There has been a huge increase in violent deaths in Ireland in recent years. While men are more often the killers, there has been a rise in the number of murders committed by women. There is no single reason for this; some of the women featured in More Bloody Women killed for love gone wrong; some as revenge; some in the heat of the moment; some in cold blood. For some women, it was just business. Among the infamous cases in this book are the “Black Widow”, Catherine Nevin, who set up her husband’s murder in Jack White’s Inn; Linda and Charlotte Mulhall, the “Scissor Sisters”, who killed and dismembered their mother’s violent boyfriend before dumping the remains in a canal; Sharon Collins, who tried to hire a professional assassin to kill her partner; Kelly Noble, who stabbed a friend to death outside a supermarket, and whose own mother was already in prison for killing Kelly’s father; and Lynn Gibbs, who tragically drowned her daughter in a bath because she believed the girl was suffering from anorexia. David Kiely looks at all of these cases in forensic detail. He also delves into the fascination we have with women killers, and the media circus that surrounds every murder trial involving a woman. More Bloody Women is a chilling book that will shock and disturb.

Before settling down to a new life in Italy with her fiancé, Catriona decides to lay her past to rest by meeting up with her previous partners. But on the morning of her wedding, Cat is arrested for murder. Not just one murder, but three. All of the victims were her ex-boyfriends, and all of them were viciously mutilated. So now she's in jail, and the woman who is writing her biography has interviewed many people in Cat's life. But no one is telling the truth. This is an ingenious and compelling page-turner, full of twists and dark humour from an intriguing and stylish writer with a growing fanbase.

Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.

Bloody Woman is bloody good writing. It moves between academic, journalistic and personal essay. I love that Lana moves back and forward across these genres: weaving, weaving – spinning the web, weaving the sparkling threads under our hands, back and forward across a number of spaces, pulling and holding the tensions, holding up the baskets of knowledge. Tusiata Avia This wayfinding set of essays, by acclaimed writer and critic Lana Lopesi, explores the overlap of being a woman and Sāmoan. Writing on ancestral ideas of womanhood appears alongside contemporary reflections on women's experiences and the Pacific. These essays lead into the messy and the sticky, the whispered conversations and the unspoken. As Lopesi writes, 'Bloody Woman has been scary to write... In putting words to my years of thinking, following the blood and revealing the evidence board in my mind, I am breaking a silence to try to understand something. It feels terrifying, but right.' These acts of self-revelation ultimately seek to open up new spaces, to acknowledge the narratives not yet written, and the voices to come.

‘A litany of fresh heroes to make the embattled heart sing’ Caitlin Moran ‘Newman is a brilliant writer’ Observer A fresh, opinionated history of all the brilliant women you should have learned about in school but didn’t.

Violence against women permeates our society at every level, in every setting. Murder, rape, intimidation, pornography, workplace harassment, incest are all part of a general belief built into the roots of patriarchal society: Women are proper targets of male violence. The chapters in this book, contributed by some of the most prolific contemporary writers on women's issues, explore this culture of violence and oppression, examining its ideological underpinnings and its structural supports in the social, political and legal systems that protect the violent by blaming the victim.

In the second of Georgia Evans' supernatural trilogy, Gloria Prewitt must reveal her greatest secret to have any hope of saving the people she loves. . . As the district nurse for a country village outside London, Gloria has the respect of the town and the satisfaction of helping those who need it most. She'd lose both if anyone discovered that she turns into a furry red fox and runs through the Surrey hills by moonlight. But what she sees on those wild nights suggests Brytewood is under attack--from a saboteur with superhuman powers and the force of the Nazi Luftwaffe behind him. What can one werefox do against a predator with devastating weapons at his command--and the strength of the undead besides? What can a woman with a secret reveal without losing all she has? With the help of a couple of Devonshire Pixies, a Welsh dragon, and two men too stubborn to admit they're outnumbered, Gloria might just find out the answers. . .