holy to the faithful, exalted by the poets, jewel of the world and heart of an empire. Caius Crispus, known as Crispin, is a master mosaicist, creating beautiful art with colored stones and glass. Still grieving the loss of his family, he lives only for his craft—until an imperial summons draws him east to the fabled city. Bearing with him a Queen’s secret mission and seductive promise, and a talisman from an alchemist, Crispin crosses a land of pagan ritual and mortal danger, confronting legends and dark magic. Once in Sarantium, with its taverns and gilded sanctuaries, chariot races and palaces, intrigues and violence, Crispin must find his own source of power in order to survive. He finds it, unexpectedly, high on the scaffolding of his own greatest creation.

William S. Burroughs’ experimental narratives, from the 1959 publication of Naked Lunch through the late trilogy of the 1980s, have provided readers with intriguing challenges and, for some, disheartening frustrations. Yet, these novels continue to generate new interest and inspire new insights among an increasing and evolving readership. This book addresses the unique characteristics of Burroughs’ narrative style in order to discover strategies for engaging and navigating these demanding novels. Bolton advises, “Burroughs’ subversive themes and randomizing techniques do not amount to unmitigated attacks on conventions, as many critics suggest, but constitute part of a careful strategy for effecting transformations in his readers”. Utilizing various poststructuralist theories, as well as recent theories in electronic literature and posthumanism, Mosaic of Juxtaposition examines the various strategies that Burroughs employs to challenge assumptions about textual interpretation and to redefine the relationship between reader and text.