“An interestingly idiosyncratic and personal vision of how to make podcasts.”—Ira Glass Veteran podcast creator and strategist Eric Nuzum distills a career’s worth of wisdom, advice, practical information, and big-picture thinking to help podcasters “make noise”—to stand out in this fastest of fastest-growing media universes. Nuzum identifies core principles, including what he considers the key to successful audio storytelling: learning to think the way your audience listens. He delivers essential how-tos, from conducting an effective interview to marketing your podcast, developing your audience, and managing a creative team. He also taps into his deep network to offer advice from audio stars like Ira Glass, Terry Gross, and Anna Sale. The book’s insights and guidance will help readers successfully express themselves as effective audio storytellers, whether for business or pleasure, or a mixture of both.

Listening across millennia, a cultural historian explores the process by which noise today has become as powerfully metaphorical--and intriguing--as the original Babel. When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific. At every stage, readers can hear the cultural reverberations of the historical soundwork of actresses, admen, anthropologists, astronomers, builders, composers, dentists, economists, engineers, filmmakers, firemen, grammar school teachers, jailers, nurses, oceanographers, pastors, philosophers, poets, psychologists, and the writers of children's books. Drawing upon such diverse sources as the archives of antinoise activists and radio advertisers, catalogs of fireworks and dental drills, letters and daybooks of physicists and physicians, military manuals and training films, travel diaries and civil defense pamphlets, as well as museum collections of bells, ear trumpets, megaphones, sirens, stethoscopes, and street organs, Schwartz traces the process by which noise today has become as powerfully metaphorical as the original Babel. Endnotes and bibliography are not included in the physical book but are available online at the MIT Press Web site.

In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women's rights activists first met at Seneca Falls.

This Element examines the problem of hospital noise, a problem that has repeatedly been discovered anew, with each new era bringing its own efforts to control and abate unwanted sound in healthcare settings. Why, then, has hospital noise never been resolved? This question is at the heart of Making Noise in the Modern Hospital, which brings together histories of the senses, space, technology, society, medicine and architecture to understand the changing cacophony of the late twentieth-century British hospital. This Element is fundamentally interdisciplinary – despite being historical, it comes up to the present day and brings in scholarship on space, place, atmosphere and the senses that will have relevance to scholars working outside of historical research. The intersection between medical and sensory histories also puts interdisciplinary research at the Element's core.

This engaging book explains how sounds are made, with easy-to-understand examples and hands-on, fun experiments.

'This book teaches, provides painful insight, and creates awareness and empathy for the patients, families, and caregivers who are living and working every day within a framework of tragedy. This book is also great entertainment. You will laugh and cry, sometimes simultaneously, throughout your reading.' - From the Foreword by Kay Roskam, Board Certified Music Therapist Filling a Need While Making Some Noise is an inspiring and engaging nuts-and-bolts guide for music therapists who are interested in working in pediatrics. Kathy Lorenzato paints a vivid picture of what it's like to work, as a member of support staff in a teaching hospital, with children and families who are facing tremendous health challenges, and for whom music therapy is part of their treatment or recovery plan. She explains the beneficial effects of music therapy on children with physical or mental illness and offers many helpful suggestions and background information on practicing music therapy in a hospital environment, the kinds of instruments to use and how to work successfully with medical staff and how music therapists can help their patients' families to cope with the hospital experience. Lorenzato also describes the therapy programs she designed to complement the treatment of and recovery from specific medical conditions she has encountered, from cancer to trauma caused by child abuse. This book will be an invaluable resource for music therapists, both newly qualified and experienced, members of the medical and childcare professions and students in these fields.

In this rhythmic read-aloud, all you need is an imagination to experience the thrill of a great train ride. When a girl shouts "I can make a train noise, now!" her imagination transforms a coffee shop into a zooming train, and her words clickity-clack across the tracks and blare like a train horn. In a flash, salt shakers and ketchup bottles become skyscrapers, and the girl's voice rattles along the tracks with "I can make a train noise I can make a train noise." Her voice whistles "Nowowwwwww!" The propulsive, rhythmic text that mimics train sounds is sure to captivate all kids, pair it with gorgeously detailed artwork and you have a read-aloud like no other. Michael Emberley, is the author and artist of many acclaimed children's books, including most notably It's Perfectly Normal. Marie-Louise Fitzpatrick is one of Ireland's most distinguished illustrators of books for children. A Junior Library Guild Gold Standard Selection