Drawing together episodes of rich atmosphere, this novel is as deep and brooding as the Paris nights that serve as its backdrop. Russian writer Gaito Gazdanov arrived in Paris, as so many did, between the wars and would go on, with this fourth novel, to give readers a crisp rendering of a living city changing beneath its people’s feet. Night Roads is loosely based on the author’s experiences as a cab driver in those disorienting, often brutal years, and the narrator moves from episode to episode, holding court with many but sharing his mind with only a few. His companions are drawn straight out of the Parisian past: the legendary courtesan Jeanne Raldi, now in her later days, and an alcoholic philosopher who goes by the name of Plato. Along the way, the driver picks up other characters, such as the dull thinker who takes on the question of the meaning of life only to be driven insane. The dark humor of that young man’s failure against the narrator’s authentic, personal explorations of the same subject is captured in this first English translation. With his trademark émigré eye, Gazdanov pairs humor with cruelty, sharpening the bite of both.

Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.

Runner-up for 2015 Russian Booker Prize. From one of the most exciting voices in modern Russian literature, Alisa Ganieva, comes Bride and Groom, the tumultuous love story of two young city-dwellers who meet when they return home to their families in rural Dagestan. When traditional family expectations and increasing religious and cultural tension threaten to shatter their bond, Marat and Patya struggle to overcome obstacles determined to keep them apart, while fate seems destined to keep them together—until the very end. Alisa Ganieva (b. 1985) grew up in Makhachkala, Dagestan. Her literary debut, the novella Salam, Dalgat!, published under a male pseudonym, won the prestigious Debut Prize in 2009. Her debut novel, The Mountain and the Wall (Deep Vellum, 2015) was shortlisted for all of Russia's major literary awards and has been translated into seven languages. Bride and Groom is her second novel, and was shortlisted for the 2015 Russian Booker Prize upon its publication in Russia. Ganieva currently lives in Moscow, where she works as a journalist and literary critic. Dr. Carol Apollonio is Professor of the Practice of Russian at Duke University. Her most recent literary translations include Alisa Ganieva's debut novel, The Mountain and the Wall (Deep Vellum, 2015). She was awarded the Russian Ministry of Culture's Chekhov Medal in 2010, and she currently serves as President of the North American Dostoevsky Society.

Some call the city the 'Splendor of the East'; others the 'Whore of Asia'. A melting pot of different nations, fused by war and commerce, this is the Shanghai of the 1920s. The Great Powers are greedily exploiting China for its cheap labor and reaping the cruel rewards of the booming opium trade. When a flotilla of ships carries the remnants of the defeated White Army on entry to Shanghai, the fragile balance of this international marketplace comes under threat. Among the refugees is Klim Rogov, an emigre journalist whose life and marriage have been claimed by the Russian Revolution. All he has left are his quick wits and keen worldliness that come in quite handy in navigating the lawless jungle of Shanghai. He finds work as a reporter at a British-run newspaper, rubbing shoulders with international gangsters while defying webbed intrigues of sinister communist agents. Amidst the survival frenzy all that keeps him going is the hope that someday he'll be reunited with his beloved wife Nina."

This book is intended to capture the interest of anyone who has been attracted to Russian culture through the greats of Russian literature, either through the texts themselves, or encountering them in the cinema, or opera. Rather than a conventional chronology of Russian literature, the book will explore the place and importance of literature of all sorts in Russian culture. How and when did a Russian national literature come into being? What shaped its creation? How have the Russians regarded their literary language? The book will uses the figure of Pushkin, 'the Russian Shakespeare' as a recurring example as his work influenced every Russian writer who came after hime, whether poets or novelists. It will look at such questions as why Russian writers are venerated, how they've been interpreted inside Russia and beyond, and the influences of such things as the folk tale tradition, orthodox religion, and the West ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Examines metamorphoses in the works of prominent representatives of the divided Russian intelligentsia: the Symbolists; the most famous emigre writer, Nabokov; Olesha, the 'fellow traveller' attempting to find his place in the Soviet state; the enthusiastic poet of the Bolshevik movement, Mayakovsky; and finally, Russia's greatest film director, Sergei Eisenstein. It is futile to try to understand Russian civilisation let alone predict its future without considering the intellectual, social and emotional reasons why it is not at rest with itself. It is to this end that this volume hopes to make a contribution.

The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.