Although there is widespread acknowledgment that the mainstream media is in crisis - a crisis underscored as much by declining authority as declining circulation and viewership - no one has explained its intellectual and moral causes. James Bowman' media critic for The New Criterion' provides a scintillating and fast - paced anatomy of the mainstream media self - generated demise. In Media Madness' Bowman looks behind the headlines to examine mainstream media's governing myths. Writing with acerbic wit' he shows how the mainstream media's embrace of a spurious notion of objectivity combined with its addiction to scandal' moral equivalence' and an unshakable conviction of its own moral superiority have done irreparable damage to the media's public authority and have helped precipitate a worldwide exodus to the blogosphere and other sources of news and comment.

It imagines the media's odd conventions, pretenses, and rhetorical tics - for instance, the assumption that the President of the United States is delusional and/or brainless, or that the publicly displayed feelings of pop stars and celebrities are prophylactics against global warming - are reality indeed. "Media Madness" can be amusing when confined to journalists, but as it increasingly infects politicians and others in public life, it has resulted in a political life characterized by empty gesture, incivility, and most seriously, paralysis."--BOOK JACKET.

The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.

In the foreword to the first edition, renowned anthropologist Victor Turner wrote that this book was a succinct and lucid account of the sporadic growth of political anthropology over the past four decades . . . the introduction we have all been waiting for. Unique in its field, this book offers a comprehensive overview of political anthropology, including its history, its major research findings, and its theoretical concerns both past and present. The third edition has been significantly updated and expanded, with extensive changes in many chapters, two new chapters, a new Preface that replaces the Introduction of the first two editions, an updated Glossary and Suggested Readings list, and an expanded Bibliography. In a clearly written style, this introduction also provides the background necessary for further study. The new chapters cover such topics as the politics of identity, and the transition from modernism to postmodernism. As with the earlier editions, this third edition of what has become a classic in the discipline still serves as a basic text and structure for a full course.

Honest John Williams, written by noted Delaware historian Carol E. Hoffecker, examines the early life and political career of John J. Williams (1904-88), who served four terms as a U.S. senator between 1947 and 1970, and became an important advocate for fiscal probity and governmental integrity in the mid-twentieth century.

The Civil War changed the United States in many ways—economic, political, and social. Of these changes, none was more important than Emancipation. Besides freeing nearly four million slaves, it brought agricultural wage labor to a reluctant South and gave a vote to black adult males in the former slave states. It also offered former slaves new opportunities in education, property ownership—and military service. From late 1862 to the spring of 1865, as the Civil War raged on, the federal government accepted more than 180,000 black men as soldiers, something it had never done before on such a scale. Known collectively as the United States Colored Troops and organized in segregated regiments led by white officers, some of these soldiers guarded army posts along major rivers; others fought Confederate raiders to protect Union supply trains, and still others took part in major operations like the Siege of Petersburg and the Battle of Nashville. After the war, many of the black regiments took up posts in the former Confederacy to enforce federal Reconstruction policy. Freedom by the Sword tells the story of these soldiers' recruitment, organization, and service. Thanks to its broad focus on every theater of the war and its concentration on what black soldiers actually contributed to Union victory, this volume stands alone among histories of the U.S. Colored Troops.

This book is a study of the contribution of women to the development of the newly legitimate Christian church in the twilight of the Western Roman Empire. There are many women noted for the example of their life in this period, regarded amongst the luminaries of the day; but while their male mentors, the patristic authors have retained their fame, the women who surrounded and influenced them have all but disappeared from sight. The women themselves are partly to blame for this, for in order to be pious it made sense to disguise one's sex sometimes literally: Dr Cloke gives examples of those whose sex was discovered only after their death - they sought to become androgynous, a third sex before God. This book looks at a multitude of examples in some detail and takes an overview of the role of Christian women at this time. It should appeal not only to historians, classicists and theologians, but also to anyone who takes a general interest in the changing status of women over the the centuries.