A young apprentice learns to tap his own wellspring of creativity with the help of the magical margins of an illuminated manuscript in this story about patience, talent, and imagination. Full color.

There are no clear demarcation lines between magic, astrology, necromancy, medicine, and even sciences in the pre-modern world. Under the umbrella term 'magic,' the contributors to this volume examine a wide range of texts, both literary and religious, both medical and philosophical, in which the topic is discussed from many different perspectives. The fundamental concerns address issue such as how people perceived magic, whether they accepted it and utilized it for their own purposes, and what impact magic might have had on the mental structures of that time. While some papers examine the specific appearance of magicians in literary texts, others analyze the practical application of magic in medical contexts. In addition, this volume includes studies that deal with the rise of the witch craze in the late fifteenth century and then also investigate whether the Weberian notion of disenchantment pertaining to the modern world can be maintained. Magic is, oddly but significantly, still around us and exerts its influence. Focusing on magic in the medieval world thus helps us to shed light on human culture at large.

This all-original anthology expands the focus of speculative fiction beyond protagonists who are white, straight, cisgender, and male. The 27 tales collected here focus on those who are marginalized in our history books, in stories that have been passed down through the generations, hidden between the lines of journal entries and love letters.

A history of one of humankind’s most resilient and influential technologies over the past millennium—the book. Revelatory and entertaining in equal measure, Portable Magic will charm and challenge literature lovers of all kinds as it illuminates the transformative power and eternal appeal of the written word. Stephen King once said that books are “a uniquely portable magic.” Here, Emma Smith takes readers on a literary adventure that spans centuries and circles the globe to uncover the reasons behind our obsession with this captivating object. From disrupting the Western myth that the Gutenberg Press was the original printing project, to the decorative gift books that radicalized women to join the anti-slavery movement, to paperbacks being weaponized during World War II, to a book made entirely of plastic-wrapped slices of American cheese, Portable Magic explores how, when, and why books became so iconic. It’s not just the content within a book that compels; it’s the physical material itself, what Smith calls “bookhood”: the smell, the feel of the pages, the margins to scribble in, the illustrations on the jacket, its solid heft. Every book is designed to influence our reading experience—to enchant, enrage, delight, and disturb us—and our longstanding love affair with books in turn has had direct, momentous consequences across time.

Images in the Margins is the third in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world. An astonishing mix of mundane, playful, absurd, and monstrous beings are found in the borders of English, French, and Italian manuscripts from the Gothic era. Unpredictable, topical, often irreverent, like the New Yorker cartoons of today, marginalia were a source of satire, serious social observation, and amusement for medieval readers. Through enlarged, full-color details and a lively narrative, this volume brings these intimately scaled, fascinating images to a wider audience. It accompanies an exhibition on view at the J. Paul Getty Museum from September 1 through November 8, 2009.

“As evident through the pages of this book, Snow holds a vision for the queer aspirant who hears the call to witchery, to find healing, empowerment, strength, and pride through their craft. Through creative and unique journal prompts, introspection, rituals, and spells, Snow achieves this beautifully, and herein lays the perfect guide for the queer witch to stand in their power and stand beside others; truly queering our craft with compassion and pride.” —Mat Auryn, author of Psychic Witch: A Metaphysical Guide to Meditation, Magick, and Manifestation Witchcraft has always belonged to the outsiders and outcasts in society, yet so much of the practice enforces and adheres to the same hierarchy we face in the world at large—a hierarchy that isolates and hurts those living beyond society’s binaries and boundaries. While there are books that address magick for resistance and queer myth, until now there has not been one that specifically addresses the practice of queer magick from an LGBTQ+ standpoint. Queering Your Craft combines queer aesthetic and culture (like DIY culture and an emphasis on chosen family over formal covens) with pagan and metaphysical spiritual practice in a way that is commonplace but has not been written about until now. This book covers the personal, the collective, and the political, and how deeply intertwined all three are in a magickal practice for those who are LGBTQ+. In this introduction to witchcraft, Snow presents why/how each concept is important to a queer craft, or how to approach it from a queer mindset. For example, conventional prayer, words, and symbols have always been problematic in a queer universe: How to make them work and still be true to yourself? The bulk of the book is about learning the craft. The latter portion is a grimoire of spells. While accessible to beginning witches, Queering Your Craft provides new and inspiring information for longtime practitioners interested in a pure and personal approach that avoids the baggage of history and stereotype.

This volume presents editions of two fascinating anonymous and untitled manuscripts of magic produced in Elizabethan England: the Antiphoner Notebook and the Boxgrove Manual. Frank Klaassen uses these texts, which he argues are representative of the overwhelming majority of magical practitioners, to explain how magic changed during this period and why these developments were crucial to the formation of modern magic. The Boxgrove Manual is a work of learned ritual magic that synthesizes material from Henry Cornelius Agrippa, the Fourth Book of Occult Philosophy, Heptameron, and various medieval conjuring works. The Antiphoner Notebook concerns the common magic of treasure hunting, healing, and protection, blending medieval conjuring and charm literature with materials drawn from Reginald Scot’s famous anti-magic work, Discoverie of Witchcraft. Klaassen painstakingly traces how the scribes who created these two manuscripts adapted and transformed their original sources. In so doing, he demonstrates the varied and subtle ways in which the Renaissance, the Reformation, new currents in science, the birth of printing, and vernacularization changed the practice of magic. Illuminating the processes by which two sixteenth-century English scribes went about making a book of magic, this volume provides insight into the wider intellectual culture surrounding the practice of magic in the early modern period.