Houston in the 1920s is a city of established cotton kings and newly rich oil barons, where the elite live in beaux art mansions behind the gates of Courtlandt Place. Kirby Augustus Allen, grandson of the Allen brothers who founded Houston as a real estate deal, is grooming his daughter Hetty to marry Lamar Rusk, scion of the Splendora oil fortune. Instead, at the No-Tsu-Oh Carnival of 1928, beautiful, rebellious Hetty encounters a mysterious man from Montana dressed in the gear of a wildcatter--an outsider named Garret MacBride. Hetty is torn between Lamar's lavish courtship and her instinctive connection to Garret. As Lamar's wife she would be guaranteed acceptance to the highest ranks of Houston society. Yet Garret, poor but powerfully ambitious, offers the adventure she craves, with rendezvous in illicit jazz clubs and reckless nights of passion. The men's intense rivalry extends to business, as rumors of a vast, untapped ocean of oil in East Texas spark a frenzy that can make fortunes--or shatter lives and dreams beyond repair. A sweeping, sumptuous debut that evokes the turmoil and drama rippling through the history of the Lone Star State, Magnolia City is a story of love, greed, jealousy, and redemption, brought to life through the eyes of its unforgettable heroine.

A guide to more than two hundred of the most famous, infamous, and influential individuals now interred in the iconic Charleston landmark Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Taking its title from the poem that William Gilmore Simms delivered at the 1850 consecration of the cemetery, City of the Silent is a unique guide to some of the complex personalities who have contributed to the Holy City's rich culture. The book includes entries on writers, artists, statesmen, educators, religious leaders, scientists, war heroes, financiers, captains of industry, slave traders, socialites, criminals, victims, and others. Some of these men and women are as distinguished as author Josephine Pinckney, civil rights champion J. Waties Waring, and artist Alice Ravenel Huger Smith. Others are as notorious as bootlegger Frank "Rumpty Rattles" Hogan, adulterous killer Dr. Thomas McDow, and brothel-keeper Belle Percival. Most of Phillips's subjects achieved prominence while alive, but a few are better known for their manner of death. The members of the third and final crew of the Confederate submarine H. L. Hunley, interred with great ceremony in 2004 after the discovery of their vessel in Charleston harbor, are among the newest Magnolia residents depicted in the portrait gallery. Each authoritative profile offers a vivid depiction of a memorable individual rendered in conversational tone with refreshing wit and apt anecdotes. These artfully braided stories describe an intricate network of family ties, civic institutions, business enterprises, and local landmarks. Together the biographies provide an affectionate, insightful history of an influential society and establish Magnolia as a center of community traditions that extend from the mid-nineteenth century to the present. City of the Silent is a celebration of intertwining lives and an engrossing account of Charleston's past as witnessed by those no longer able to tell their own tales. In addition to the biographical sketches, City of the Silent includes a foreword by Josephine Humphreys, Charleston writer and longtime friend of the author, and an afterword by Phillips's daughter Alice McPherson Phillips. The volume also features an introductory essay by historian Thomas J. Brown examining how the cemetery became a leading site of historical memory in the aftermath of the Civil War, and sets of maps and thematic tours that invite visitors to locate the featured graves within Magnolia's evocative grounds.

In this embellished memoir, Baker shares how she navigated her bifurcated world, defying the Magnolia Code and finding role models in rebellious women.

★★★★★ "The ending was just the beginning for these ladies." --Reviewer I have so many walls built up around my heart, and I’m not sure I have the strength to break them down. Welcome to Magnolia Victoria I’m no longer mayor, a sentiment that I’m still trying to get used to saying. After the inauguration of the new mayor, I’m pretty sure that I’ve has reached bottom--until my parents inform me that they are selling their house in Magnolia and I have a week to find a new place to live. Enter Maggie. Even though she poses the job opening as a desperate need for help at the inn, I decide to take it as a temporary job until I can get on my feet. After all, I’m a Holt and Holt's don't need handouts. They also don't need the sexy chef that doesn't seem to want to leave me alone and is breaking down all the walls that I’ve put up. Fiona I know that something is wrong with my mom and the coffee shop. Ever since I moved back to Magnolia with my son, I’ve sensed that something was off. It wasn't until I discovered the eviction notice that I realized just how bad things had gotten. After a pow-wow with the Red Stiletto ladies, Shari convinces me to drive to Nashville in search of my son’s father and the child support he's never sent. Things go from bad to worse once we get there. Dave's not interested in helping and being in the city I once called home is dredging up a ton of old memories. Now I’m worried I don't have the strength to stand my ground and protect my son. Magnolia at Midnight will capture you from page one. It will show you the power of friendship and the strength you have inside. Grab your copy today. Keywords: strong heroine, slow burn romance, contemporary romance, romance books, second chance romance, love after loss, womens fiction, clean romance, book series, small town romance, completed series, restoring inn, divorcee, starting over, new move in, grandmother, new friendships, bookclub, broken hero, forgiveness, second chance at love, wholesome romance, sweet romance, middle aged women, women over thirty, single woman fiction, best friends brother, family saga, family relationships, overcoming obstacles, cinnamon roll heroes

In the #1 New York Times bestseller, The World Needs Who You Were Made to Be, Joanna Gaines celebrates how creativity and acceptance can come together to make for a bright and beautiful adventure. The book, illustrated by Julianna Swaney, follows a group of children as they each build their very own hot-air balloons. As the kids work together, leaning into their own skills and processes, we discover that the same is true for life—it's more beautiful and vibrant when our differences are celebrated. Together with Joanna, you and your kids will take a journey of growth and imagination as you learn in full color to: Celebrate every child's one-of-a-kind strengths and differences Embrace teamwork Share our talents and abilities to make everything more beautiful Lend a helping hand and do our best to show kindness and take care of one another The World Needs Who You Were Made to Be is a vibrant picture book perfect for: Ages 4-8 Grandparents, parents, teachers, and librarians Classroom story times and discussions about diversity and being a good human being Households that enjoy watching Chip and Joanna on Magnolia Network and HGTV's Fixer Upper With plenty of pink, a bounty of blue, orange and green and yellow too, this vibrant hot-air balloon adventure celebrates every child and teaches kids that we are in this together. “You're one of a kind, and it's so clear to see: The world needs who you were made to be.”

Vol. for 1921 has title: Thirtieth annual report of the Railroad Commission of Texas, Oil and Gas and Gas Utilities Divisions.