Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.

When Azadeh was an eight-year-old girl growing up in Iran in March 1973, her uncle gave her a chemistry kit. That got her hooked on science early and provided an opportunity for her to find herself. In The Sky Detective, Azadeh shares her life story—one that includes an insider’s look at life during the Islamic Revolution and Iraqi War and details how one little girl grew up to become a gifted scientist. Set inside Iran in the final years of the monarchy, the author narrates a true story of friendship between two girls growing up in the same household in Tehran: Azadeh, the daughter of an affluent engineer, and Najmieh, a child servant who arrives from a small village in northern Iran to live with Azadeh’s family. When the girls are teenagers, political turmoil interrupts their lives, sending them down different paths. This memoir recalls friendship and faith, the bonds between parents and daughters in a paternalistic society, and the clash of values among relatives from different generations in a family. The Sky Detective describes the rich culture of a beautiful but deeply troubled land undergoing radical transformation. In spite of the hardship that comes along with the establishment of a theocratic regime, Azadeh shows her will and determination as a young woman to persevere and realize her childhood dream of becoming a world-renowned scientist.

Excerpt from Memoirs of a Great Detective: Incidents in the Life of John Wilson Murray IN a tangled swamp on a farm near Galt, in the county of Waterloo, Province of Ontario, Canada, in August 1897, searchers were hunting for the body of a farmer's wife. She had disappeared, and blood by the wood pile and near the house told Of a crime and the hiding of the body. One of the party beating the swamp came upon a half-dug grave. He kept silence as to his discovery, and, when night fell, he secreted himself in the thick brush near the grave and waited, in the faint hope that the murderer would return and finish his task, perchance bringing the body with him. It was bright moonlight overhead. In the thicket of the swamp all was gloom, save for a broken filtering of pale light Where the underbrush and tall briar had been thinned out. It was a lonely, dismal place. An owl's wailing and the swamp-frog's croaking were the only sounds. The hours passed. Midnight came and went. Not even a lizard appeared by the grave. The watcher was about to creep closer and ease his limbs, when a rustle sounded in the brush, a noise like the Wind swishing a bush. It ceased, then came again, then all was still. Suddenly, on the Side of the grave farthest from the watcher, a figure crept swiftly out Of the thicket and stood erect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.