In the 1920s and 30s, anti-Semitism was rife in the United States and Europe. Jews needed symbols of strength and demonstrations of courage against their enemies, and they found both in two champions of boxing: Max Baer and Barney Ross. Baer was the only Jewish heavyweight champion in the twentieth century, while Ross was considered one of the greatest welterweight and lightweight champions of the era. Although their careers never crossed paths, their boxing triumphs played a common role in lifting the spirits of persecuted Jews. In Max Baer and Barney Ross: Jewish Heroes of Boxing, Jeffrey Sussman chronicles the lives of two men whose successful bouts inside the ring served as inspiration for Jewish fans across the country and around the world. Though they came from very different backgrounds—Baer grew up on his family’s ranch in California, while Ross roamed the tough streets of Chicago and was a runner for Al Capone—both would bask in the limelight as boxing champions. Their stories include legendary encounters with such opponents as Jimmy McLarnin (known as the Jew Killer), Max Schmeling (Hitler’s favorite athlete), and Primo Carnera (a sad giant controlled and mistreated by gangsters). While recounting the exploits of these two men, the author also paints an evocative picture of boxing and the crucial role it played in an era of anti-Semitism. A vivid and engaging look at these two heroes and the difficult era in which they lived, Max Baer and Barney Ross will appeal to boxing fans, sports historians, and anyone interested in Jewish history.

Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.

Part of the Jewish Encounter series Born Dov-Ber Rasofsky to Eastern European immigrant parents, Barney Ross grew up in a tough Chicago neighborhood and witnessed his father’s murder, his mother’s nervous breakdown, and the dispatching of his three younger siblings to an orphanage, all before he turned fourteen. To make enough money to reunite the family, Ross became a petty thief, a gambler, a messenger boy for Al Capone, and, eventually, an amateur boxer. Turning professional at nineteen, he would capture the lightweight, junior welterweight, and welterweight titles over the course of a ten-year career. Ross began his career as the scrappy “Jew kid,” ended it as an American sports icon, and went on to become a hero during World War II, earning a Silver Star for his heroic actions at Guadalcanal. While recovering from war wounds and malaria he became addicted to morphine, but with fierce effort he ultimately kicked his habit and then campaigned fervently against drug abuse. And the fighter who brought his father’s religious books to training camp also retained powerful ties to the world from which he came. Ross worked for the creation of a Jewish state, running guns to Palestine and offering to lead a brigade of Jewish American war veterans. This first biography of one of the most colorful boxers of the twentieth century is a galvanizing account of an emblematic life: a revelation of both an extraordinary athlete and a remarkable man.

New York Times Bestseller: This true Depression-era story of a down-and-out fighter’s dramatic comeback is “a delight” (David Halberstam). James J. Braddock was a once promising light heavyweight. But a string of losses in the ring and a broken right hand happened to coincide with the Great Crash of 1929—and Braddock was forced to labor on the docks of Hoboken. Only his manager, Joe Gould, still believed in him. Gould looked out for the burly, quiet Irishman, finding matches for Braddock to help him feed his wife and children. Together, they were about to stage the greatest comeback in fighting history. Within twelve months, Braddock went from being on the relief rolls to facing heavyweight champion Max Baer, renowned for having allegedly killed two men in the ring. A brash Jewish boxer from the West Coast, Baer was heavily favored—but Braddock carried the hopes and dreams of the working class on his shoulders, and when he emerged victorious against all odds, the shock was palpable—and the cheers were deafening. In the wake of his surprise win, Damon Runyon dubbed him “Cinderella Man.” Against the gritty backdrop of the 1930s, Cinderella Man brings this dramatic all-American story to life, telling a classic David and Goliath tale that transcends the sport. “A punchy read with touches of humor.” —The New York Times “A wonderful, thrilling boxing story, and simultaneously a meticulous look at Depression life.” —Jimmy Breslin

In 1897 a filmed prize-fight became one of cinema's first major attractions, and such films continued to enjoy great popularity for many years to come. This work chronicles the story of how legitimate bouts, fake fights, comic sparring matches, and other forms of boxing came to dominate the screens of the silent-era.

Mixing fictional and historical characters this haunting story is about Max Baer's life in and out of the boxing ring.

Offers accessible and informative essays about the social impact and historical importance of boxing around the globe.