Mary Austin (1868-1934)—eccentric, independent, and unstoppable—was twenty years old when her mother moved the family west. Austin's first look at her new home, glimpsed from California's Tejon Pass, reset the course of her life, "changed her horizons and marked the beginning of her understanding, not only about who she was, but where she needed to be." At a time when Frederick Jackson Turner had announced the closing of the frontier, Mary Austin became the voice of the American West. In 1903, she published her first book, The Land of Little Rain, a wholly original look at the West's desert and its ethnically diverse peoples. Defined in a sense by the places she lived, Austin also defined the places themselves, whether Bishop, in the Sierra Nevada, Carmel, with its itinerant community of western writers, or Santa Fe, where she lived the last ten years of her life. By the time of her death in 1934, Austin had published over thirty books and counted as friends the leading literary and artistic lights of her day. In this rich new biography, Susan Goodman and Carl Dawson explore Austin's life and achievement with unprecedented resonance, depth, and understanding. By focusing on one extraordinary woman's life, Mary Austin and the American West tells the larger story of the emerging importance of California and the Southwest to the American consciousness.

"Finally, a book that does Mary Austin justice in all her complexity and takes her seriously as a challenging and varied writer."—Melody Graulich, coeditor of Exploring Lost Borders "A wonderful wide-angle view of an era in the American West and its literary, artistic, and anthropological figures."—Robert D. Richardson Jr., author of Henry Thoreau: A Life of the Mind

Originally published in 1903, this classic nature book by Mary Austin evokes the mysticism and spirituality of the American Southwest. Vibrant imagery of the landscape between the high Sierras and the Mojave Desert is punctuated with descriptions of the fauna, flora and people that coexist peacefully with the earth. Copyright © Libri GmbH. All rights reserved.

Mary Austin (1868-1934)—eccentric, independent, and unstoppable—was twenty years old when her mother moved the family west. Austin's first look at her new home, glimpsed from California's Tejon Pass, reset the course of her life, "changed her horizons and marked the beginning of her understanding, not only about who she was, but where she needed to be." At a time when Frederick Jackson Turner had announced the closing of the frontier, Mary Austin became the voice of the American West. In 1903, she published her first book, The Land of Little Rain, a wholly original look at the West's desert and its ethnically diverse peoples. Defined in a sense by the places she lived, Austin also defined the places themselves, whether Bishop, in the Sierra Nevada, Carmel, with its itinerant community of western writers, or Santa Fe, where she lived the last ten years of her life. By the time of her death in 1934, Austin had published over thirty books and counted as friends the leading literary and artistic lights of her day. In this rich new biography, Susan Goodman and Carl Dawson explore Austin's life and achievement with unprecedented resonance, depth, and understanding. By focusing on one extraordinary woman's life, Mary Austin and the American West tells the larger story of the emerging importance of California and the Southwest to the American consciousness.

Describes changes in how the West has been seen, from a male-dominated frontier, to a region with a powerful sense of place, to a modern center of both genders, ethnic groups, and environmental interests

Mary Austin's decades-old regionalist work still has the power to fascinate and move a wide audience of contemporary readers.Under the Sign of Nature: Explorations in Ecocriticism

Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.