Combining an unforgettable story with haunting illustrations, "Mendel's Daughter" is a powerful graphic memoir depicting the dramatic escape of Martin Lemelman's mother from Nazi persecution in 1930s Poland. Illustrations and photos throughout.

In 1989 Martin Lemelman videotaped his mother, Gusta, as she opened up about her childhood in 1930s Poland and her eventual escape from Nazi persecution. Mendel's Daughter, now in paperback and selected as one of the best books of 2006 by the Austin Chronicle, is Lemelman's loving transcription of his mother's harrowing testimony, bringing her narrative to life with his own powerful black-and-white drawings, interspersed with reproductions of actual photographs, documents and other relics from that era. The result is a wholly original, authentic and moving account of hope and survival in a time of despair. Gusta's story opens with a portrait of shtetl life, filled with homey images that evoke the richness of food and flowers, of family and friends and of Jewish tradition. Soon, however, Gusta's girlhood is cut short as her family experiences Hitler's rise, rumors of war, invasion, occupation, round-ups and pogroms, forcing Gusta into flight and hiding. Mendel's Daughter is Martin Lemelman's solemn and stirring testament to his mother's bravery and a celebration of her perseverance. The devastatingly simple power of a mother's words and a son's illustrations combine to create a work that is both intensely personal and universally resonant. Mendel's Daughter combines an unforgettable true story with elegant, haunting illustrations to shed new light on one of history's darkest periods.

Cherie Steiman Smith is the daughter of Iser Steiman (1898-1981) and Laura Shatsky. She was born in Kamsack, Saskatchewan. Steiman ancestry is traced to Mendel Steiman (1846-1924) who married (1) Dova (2) Hannah Zelda Friedman. Mendel was born near Rezhitse, Latvia. He and his family joined his son, Robert, in Winnipeg, Manitoba in 1905. Laura Shatsky was the daughter of Samuel Shatsky (1879-1954) and Elizabeth Finn (1882-1950). The Shatsky and Finn families came to Canada in 1882. David (Fayn) Finn (1847-1949) was born in Vilna, Lithuania. He and his wife, Sheindel Shane (1845-1914), immigrated to Winnipeg, Manitoba in 1882.

In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.

Beyond MAUS. The Legacy of Holocaust Comics collects 16 contributions that shed new light on the representation of the Holocaust. While MAUS by Art Spiegelman has changed the perspectives, other comics and series of drawings, some produced while the Holocaust happened, are often not recognised by a wider public. A plethora of works still waits to be discovered, like early caricatures and comics referring to the extermination of the Jews, graphic series by survivors or horror stories from 1950s comic books. The volume provides overviews about the depictions of Jews as animals, the representation of prisoner societies in comics as well as in depth studies about distorted traces of the Holocaust in Hergé's Tintin and in Spirou, the Holocaust in Mangas, and Holocaust comics in Poland and Israel, recent graphic novels and the use of these comics in schools. With contributions from different disciplines, the volume also grants new perspectives on comic scholarship.

Depicts the struggles and sweetness of the author's childhood in Brooklyn as the son of Holocaust survivors, growing up in the back of his family's candy store in Brownsville during the neighborhood's deep decline.

Mendel's Theatre offers a new way of thinking about early twentieth-century American drama by uncovering the rich convergence of heredity theory, the American eugenics movement, and innovative modern drama from the 1890s to 1930.