Mika Hakkinen is one of the fastest drivers in Formula 1 - in his first race for Marlboro Mclaren in 1993, he outqualified Ayrton Senna. He is also known for his frequent crashes. The cheerful Finn's racing ability and dogged optimism helped him hold the McLaren team together through their recent traumas, and to fight back after a near-fatal accident to take fifth place in the 1996 drivers' World Championship. This work is his full story. It includes an in-depth review of 1996 and the start of the 1997 season with expert analysis of the new McLaren chasis and Mercedes engine.

Explore 60 thrilling years of McLaren Formula 1 race cars in this handsome volume, complete with detailed specs, stunning photography, a foreword by twice World Champion Mika Häkkinen,and the full competition record for every car. McLaren has been a top Formula 1 competitor and innovator since it fielded founder and driver Bruce McLaren’s first car, the M2B, in 1966. Just two years later, Bruce scored the team’s first grand prix win. Tragically, he was killed in 1970 while testing his Can-Am car at Goodwood. Despite the heavy loss of its founder, McLaren carried on, scoring its first of twelve championships in 1974 with Emerson Fitipaldi. McLaren’s roster of F1 Champions includes such greats as James Hunt, Niki Lauda, Ayrton Senna, and modern master Lewis Hamilton. Equally legendary are the cars themselves, including the: 1960s M7A 1970s M23 1980s MP4/2 1990s MP4/5 2000s MP4-23 Today’s MCL 60 As the second longest-running team in F1 (surpassed only by Ferrari), McLaren holds twelve Drivers Championships and eight Constructor’s titles. McLaren Formula 1 Car by Car chronicles every McLaren Formula 1 car in chronological order, featuring an overview of each car’s significant features and evolution, its technical specifications, and its competition record accompanied by historic and contemporary images. Featuring a Foreword from two-time F1 World Champion Mika Häkkinen, McLaren Formula 1 Car by Car details the amazing race cars and drivers that have cemented McLaren’s reputation as one of the most dominant manufacturers in F1 history making this book a must-have for every McLaren and F1 fan.

Tortoise is the first cultural history of these long-lived and intriguing creatures, which have existed for more than 200 million years. The book covers tortoises worldwide, in evolution, myth and reality, ranging across paleontology, natural history, myth, folklore, art forms, literature, veterinary medicine and trade regulations. The tortoise has been seen as an Atlas-like creature supporting the world, as the origin of music and as a philosophical paradox. Peter Young examines the tortoise in all these guises, as well as a military tactical formation, its exploitation by mariners and others for food, as ornament (in tortoiseshell), as a motif in art, and in space research. He looks at the movement away from exploitation to conservation and even the uses of the tortoise in advertising. As well as examples of species, illustrations from around the world include monuments, sculptures, coins, stamps, objets d’art, drawings, cartoons, advertisements and X-rays. The book will appeal not only to tortoise lovers but also to readers of cultural histories around the world. "Peter Young’s Tortoise, on the other claw, can be warmly recommended."—Jonathan Bate, The Times

Meet Marc 'Elvis' Priestley: the former number-one McLaren mechanic, and the brains behind some of Formula One's greatest ever drivers. Revealing the most outrageous secrets and fiercest rivalries, The Mechanic follows Priestley as he travels the world working in the high-octane atmosphere of the F1 pit lane. While the spotlight is most often on the superstar drivers, the mechanics are the guys who make every World Champion, and any mistakes can have critical consequences. However, these highly skilled engineers don't just fine-tune machinery and crunch data through high-spec computers. These boys can seriously let their hair down. Whether it's partying on luxury yachts or gravity-defying photos aboard aeroplanes, this is a world which thrills on and off the track. This is Formula One, but not like you've seen it before.

This volume develops a new multimodal semiotic approach to the study of communication, examining how multimodal discourse is construed transmedially and interculturally and how new technologies and cultural stances inform communicative contexts across the world. It contributes to current theoretical debates in the disciplines of semiotics, linguistics, multimodality, and pragmatics, as well as those aspects of pedagogy and film studies that engage with the notions of text and narrative by addressing questions such as: How do we study multimedia communication? How do we incorporate the impact of new media technologies into the study of Linguistics and Semiotics? How do we construe culture in modern communication? How useful are the current multidisciplinary approaches to multimodal communication? Through the analysis of specific case studies that are developed within diverse academic disciplines and which draw on a range of theoretical frameworks, the goal of this book is to provide a basis for an overarching framework that can be applied by scholars and students with different academic and cultural backgrounds.