American society has become anti-male. Men are sensing the backlash and are consciously and unconsciously going “on strike.” They are dropping out of college, leaving the workforce and avoiding marriage and fatherhood at alarming rates. The trend is so pronounced that a number of books have been written about this “man-child” phenomenon, concluding that men have taken a vacation from responsibility simply because they can. But why should men participate in a system that seems to be increasingly stacked against them? As Men on Strike demonstrates, men aren’t dropping out because they are stuck in arrested development. They are instead acting rationally in response to the lack of incentives society offers them to be responsible fathers, husbands and providers. In addition, men are going on strike, either consciously or unconsciously, because they do not want to be injured by the myriad of laws, attitudes and hostility against them for the crime of happening to be male in the twenty-first century. Men are starting to fight back against the backlash. Men on Strike explains their battle cry.

Smith explores an American society that has become anti-male. Sensing the backlash, men are consciously and unconsciously going "on strike," dropping out of college, leaving work, and avoiding marriage and fatherhood. But they are also starting to fight back against the backlash.

In 1981 ten men starved themselves to death inside the walls of Long Kesh prison in Belfast. While a stunned world watched and distraught family members kept bedside vigils, one "soldier" after another slowly went to his death in an attempt to make Margaret Thatcher's government recognize them as political prisoners rather than common criminals. Drawing extensively on secret IRA documents and letters from the prisoners smuggled out at the time, David Beresford tells the gripping story of these strikers and their devotion to the cause. An intensely human story, Ten Men Dead offers a searing portrait of strife-torn Ireland, of the IRA, and the passions -- on both sides -- that Republicanism arouses.

" The governor] asked me what we would do if the companies did not yield to our demands. I told him we would call everyman out of the mines. Then he said that if we did, that he would place them under Federal control. I laughed and told him we would call out every worker in the country, agriculture workers, lumbermen, munitions workers, miners, mechanics and all classes of working men. He said 'Why, man, you wouldn't do that. This country is at war.' I said ' Governor, I don't care what country your country is fighting. I am fighting for the solidarity of labor " --From the speech for which Frank Little was murdered in Butte, Montana Frank Little is considered by some to be the greatest organizer produced by the U.S. labor movement, and yet precious little has been written about the famous Industrial Workers of the World (IWW) agitator. Little was a key leader of the country's first free speech fights, organized a number of mass strikes, and was considered such a threat to corporate interests that he was lynched by company thugs for decry attempts at strike breaking. Police and government officials not only turned a blind eye to his murder, they later used his words and actions to justify a campaign to scapegoat and persecute other members of the IWW. Always on Strike chronicles and critically engages with Little's exploits in hopes of exposing a new generation of radicals to his life, legacy and politics. Featuring cover art from a portrait of Frank Little by Keith Seidel, keithseidel.com

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon

An instant New York Times bestseller, this prequel to the acclaimed Cork O’Connor series is “a pitch perfect, richly imagined story that is both an edge-of-your-seat thriller and an evocative, emotionally charged coming-of-age tale” (Kristin Hannah, #1 New York Times bestselling author) about fathers and sons, small-town conflicts, and the events that shape our lives forever. Aurora is a small town nestled in the ancient forest alongside the shores of Minnesota’s Iron Lake. In the summer of 1963, it is the whole world to twelve-year-old Cork O’Connor, its rhythms as familiar as his own heartbeat. But when Cork stumbles upon the body of a man he revered hanging from a tree in an abandoned logging camp, it is the first in a series of events that will cause him to question everything he took for granted about his hometown, his family, and himself. Cork’s father, Liam O’Connor, is Aurora’s sheriff and it is his job to confirm that the man’s death was the result of suicide, as all the evidence suggests. In the shadow of his father’s official investigation, Cork begins to look for answers on his own. Together, father and son face the ultimate test of choosing between what their heads tell them is true and what their hearts know is right. In this “brilliant achievement, and one every crime reader and writer needs to celebrate” (Louise Penny, #1 New York Times bestselling author), beloved novelist William Kent Krueger shows that some mysteries can be solved even as others surpass our understanding.

�We are undertaking the most tremendous move ever made by LABOR in this country, a move which will lead�NO ONE KNOWS WHERE!� With these words echoing throughout the city, on February 6, 1919, 65,000 Seattle workers began one of the most important general strikes in US history. For six tense yet nonviolent days, the Central Labor Council negotiated with federal and local authorities on behalf of the shipyard workers whose grievances initiated the citywide walkout. Meanwhile, strikers organized to provide essential services such as delivering supplies to hospitals and markets, as well as feeding thousands at union-run dining facilities. Robert L. Friedheim�s classic account of the dramatic events of 1919, first published in 1964 and now enhanced with a new introduction, afterword, and photo essay by James N. Gregory, vividly details what happened and why. Overturning conventional understandings of the American Federation of Labor as a conservative labor organization devoted to pure and simple unionism, Friedheim shows the influence of socialists and the IWW in the city�s labor movement. While Seattle�s strike ended in disappointment, it led to massive strikes across the country that determined the direction of labor, capital, and government for decades. The Seattle General Strike is an exciting portrait of a Seattle long gone and of events that shaped the city�s reputation for left-leaning activism into the twenty-first century.