Initially dominated by simple renditions of East Coast architecture, Milwaukee developed from three pioneer settlements, those of Solomon Juneau, Byron Kilbourn, and George Walker—three hubs from which three villages radiated outward into one city. Following the Civil War, Milwaukee’s growth at the onset of the Industrial Era afforded the city a fanciful array of Victorian streetscapes. The 1890s followed with an era of ethnic architecture in which bold interpretations of German Renaissance Revival and Baroque designs paid homage to Milwaukee’s overwhelming German population. At the turn of the century, Milwaukee’s proximity to Chicago influenced the streetscape with classicized civic structures and skyscrapers designed by Chicago architects. World War I and the ensuing anti-German sentiment, as well as Prohibition, inevitably had adverse effects on “Brew City.” By the 1920s, Milwaukee’s architecture had assimilated to the national aesthetic, suburban development was on the rise, and architectural growth would soon be stunted by the Great Depression.

Milwaukee’s name, meaning "gathering place by the water," comes from the Native Americans who first populated this attractive area located on the shores of Lake Michigan. The town was founded in the 1840s by the merchants Juneau, Kilbourn, and Walker, and it soon became a thriving center for trade. Many of its early settlers were prosperous businessmen from New England who were seeking new opportunities in this developing town. These entrepreneurs built churches, schools, and parks that really started to put Milwaukee on the map. German immigrants began to arrive in the latenineteenth century and the city developed a strong Germanic influence, from its architecture to the frankfurter sausages that are still sold today. Sites include:City Hall, Nunnemacher Grand Opera House, Cawker Building, Wisconsin Avenue Bridge, Iron Block Building, Chapman’s Department Store, Pfister Hotel, Hull House, Layton Art Gallery, Keenan House, Courthouse Square, Blatz Brewery, Milwaukee River, Usinger’s Famous Sausage, Republican Hotel, Espenhain Department Store, Milwaukee Railroad Depot, Mitchell Building, Midwest Grain Exchange, Chicago Northwestern Depot, Maitland Field, Milwaukee Art Museum, Pulaski Street, Schlitz Brewery, Pabst Brewery, Pfister and Vogel Leather, Tivoli Palm Garden, Plankinton and Pabst Mansions.

Initially dominated by simple renditions of East Coast architecture, Milwaukee developed from three pioneer settlements, those of Solomon Juneau, Byron Kilbourn, and George Walker--three hubs from which three villages radiated outward into one city. Following the Civil War, Milwaukee's growth at the onset of the Industrial Era afforded the city a fanciful array of Victorian streetscapes. The 1890s followed with an era of ethnic architecture in which bold interpretations of German Renaissance Revival and Baroque designs paid homage to Milwaukee's overwhelming German population. At the turn of the century, Milwaukee's proximity to Chicago influenced the streetscape with classicized civic structures and skyscrapers designed by Chicago architects. World War I and the ensuing anti-German sentiment, as well as Prohibition, inevitably had adverse effects on "Brew City." By the 1920s, Milwaukee's architecture had assimilated to the national aesthetic, suburban development was on the rise, and architectural growth would soon be stunted by the Great Depression.

Frank Lloyd Wright's foray into affordable housing--the American System-Built Homes--is frequently overlooked. When Nicholas and Angela Hayes became stewards of one of them, they began to unearth evidence that revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions that eventually gave way to Wright's most creative period.