Compared to other areas of medieval literature, the question of masculinity in Old Norse-Icelandic literature has been understudied. This is a neglect which this volume aims to rectify. The essays collected here introduce and analyse a spectrum of masculinities, from the sagas of Icelanders, contemporary sagas, kings' sagas, legendary sagas, chivalric sagas, bishops' sagas, and eddic and skaldic verse, producing a broad and multifaceted understanding of what it means to be masculine in Old Norse-Icelandic texts. A critical introduction places the essays in their scholarly context, providing the reader with a concise orientation in gender studies and the study of masculinities in Old Norse-Icelandic literature. This book's investigation of how masculinities are constructed and challenged within a unique literature is all the more vital in the current climate, in which Old Norse sources are weaponised to support far-right agendas and racist ideologies are intertwined with images of vikings as hypermasculine. This volume counters these troubling narratives of masculinity through explorations of Old Norse literature that demonstrate how masculinity is formed, how it is linked to violence and vulnerability, how it governs men's relationships, and how toxic models of masculinity may be challenged.

This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders—and taking into account a number of little-studied sagas as well as the more well-known works—it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and femininities. Ultimately, the volume demonstrates that masculinity is not simply glorified in the sagas, but is represented as being both inherently fragile and a burden to all characters, masculine and non-masculine alike.

Nuanced and difficult as Loki's character can sometimes be, he is not without precedent in the Old Norse literary tradition. Instead, much of what makes him challenging to pin down reflects the complex and, at times, incongruous rules governing Old Norse masculinity and assumptions about those who trespass against those rules. In calling attention to issues of gender and sexuality surrounding Loki, this dissertation highlights one common thread tying together episodes that place Loki in contradictory roles: as the entity who obtains the tools and resources that keep the Aesir in power and as the outsider who ultimately destroys Asgard from the inside out. This study opens with a discussion of Loki's heritage and offspring and how hierarchies of power in the Norse mythological world place Loki and his family in a tenuous, perhaps even dangerous, category of beings. It explores how this precariousness is linked, in part, to Loki's split loyalties between the Aesir and jotnar family groups and goes on to suggest that this liminality allows him to navigate between borders and boundaries and behave in ways the rest of the god group often cannot. The dissertation then turns towards one specific barrier Loki moves between, namely the expectations dividing "manly" and "unmanly" or ergi behavior. Loki's disregard for gender roles reveals much about both the importance and the shortcomings of those roles and norms in Old Norse mythic literature. Similar episodes of ergi in Old Icelandic saga literature deepen our understanding not just of Loki, but also of the function of gender in Old Norse literature at large and of the anxieties and challenges plaguing Iceland during the thirteenth and fourteenth centuries, when these texts were being recorded and circulated.

The cultural and literary legacy of medieval Iceland, with its roots in Norse heathen religion, heroic literature, and Viking Age history, is the focus of this volume. Its chapters examine the history and reception of a particular text or topic within this remarkable tradition. They treat a number of topics, including the legendary dragon-slayer Sigurd, the many personas of the mysterious god Odin, aspects of the ancient mythology of gods and giants, the early settlement of Iceland, the defiant Viking warriors known as the "Sworn Brothers", the entrepreneurial role of cloth production in medieval Scandinavia, the codicology and book history of key literary works, the many references to medieval Nordic lore in modern fiction and poetry, and the cultural position of islands such as Iceland in relation to the ebb and flow of religions, institutions and empires. Reconsidering these areas of Old Norse-Icelandic literary culture reveals the striking resilience and adaptability of its traditions, through a startling variety of transformations.

This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens and heroes as well as their encounters with valkyries, elves, dragons and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus, and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history and archaeology.

A comprehensive guide to a crucial aspect of Old Norse literature.

The mythology of the Norse world has long been a source of fascination, from the first written texts of thirteenth-century Iceland up to the modern period. Most studies, however, have focused on the content of the narratives themselves, rather than the broader political contexts in which these myths have been explored. This volume offers a timely corrective to this broader trend by offering one of the first in-depth examinations of the political uses of Norse mythology within specific historical contexts. Tracing the changing interests and usages of Norse myths from the medieval period, via the nineteenth century and the importance of ancient Norse beliefs to both the Romantic and volkisch movements, up to the co-option of mythology and symbolism by political groups across the twentieth and early twenty-first centuries, the papers gathered here offer new and critical insights into the changing nature of historiography and the political agendas that Old Norse myths are made to serve, as well as shedding new light on the way in which 'myths' are conceptualized.