Elmore Johnson has only got two friends, the bottle of Jim Beam in his coat pocket and a revolver named Lorraine. He worked for the Indianapolis Police Department until they booted him for exposing dirty cops. Now he makes a meager living snapping seedy photos. But when Elmore shoots pictures of the daughter of a wealthy CEO making cheap porn, the girl ends up dead. As the bodies pile up, Elmore finds himself trapped in the heart of a bizarre conspiracy until he discovers the horrifying truth about a place called Manifesto Destination. Alec Cizak’s Manifesto Destination will take you back to dystopian 1998 Indianapolis where everyone—the cops, big business, and even the little guy—is dirty and only looking out for themselves. His writing is boiled rock hard and keeps you turning one noir-infested page after another until you find yourself as paranoid as Elmore Johnson. Praise for MANIFESTO DESTINATION: “Alec Cizak finds the naked truth on the printed page. An artist with no fear and thankfully no moral center.” —David Cranmer, editor of Beat To a Pulp “The city of Indianapolis like you haven’t seen it before (at least not yet), seasoned with a splash of noir, a dash of dystopia and almost but not quite hard-boiled. More like Eggs Benedict—though that breakfast was originally invented as a hangover cure, and this might cause one. Alec Cizak’s heady mixture of sci-fi and P.I., bad cops and Big Brothers, is a dark, funny read, full of twists and a barely controlled rage at the state of our corporate nation. And by nudging his detective story into a disturbing but recognizable future, the author paints this concoction with an extra layer of despair, as we realize his Phil Dickian satire of manipulation is not just familiar, but also inevitable. Best read with Charlie Parker in the background (the hero probably wore out his ‘Charlie Parker With Strings’ tape, but it weaves the perfect soundtrack). Jazzy and weird, the whole thing is probably a thinly-veiled threat, but I had too much fun to heed any warnings. See you at the Magic Carpet before they tear it down.” —David James Keaton, author of Fish Bites Cop: Stories To Bash Authorities

Overtourism examines the increasingly important role of destination management and effective stakeholder engagement in order to maximize the economic contribution of tourism while avoiding the potential pitfalls of overtourism. Rapid growth in international tourism has led to the emergence of the overtourism phenomenon. It is a situation where high tourist numbers start to cause tensions with local residents and communities owing to what they consider to be negative impacts on their quality of life including overcrowding, congestion, housing shortages, and changes in the retail sector. Overtourism can occur in any type of destination be it urban or rural in a developed or developing country. The author does not consider a global reduction in international travel as a likely long-term solution to addressing overtourism. Rather, destinations should prepare for continuous growth in both international tourist arrivals and domestic tourism in the longer term. Overtourism can often be reversed or averted through effective destination management. This requires engaging with key stakeholders and the local community to ensure that the local residents’ quality of life is preserved while at the same time delivering a high-quality experience for visitors. The coronavirus pandemic has provided destinations with an opportunity to reflect and decide how they want to recover and become more resilient and sustainable in the long term.

In this first book of essays devoted entirely to Nathaniel Mackey's work, prominent critics respond to a major oeuvre that is at once affirmative and utopic, negational and dystopic. Drawing on multiple genealogies and traditions, primarily from African and African diaspora histories and cultures, Mackey's work envisions cultural creation as cross-cultural, based in the damaging relationships of Africans brought against their will to the Americas and the resulting innovations of New World African literatures and music. Contributors: Maria Damon, Joseph Donahue, Rachel Blau DuPlessis, Norman Finkelstein, Luke Harley, Paul Jaussen, Adalaide Morris, Fred Moten, Peter O'Leary, Anthony Reed

This book represents an unusual intervention in debates about the nature of contemporary international development, where the majority of scholarship tends to concern itself with measuring or collating goal performance. Through a series of analyses of the United Nations Sustainable Development Goals, this book explores development as a political construct, and is concerned with the kinds of epistemological, hegemonic, or politico-economic assumptions built into contemporary development policy, and the ensuing effectiveness the SDGs will have in terms of addressing or perpetuating the historical impoverishment of large groups of people living in poverty. The contributors to the book take issue with many of the assumptions upon which SDGs rest, while also broadening the conversation to pay attention to knowledge production, modernity, colonialism, exclusion, citizenship, and other conceptual insights. In this context, the book raises questions about the discourses and practices of the SDGs, especially in relation to how they can: define the limits of what can be said and what can be done; shape development logics through notions of division and forms of exclusion; construct political problems as technical problems; create certain spaces of imagination as a field of activity; and endorse particular ideas and forms of knowledge in models for sustainable development. This book was originally published as a special issue of Globalizations.

What price can you put on a human life? Times are tough. Cabbie Lester Banks can’t pay his bills. His gorgeous young neighbor, Chelsea, is also one step from the streets. Lester makes a sordid business deal with her. Things turn out worse than he could ever have imagined. “Alec Cizak demonstrates in Down on the Street that he remains among the top fiction writers alive, regardless of genre. This is a crime story, but it’s so much more. Words like sharpened blades cut out the reader’s heart, emotionally and otherwise. I read this novella in a burst. A week later, I’m still absorbing it.” —Rob Pierce, author of Uncle Dust and With the Right Enemies.

"Karen Walrond shines her light so we can find our own." —Brené Brown Many of us have strong convictions. We want to advocate for causes we care about--but which ones? We want to work for change--but will the emotional toll lead to burn out? Leadership coach, lawyer, photographer, and activist Karen Walrond knows that when you care deeply about the world, light can seem hard to find. But when your activism grows out of your joy--and vice versa--you begin to see light everywhere. In The Lightmaker's Manifesto, Walrond helps us name the skills, values, and actions that bring us joy; identify the causes that spark our empathy and concern; and then put it all together to change the world. Creative and practical exercises, including journaling, daily intention-setting, and mindful self-compassion, are complemented by lively conversations with activists and thought leaders such as Valarie Kaur, Brené Brown, Tarana Burke, and Zuri Adele. With stories from around the world and wisdom from those leading movements for change, Walrond beckons readers toward lives of integrity, advocacy, conviction, and joy. By unearthing our passions and gifts, we learn how to joyfully advocate for justice, peace, and liberation. We learn how to become makers of light.

Vern is a dangerous man—he makes illegal exchanges safe. Until someone tries to rip off a drug deal he’s working and he gets blamed. Now both gangs involved are after him, including the one he works for. And he’s going to clear his name, no matter who he has to kill in the process. Praise for VERN IN THE HEAT: “Rob Pierce is one of the more imaginative literary voices in our new emerging era of noir.” —James Grady, author of Six Days of the Condor “Rob Pierce is urban noir’s high priest from the mean streets.” —Joe Clifford, author of Lamentation and December Boys “Rob Pierce is a new talent that cuts deep into the underbelly of society and rips the guts and heart out of his protagonist.” —Lou Boxer, Noircon