An inspirational bible for monochrome photography - this second edition almost doubles the content of its predecessor showing you the path from visualization to print

Joe Farace is an award-winning photographer with more than 30 books and 1,600 articles to his credit. So there’s no one better to take monochrome into the digital age. Whether you’re shooting digital black and white from your camera or converting color photographs to monochrome on the computer, you’ll discover an array of unique, innovative, and inspirational techniques suitable for shutterbugs of every level. Farace explains what kinds of software programs are best, and how to use them to manipulate your photos in diverse ways. He also discusses various in-camera effects including toning and soft focus. The detailed information and instruction cover everything from creating traditional looking black-and-white or sepia images, to adding color selectively for a one-of-a-kind, fine-art approach.

Decorating in black and white is perennially popular and eternally chic. Hilary Robertson demonstrates how, whether used alone or together, these contrasting shades can create dramatic effects at home, from the classic to the eclectic.

The Text Is Based On The Ccir 625-B Monochrome (Black & White) And Pal-B And G Colour Television Standards As Adopted By India And Many Other Countries. The American And French Tv Systems Have Also Been Given Due Coverage While Presenting Various Aspects Of The Subject Starting From Television Camera To The Receiver Picture Tube. Keeping In View The Fact That Colour And Monochrome Telecasts Will Co-Exist In India For At Least A Decade, The Author Has Included Relevant Details And Modern Techniques Of Both The Systems.Conceptually The Book May Be Considered To Have Four Sections. The Initial Chapters (1 To 10) Are Devoted To The Essentials Of Transmission, Reception And Applications Of Television Without Involving Detailed Circuitry. The Next 14 Chapters (11 To 24) Explain Basic Design Considerations And Modern Circuitry Of Various Sections Of The Receiver. Topics Like Tv Games, Cable Television, Cctv, Remote Control, Automatic Frequency Tuning, Automatic Brightness Control, Electronic Touch Tuning Etc. Are Also Discussed.The Third Section (Chapters 25 And 26) Is Exclusively Devoted To The Colour Television Transmission And Reception. All The Three Colour Television Systems Have Been Described. Chapters 27 To 30 Are Devoted To Complete Receiver Circuits-Both Monochrome And Colour, Electronic Instruments Necessary For Receiver Manufacture And Servicing, Alignment Procedure, Fault Finding And Servicing Of Black White And Colour Receivers.The Complete Text Is Presented In A Way That Students Having Basic Knowledge Of Electronics Will Find No Difficulty In Grasping The Complexities Of Television Transmission And Reception.

The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture.

Sitara said, with awful distinctness, ‘I think I’m going to die’. And that’s how I got stuck with the annual corpse. Half an hour later I stood in an empty flat, along with a stranger who was very recently, and very violently, dead. Rushing to Sitara’s aid, Lalli’s niece Sita is distracted by Raphael’s Sistine Madonna. Why is it monochrome? And what does it have to do with the body on the living-room floor? Such questions are hardly relevant to the police in their hunt for the murderer. But Lalli is a detective who revels in curiosities, and she thinks otherwise. A brisk thriller of deceit and intrigue, The Monochrome Madonna has Lalli at her most astute as she interprets the nuances of a murder without motive.

An inspirational bible for monochrome photography - this second edition almost doubles the content of its predecessor showing you the path from visualization to print