Agatha Christie's widower's recollections of his archaeological triumphs and life with Agatha.

MALLOWAN, HUSBAND OF AGATHA CHRISTIE, TELLS OF HIS BOYHOOD AT LANCING, HIS ELECTION AS A FELLOW OF ALL SOULS, AND HIS WORK AS TRUSTEE OF THE BRITISH MUSEUM. HE DEVOTES FOUR CHAPTERS TO HIS WIFE.

This is the first full-length biography of Sir Max Mallowan (1904-78), archaeologist and husband of Agatha Christie. Trained by the great Leonard Woolley at the site of the royal cemetery at Ur in the mid 1920s, Max Mallowan then excavated at previously untried sites in north-eastern Syria. After the Second World War, he returned to Iraq to supervise over a period of 12 years the excavation of the important city of Nimrud.

It has been one hundred years since Agatha Christie wrote her first novel and created the formidable Hercule Poirot. A brilliant and award winning biographer, Laura Thompson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie's books still sell over four million copies each year—more than thirty years after her death—and it shows no signs of slowing.But who was the woman behind these mystifying, yet eternally pleasing, puzzlers? Thompson reveals the Edwardian world in which Christie grew up, explores her relationships, including those with her two husbands and daughter, and investigates the many mysteries still surrounding Christie's life, most notably, her eleven-day disappearance in 1926.Agatha Christie is as mysterious as the stories she penned, and writing about her is a detection job in itself. With unprecedented access to all of Christie's letters, papers, and notebooks, as well as fresh and insightful interviews with her grandson, daughter, son-in-law and their living relations, Thompson is able to unravel not only the detailed workings of Christie's detective fiction, but the truth behind this mysterious woman.

Agatha Christie’s ‘most absorbing mystery’ – her own autobiography.

Empires of Antiquities' is a history of the rediscovery of the imperial civilizations of the ancient Near East in a modern imperial order that evolved between the outbreak of the First World War and the decolonization of the British Empire in the 1950s. It explores the ways in which near eastern antiquity was redefined and experienced, becoming the subject of imperial regulation, modes of enquiry, and international and national politics. 0Billie Melman follows a series of globally publicized spectacular archaeological discoveries in Iraq, Egypt, and Palestine, which made antiquity material visible and accessible as never before. She demonstrates that the new definition and uses of antiquity and their relations to modernity were inseparable from the emergence of the post-war international imperial order, transnational collaboration and crises, the aspirations of national groups, and collisions between them and the British0mandatories. This study uniquely combines a history of the internationalization of archaeology and the rise of a new 'regime of antiquities', under the oversight of the League of Nations and its institutions, a history of British attitudes to, and passion for near eastern antiquity and on the ground, colonial policies and mechanisms, as well as nationalist claims on the past. It points at the centrality of the new mandate system. Drawing on an unusually wide range of materials collected in archives in six countries, as well as on material and visual evidence, this volume weaves together imperial, international and national histories, and the history of archaeological discovery which it connects to imperial modernity.