History as you have never heard it - cartoons and amusing text and illustrations give readers the lowdown on what life was like in ancient Greece and in England under Roman occupation.

A visual tribute to the civil rights movement and the battle for racial equality captures the leaders and events of the era, with portraits of Sidney Poitier, James Baldwin, Martin Luther King, Jr., and many other activists who took part in the struggle.

Mine Eyes Have Seen (1918) is a one-act play by Alice Dunbar Nelson. Published in The Crisis, the influential journal of the NAACP, Mine Eyes Have Seen is a brutal portrait of race and identity in twentieth century America. Exploring themes of violence, faith, patriotism, and economic struggle, Dunbar Nelson crafts a poignant and unforgettable work of fiction. When their father, a successful black man, is lynched by vengeful white neighbors, Dan, Chris, and Lucy flee north with their mother. They reach the city safely, but their mother soon dies from heartbreak and exhaustion, leaving her children to fend for themselves. Dan, the eldest, manages to support his siblings until an accident at the factory leaves him crippled. This forces Chris, a bitter young man, to take financial responsibility for the family. When the United States enters the First World War, authorizing the Selective Service Act of 1917, Chris is drafted into the military. Despite his hesitation and distrust of a government that allowed his father to be murdered with impunity, he soon comes under the influence of patriotic white neighbors who encourage him to sacrifice his life for the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Dunbar Nelson’s Mine Eyes Have Seen is a classic of African American literature reimagined for modern readers.

An expansion of the 1989 edition which was a companion to the PBS series. Annotation copyright by Book News, Inc., Portland, OR

In his final speech “I've Been to the Mountaintop,” Martin Luther King Jr. delivered his support of African American garbage workers on strike in Memphis. Although some consider this oration King's finest, it is mainly known for its concluding two minutes, wherein King compares himself to Moses and seems to predict his own assassination. But King gave an hour-long speech, and the concluding segment can only be understood in relation to the whole. King scholars generally focus on his theology, not his relation to the Bible or the circumstance of a Baptist speaking in a Pentecostal setting. Even though King cited and explicated the Bible in hundreds of speeches and sermons, Martin Luther King's Biblical Epic is the first book to analyze his approach to the Bible and its importance to his rhetoric and persuasiveness. Martin Luther King's Biblical Epic argues that King challenged dominant Christian supersessionist conceptions of Judaism in favor of a Christianity that affirms Judaism as its wellspring. In his final speech, King implicitly but strongly argues that one can grasp Jesus only by first grasping Moses and the Hebrew prophets. This book also traces the roots of King's speech to its Pentecostal setting and to the Pentecostals in his audience. In doing so, Miller puts forth the first scholarship to credit the mostly unknown, but brilliant African American architect who created the large yet compact church sanctuary, which made possible the unique connection between King and his audience on the night of his last speech.

From the days of the thirteen colonies to the age of the computer, this history of America by the people encompasses a wide-ranging collection of excerpts from diaries, memoirs, trial testimony, public documents, news reports and interviews, and other eye-witness accounts that sheds light on every corner of American life.

On 1 December 1955 in Montgomery, Alabama, a quiet and dignified 42-year-old black seamstress refused to give up her seat to a white passenger. Her arrest led to a 381-day boycott of the city's bus system, led by Martin Luther King, which is now considered the beginning of the American civil rights movement. Rosa Parks' personality and character were an important part of the bus boycott's success. Graceful, reserved and a devout churchgoer, she was also a civil rights activist alongside her daytime job as a seamstress, and she believed in the use of righteous force when necessary. The boycott was an epic event. 50,000 blacks (three-quarters of the city's population) somehow found some other way to get to and from work, week after week. In 1957 she and her husband moved north to Detroit, where she continued to work for civil rights, taking part in most of the great marches of the 1960s, although she found the male chauvinism of these events increasingly unacceptable. She was a great admirer of Martin Luther King, and he of her, and his assassination in 1968 was a bitter blow. After King's death, the movement began to lose its way and Rosa Parks believed that anger and violence were replacing non-violent social protest. In later years she seemed almost a forgotten figure, but in the 1990s this appeared to be changing. In 1999 Time magazine hailed here as one of the hundred most significant individuals of the century, and there were plaudits from the Pope, Nelson Mandela and others. This book about the life and times of a remarkable and inspiring woman is also a brilliant re-creation of mid-century American life.