Using a cultural studies approach, this book explores how the Spanish colonization of North Africa continues to haunt Spain's efforts to articulate a national identity that can accommodate both the country's diversity, brought about by immigration from its old colonies, and the postnational demands of its integration in the European Union.

This book studies women’s resistance in the three countries of the Maghreb, concentrating on two questions: First, what has been the role of women artists since the 1960s in unlocking traditions and emancipating women on their own terms? Second, why have Maghrebi women rarely been given the right to be heard since Algeria, Morocco, and Tunisia gained national independence? Honouring the artistic voices of women that have been largely eclipsed from both popular culture and political discourse in the Maghreb, the work specifically examines resistance by women since 1960s in the Maghreb through cinema, politics, and the arts. In an ancillary way, the volume addresses a wide range of questions that are specific to Maghrebi women related to upbringing, sexuality, marriage, education, representation, exclusion, and historical memory. These issues, in their broadest dimensions, opened the gates to responses in different fields in both the humanities and the social sciences. The research presents scholarship by not only leading scholars in Francophone studies, cultural history, and specialists in women studies, but also some of the most important film critics and practicing feminist advocates. The variety of periods and disciplines in this collection allow for a coherent and general understanding of Maghrebi societies since decolonization. The volume is a key resource to students and scholars interested in women’s studies, the Maghreb, and Middle East studies.

Examines how French colonial modernity invented the concept of the Maghreb, making it distinct from Africa and the Middle East.

Catalog to accompany the exhibition "Memory, Place, Desire: Contemporary Art of the Maghreb" on display at the Cantor Fitzgerald Gallery, Haverford College October 24-December 14, 2014

Perhaps the first book in English on this topic of Maghrebi women that gathers several disciplines. This book brings to the fore some hidden aspects of Maghrebi feminism Some of the chapters cover new issues that have not been examined yet. The variety of periods and discipline sin this book allow for a coherent and general understanding of Maghrebi societies since decolonization. Some chapters are by contributors whose work is known worldwide.

In this psychologically complex and darkly humorous debut collection, awardwinning writer Henry Shukman introduces an unforgettable cast of characters, travelers whose certain paths around the world lead invariably back to the uncertain self. In “The Garden of God” an aging, ailing war reporter reflects on his adventures covering a little-known conflict in the Sahara and the precipitous and disgraced end of his career; In “Old Providence,” a dissolute artist mourns a lost love and the “bloody perfect island” where, through his own callow foolishness, he lost her. In “Darien Dogs” a man goes south to Panama, desperate for a business deal that will restore his finances and sense of mastery, only to find himself on a confounding search for a beautiful, mysterious woman and his stolen wallet. By turns full of suspense, farce and poignance, always alive with energy and atmosphere, these are the stories of a gifted and assured writer.

The Exile in the Maghreb entails the first attempt at describing the historical reality of the legal and social condition of the Jews in the Muslim countries of North Africa (principally Algeria and Morocco) over a thousand year period from the Middle Ages (997 C.E.) to the French colonization (1830 Algeria/1912 Morocco.). The Exile is not a formal history but a chronological anthology of documents drawn from literary (section A) and archival sources (section B), many of which are published for the first time. In section A, Arabic and Hebrew chronicles, Muslim legal, and theological texts are followed by the accounts culled from European travelers—captives, diplomats, doctors, clerics, and adventurers. Each document is introduced and annotated in such a way as to bring out its importance. The second section (B) reflects the diplomatic activity deployed by humanitarian organizations in favour of North African Jewry. Spanning the 19th and early 20th centuries, these are mainly drawn from the archives of the Alliance Israélite Universelle (Paris) and the Anglo-Jewish Association (London). The documents are richly elucidated with illustrations taken from the international press. The book presents a new and illuminating insight into the status of Jews under the Crescent. The Jews of North Africa were the only minority under Islam, in this region and their history reflects Judaism's exclusive encounter with Islam.