After the “war with no name” a cat assassin searches for his lost love in Repino’s strange, moving sci-fi epic that channels both Homeward Bound and A Canticle for Leibowitz. The “war with no name” has begun, with human extinction as its goal. The instigator of this war is the Colony, a race of intelligent ants who, for thousands of years, have been silently building an army that would forever eradicate the destructive, oppressive humans. Under the Colony's watchful eye, this utopia will be free of the humans' penchant for violence, exploitation and religious superstition. As a final step in the war effort, the Colony uses its strange technology to transform the surface animals into high-functioning two-legged beings who rise up to kill their masters. Former housecat turned war hero, Mort(e) is famous for taking on the most dangerous missions and fighting the dreaded human bio-weapon EMSAH. But the true motivation behind his recklessness is his ongoing search for a pre-transformation friend—a dog named Sheba. When he receives a mysterious message from the dwindling human resistance claiming Sheba is alive, he begins a journey that will take him from the remaining human strongholds to the heart of the Colony, where he will discover the source of EMSAH and the ultimate fate of all of earth's creatures.

Mort Downey, Jr., has found phenomenal success with his confrontational talk show, which deals with issues affecting the common man. This book shares his position on the issues, and serves as a kind of blue-collar manifesto for the masses.

New York Times bestselling author Terry Pratchett makes Death a central character in Mort, his fourth sojourn to Discworld, the fantasy cosmos where even the angel of darkness needs some assistance. Death comes to everyone eventually on Discworld. And now he's come to Mort with an offer the young man can't refuse. (No, literally, can't refuse since being dead isn't exactly compulsory.) Actually, it's a pretty good deal. As Death's apprentice, Mort will have free board and lodging. He'll get use of the company horse. And he won't have to take any time off for family funerals. But despite the obvious perks, young Mort is about to discover that there is a serious downside to working for the Reaper Man . . . because this perfect job can be a killer on one's love life. Terry Pratchett's profoundly irreverent, bestselling novels have garnered him a revered position in the halls of parody next to the likes of Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.

This charismatic Belarusian poet is considered "one of the best young poets in the world today " ("World Literature Today").

There's nothing like a journal to get you thinking about life, the universe, and a Disc suspended by four elephants standing atop a giant turtle. Who better to help you than Death, Sir Terry Pratchett's most enduring anthropomorphic personification? He's seen it all. With space aplenty to plan your daily routines, express your wildest dreams, or write your life story, you'll be aided and abetted by Death's wit, wisdom and observations along the way. Fill the pages how you like, there's no wrong way to live a life. Or complete a journal. So come along, brief mortal, and make the most of Death's OUTSIDE PERSPECTIVE.

Alberto Breccia is recognized as one of the greatest international cartoonists in the history of comics and Mort Cinder is considered one of his finest achievements. Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962–1964, is drawn by Breccia in moody chiaroscuro. The artist’s rubbery, expressionistic faces capture every glint in the eyes of the grave robbers, sailors, and slaves that populate these stories; while the slash of stripes of prisoners’ uniforms, the trapeziums of Babylon, and more create distinct and evocative milieus.

After the death of her estranged grandmother, Marisa Marrero finds herself bequeathed a surprising inheritance: a house in the New Orleans French Quarter, left to her with a variety of bizarre conditions attached. Among the surprising consequences of Marisa's acceptance is a friendship with a man called Jack St. Germaine, an alleged alchemist who may or may not be hiding a questionable history, and a series of encounters with Elisabeth Clavier, a vampire known for hunting mortals for sport. As Marisa struggles with who to trust, she leans towards Jack, especially after a demon arrives at her doorstep claiming Elisabeth was the one who sent him. But when Marisa's power grows and Jack can no longer provide her answers, a night with Elisabeth leaves Marisa wondering if she made the right choice. This novella was originally published in Witch Way Magazine. It is a love letter to the vampire culture that is healthy and active in the crescent city.