Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.

"The artist's edition of Monet Hates Me (2021) was designed as 'an exhibition in a box'. All the original materials for the edition was found by Tacita Dean in the Getty Research Institute Special Collections in Los Angeles while she was artist in residence, 2014-2015 ... The fifty objects in the artist's edition were designed and produced by Tacita Dean in Berlin, in collaboration with Martyn Ridgewell in Penryn, Cornwall. Nearly all were conceived and made during the COVID-19 pandemic lockdowns between March and December 2020"--Introductory text.

Lost in Texas: The Owen D'Monet Story (Adult Language, Adult Humor, Adult Content - it's very Adult) is the tale of a guy and his struggle to survive with defaulted Student Loans, the bane of his existence. In search of hope and kindred spirits, he has been lured to a town in Texas by a public relations campaign advertising "Keep Lostin Goofy," but he finds the place to be just another city in the grips of the Corporate Pursuit of Crappiness. His inexcusable, inescapable past catches up with him right off the bat, and it's all he can do as a member of the All-American reject crowd to find a job, job, job and stay homeful while navigating through one crisis, crisis, crisis after another. It's a funny story if you are not him.

Documenting Tacita Dean's new film work on the many resonances of Sophocles' drama Tacita Dean's (born 1965) Antigone(2018) is an hour-long 35mm anamorphic film, and is the most complex work to date by the British-European artist. The name of this work combines the artist's personal history with the mythological world order: Antigone is the heroine in the eponymous drama by the Greek poet Sophocles, and is also the name of Tacita Dean's older sister. The name creates a double bond full of ambivalences and is the reason for Dean's exploration of the character. The leitmotif of the work is blindness: Antigonerevolves around fundamental questions of foresight and destiny, seeing and not seeing, and metaphorical blindness as a necessity for artistic work. It is also a thoroughly analogue work: Dean assembled the film images, which appear like collages, with and inside the camera using sophisticated stencils and multiple exposures. The result of this experimental project is both a pioneering achievement and a masterpiece. The book documents the narrative of the making and impact of this work.

Imagine a planet where its inhabitants have evolved to the point that a newborn is designed inside the womb. Creating your perfect looking offspring is just a matter of selecting hair and eye color. Imagine that on the same planet, the promoting of the latest experimental technology and cosmetic procedure, over the years transformed a multi-ethnic indigenous. People are all one color. In this world, pigment has been erased from the skin. Done so willingly by the masses, to keep up with the latest cosmetic trend. Some endured the experimental treatments to feed their families or just to take a journey on the nuclear powered transcontinental tram system. Imagine if you will that peace and tranquility reigned over that planet for many years until the unthinkable happened. Revealing secrets that were kept hidden, plunging the world into what is known as "The Dark Days." Now imagine that the planet is earth.

Interior decorator Deva Dunne never dreamed she'd see a Monet hanging on someone's dining room wall. Then she snags a client with two Monet seascapes. Her thrill lasts until she finds one of the paintings missing, cut from its frame, and the cook shot dead. Rough-around-the-edges, but gorgeous all-around police lieutenant Victor Rossi insists Deva leave the sleuthing to the police. But what could it hurt to come up with a list of suspects that doesn't include herself? Like the owners of the Monets, a rich man and his trophy wife, and their frequent guests. Even the cook's husband is suspect. Then Deva finds another victim, clutching a very strange set of clues. Desperate to save her business amid the negative publicity, Deva helps Rossi investigate. And when he needs advice decorating his bedroom, she just might find a client for life. Unless a killer gets to her first. 71,000 words

The critically acclaimed, award-winning, modern classic Speak is now a stunning graphic novel. "Speak up for yourself—we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless—an outcast—because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. Through her work on an art project, she is finally able to face what really happened that night: She was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. With powerful illustrations by Emily Carroll, Laurie Halse Anderson's Speak: The Graphic Novel comes alive for new audiences and fans of the classic novel. This title has Common Core connections.