"Hush little baby, close your eyes, Mama loves you, Papa loves you ... so do I!"--Back cover.

The American South is generally warmer, wetter, weedier, snakier, and more insect infested and disease prone than other regions of the country. It is alluring to the scientifically and poetically minded alike. With Mockingbird Song, Jack Temple Kirby offers a personal and passionate recounting of the centuries-old human-nature relationship in the South. Exhibiting violent cycles of growth, abandonment, dereliction, resettlement, and reconfiguration, this relationship, Kirby suggests, has the sometimes melodious, sometimes cacophonous vocalizations of the region's emblematic avian, the mockingbird. In a narrative voice marked by the intimacy and enthusiasm of a storyteller, Kirby explores all of the South's peoples and their landscapes--how humans have used, yielded, or manipulated varying environments and how they have treated forests, water, and animals. Citing history, literature, and cinematic portrayals along the way, Kirby also relates how southerners have thought about their part of Earth--as a source of both sustenance and delight.

Where Is the Hope in Grief for a Young Amish Widow? Sylvia has been nearly paralyzed with grief and anxiety since the tragic death of her husband, father, and brother in a traffic accident. She tries to help in the family’s greenhouse while caring for her two young children, but she prefers not to have to deal with customers. Her mother’s own grief causes her to hover over her children and grandchildren, and Sylvia seeks a diversion. She takes up birdwatching and soon meets an Amish man who teaches her about local birds. But Sylvia’s mother doesn’t trust Dennis Weaver, and as the relationship sours, mysterious attacks on the greenhouse start up again.

Hush little baby, don't say a word, Mama's going to show you a hummingbird. If that hummingbird should fly, Mama's going to show you the evening sky. From award-winning artist Sylvia Long comes a touching version of the well-known lullaby, Hush Little Baby. Each spread reveals a tender scene as a mama bunny lulls her baby bunny to sleep by enlisting a parade of bedtime wonders—the beauty of a hummingbird in flight; the magic of a harvest moon; the reassurance of a parent's hug, all these and more combine to create a classic volume sure to be treasured for generations to come.

An indelible portrait of one of the most famous and beloved authors in the canon of American literature – a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words. The violent racism of the American South drove Wayne Flynt away from his home in Alabama, but the publication of To Kill a Mockingbird, Harper Lee’s classic novel about courage, community and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many, in particular three sisters: Louise, Alice and Nelle Harper Lee. The two families first met in 1983, and a mutual respect and affection for the state’s history and literature matured into a deep friendship between them. Wayne Flynt and Nelle Harper Lee began writing to one other while she was living in New York – heartfelt, insightful and humorous letters in which they swapped stories, information and opinions on topics including their families, books, social values, health concerns and even their fears and accomplishments. Though their earliest missives began formally – ‘Dear Dr Flynt’ – as the years passed, their exchanges became more intimate and emotional, opening with ‘Dear Friend’ and closing with ‘I love you, Nelle.’ This is a remarkable compendium of a correspondence that lasted for a quarter century – until Harper Lee’s death in February 2016 – and it offers an incisive and compelling look into the mind, heart and work of one of the most beloved authors in modern literary history.

Includes excerpt for 'Sunlight and shadows' (pages 192-198).

This debut volume of poetry from farmer and poet Elizabeth Weaver-Kreider examines the act of noticing, whether of the changing season or the flash of color from a passing bird, the shape of an internal mood or the homeland of the self. Her poems are set in the realm of the natural world, in the heart and hopes of a mother, in the mysterious and mythic landscape of the growing and awakening soul.