This is the only comprehensive musical biography in English of Mikis Theodorakis (1925-2021), the revolutionary Greek composer. The first edition (1980) was written with the assistance and support of Theodorakis himself; this new edition was commissioned after Theodorakis’ death and extends the assessment of his work to the operas, symphonies and other works composed since 1980. As a political figure in modern Greece, Theodorakis embodied the spirit of resistance to the abuse of authority, from the Nazi occupation of his country and the ensuing civil war to the military dictatorship of 1967-74 and beyond. Based on the author’s personal friendship and collaboration with Theodorakis, this musical biography is both a passionate and an authoritative account of the life-work of a man who became a popular hero in an age of anxiety.

This is the only comprehensive musical biography in English of Mikis Theodorakis (1925-2021), the revolutionary Greek composer. The first edition (1980) was written with the assistance and support of Theodorakis himself; this new edition was commissioned after Theodorakis' death and extends the assessment of his work to the operas, symphonies and other works composed since 1980. As a political figure in modern Greece, Theodorakis embodied the spirit of resistance to the abuse of authority, from the Nazi occupation of his country and the ensuing civil war to the military dictatorship of 1967-74 and beyond. Based on the author's personal friendship and collaboration with Theodorakis, this musical biography is both a passionate and an authoritative account of the life-work of a man who became a popular hero in an age of anxiety.

Lawrence Durrell’s The Alexandria Quartet is regarded as the central work in his fiction. It has provoked critical commentary ever since the appearance of its individual volumes – Justine (1957), Balthazar (1958), Mountolive and Clea (1959) and the publication in a one-volume edition in 1962. Scores of Master’s and PhD dissertations have been written since the 1960s on this most compelling and provocative novel. Today, The Alexandria Quartet stimulates critical discussion in works addressing the city, Durrell’s representation of Alexandria, the theory of relativity, the role of memory, the recurring feature of the doppelgänger and the presence of the Gothic uncanny; his frequent references to D.H. Lawrence; his treatment of women characters; his interest in Gnosticism; and his own description of the Quartet as “a strange mixture of sex and the secret service”. This volume of essays addresses all these themes, and brings together the mature work of four scholars on this central work of Durrell’s fiction, together with two essays on its sequels, Tunc-Nunquam (1968-70) and The Avignon Quintet (1974-85).

The distinguished French-Alexandrian novelist Claude Vincendon died in 1967, leaving unpublished her Golden Silence (1964), the typescript of which was recently discovered. The book focusses on the life of a mute girl who has been cursed by the Evil Eye, and her life in her native Alexandria, in England and Australia. The text has been edited, with commentaries, by Sibylle Vincendon (the author’s niece), Richard Pine and David Green. The exploratory essays contained in the present book address Claude Vincendon’s life; the background to her aristocratic family in Alexandria; her marriage to Irishman Tim Forde and their life together in Ireland, Australia and Israel; Claude’s second marriage to Lawrence Durrell, and their working life together in Cyprus and France; the inter-connection between their literary works; Claude’s first three novels, published in the 1960s by Faber and Faber; the social and political conditions in post-war Egypt, Britain and Australia; the construction of Golden Silence and the psychological character of silence itself; the phenomenon of the Evil Eye; and the concept of Nemesis which permeates Golden Silence.

Greece Between East and West looks at the central geopolitical situation of Greece, and its pivotal role in the Balkans and the Levant. The trend towards “modernisation” and “westernisation” is examined in the light of traditional values in culture, language, history and politics which reflect Greece’s eastern legacy and the continuing presence of that legacy in contemporary society. It features original creative writing, an interview with a leading film-maker, provocative accounts of political and cultural agitation on the Aegean islands, aspects of Greek music and drama, plus historical accounts of Greek cities like Smyrna/Izmir and Alexandria, and the new phenomenon of China’s re-creation of the historic “Silk Road”. Additionally, Greece Between East and West features a Foreword by Roderick Beaton, one of the most distinguished scholars and commentators on Greek history and social affairs, and current Chair of the British School at Athens.

The book interrogates the construction of modern Greek identity in Theodorakis' music. After examining the composer's musical and political life, the author focuses on characteristic works of varying genres discussing Theodorakis' unique re-interpretation of modern Greek identity through them. In the words of Cornell University professor Gail Holst-Warfat, this book is an important contribution to the understanding of Theodorakis' music, a subject which has been largely neglected by musicologists in his own country, and which deserves to be better known in all its brilliance and abundance by music lovers all over th e world.

Mikis Theodorakis became a symbol of resistance to the dictatorship in Greece, from 1967-1974. To the Greeks he was already a legendary figure. He had been imprisoned and tortured for his political beliefs, his music had been banned, his concerts broken up by right-wing gangs. He was a member of parliament, the leader of a powerful youth movement and the most popular composer in the country. Gail Holst, who played in Theodorakis's orchestra in 1975, first became associated with the composer through her work with Greek-Australian anti-Junta organisations. Since then she has followed Theodorakis's career and musical development closely. The result is a detailed study of the music of Theodorakis and of the complex interrelationship between his music and Greek society and politics.