'Max: The Dutch Master' is the first English-language biography of Max Verstappen, Formula 1's sensational new superstar.

Max Liebermann: Modern Art and Modern Germany is the first English-language examination of this German impressionist painter whose long life and career spanned nine decades. Through a close reading of key paintings and by a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion Deshmukh illuminates Liebermann?s importance as a pioneer of German modernism. Critics and admirers alike saw his art as representing aesthetic European modernism at its best. His subjects included dispassionate depictions of the rural Dutch countryside, his colorful garden at the Wannsee, and his many portraits of Germany?s cultural, political, and military elites. Liebermann was the largest collector of French Impressionism in Germany - and his cosmopolitan outlook and his art created strong antipathies towards both by political and cultural conservatives throughout his life.

This is the first English-language examination of the German impressionist painter Max Liebermann, whose long life and career spanned nine decades. Through a close reading of key paintings and a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion F. Deshmukh illuminates Liebermann’s importance as a pioneer of German modernism.

The Gentleman Champion The fifth book of the World Chess Champions series focuses on the life and career of the Dutchman Max Euwe. This soft-spoken professor of mathematics rocked the chess world in 1935 when he defeated the seemingly irresistible force, Alexander Alekhine, to become world champion. Many chessplayers thought this was an upset of the first magnitude. Hardly. Euwe was at his prime and the best in the world at the time. In fact, Euwe posted a plus score against Alekhine in the four games they played between the 1935 and 1937 matches. As noted by Andy Soltis in his foreword, “These pages are rich in detail, and not just about Euwe. There are extensive mini-biographies of Alekhine, Botvinnik, Bogoljubow, Spielmann, Capablanca, Paul Keres, Géza Maróczy, Flohr, Vera Menchik and Réti – as well as less known players such as Edgard Colle, Jan Hein Donner and Salo Landau. The photos and drawings – and those caricatures – are also remarkable.” The venerable fifth world champion was also a first-class arbiter, author and chess diplomat. As an author, he is regarded as one of the two or three finest chess writers for the average player. He was also president of the International Chess Federation (FIDE) at the time of the Fischer-Spassky title match in 1972. Were it not for Euwe’s persuasive, patient handling of the difficult negotiations between the Russians and Americans, it is very likely that the match would not have taken place at all. Join Russian historians Isaak and Vladimir Linder as they take you on a journey exploring the life and games of the gentleman world champion, Max Euwe.

Max Weber's Protestant Ethic is undoubtedly the most widely-read text in Western social theory of the last century. But is it really known? The proposition of this book is that it is not. Innumerable readers will "know" it for their own pedagogic and theoretical purposes, but properly historical grasp of the work's full range of meanings, of its place within the fertile culture of the German states before 1914, and within Max Weber's intellectual biography remains slight. The essays in this volume derive from the author's work in translating and commenting on the Protestant Ethic. They seek (first) to cast light on the range and extent of Weber's intellectual concerns when he was writing in 1904-05: not just English Puritanism, German theology, and capitalism, but also Herrschaft, Judaism, and the shape of Occidental history. This then serves to recapture the continuity and unity of Weber's intellectual development, so that once more we may see the Protestant Ethic at the centre of his oeuvre, the indispensable prelude to all his later work, rather than setting it apart in splendid but curiously lifeless isolation.

Plunged into a strange land at twenty-five, Benjamin Moser began an obsessive, decades-long study of the Dutch Masters to set his world right again. Arriving as a young writer in an ancient Dutch town, Benjamin Moser found himself visiting—casually at first, and then more and more obsessively—the country’s great museums. Inside these old buildings, he discovered the remains of the Dutch Golden Age and began to unearth the strange, inspiring, and terrifying stories of the artists who gave shape to one of the most luminous moments in the history of human creativity. Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. And through their artwork, he got to know their country, too: from the translucent churches of Pieter Saenredam to Paulus Potter’s muddy barnyards, and from Pieter de Hooch’s cozy hearths to Jacob van Ruisdael’s tragic trees. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was. Why do we make art? What even is art, anyway—and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? Is art a consolation—or a mortal danger? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. This is Holland and its great artists as we’ve never seen them before. And it’s a sumptuously illustrated, highly personal coming-of-age-story, twenty years in the making: a revealing self-portrait by one of the most acclaimed writers of his generation.

World Chess Champion Max Euwe, who held the title from 1935-1937, is one of the greatest chess players in history. Much has been written about him, and he authored dozens of books himself. But missing was an outstanding collection of games of this 'efficient, man-eating tiger' as the American grandmaster Reuben Fine once called Euwe. Max Euwe's Best Games fills this gap. And it couldn't have been written by anyone else than Euwe's successor in Dutch chess – Jan Timman, World Champion finalist and arguably one of the leading chess analysts of our time. This book offers eighty of Max Euwe's games annotated with great clarity, starting in his early twenties when he worked his way to the world top, up until his late seventies when he was still a force to be reckoned with. It is incredible how high Euwe's level of play was for over fifty years – and how attractive his attacking style was. Timman made many discoveries in Euwe's best and most famous games but has also unearthed several lesser-known brilliancies. Some interesting paradoxes are addressed along the line. For example, although he was an amateur almost his entire life, Euwe was better versed in opening theory than most of his top-level opponents. Although he was the underdog, he beat the mighty Alexander Alekhine in an epic World Championship Match in 1935. At 52, he could still beat top players like Geller and Najdorf with fantastic attacking play in the Zürich Candidates Tournament. And when he was over seventy, he was still highly dangerous for the new upcoming Dutch generation. This game collection of an often underrated World Champion, analysed by top grandmaster Jan Timman, is a must-have for anyone interested in World Championship chess.