Magic City is a fictional novel about 5 sets of twins that come together to play for the same high school basketball team and strive to fulfill their goal.

Magic City is the story of one of American music's essential unsung places: Birmingham, Alabama, birthplace of a distinctive and influential jazz heritage. In a telling replete with colorful characters, iconic artists, and unheralded masters, Burgin Mathews reveals how Birmingham was the cradle and training ground for such luminaries as big band leader Erskine Hawkins, cosmic outsider Sun Ra, and a long list of sidemen, soloists, and arrangers. He also celebrates the contributions of local educators, club owners, and civic leaders who nurtured a vital culture of Black expression in one of the country's most notoriously segregated cities. In Birmingham, jazz was more than entertainment: long before the city emerged as a focal point in the national civil rights movement, its homegrown jazz heroes helped set the stage, crafting a unique tradition of independence, innovation, achievement, and empowerment. Blending deep archival research and original interviews with living elders of the Birmingham scene, Mathews elevates the stories of figures like John T. "Fess" Whatley, the pioneering teacher-bandleader who emphasized instrumental training as a means of upward mobility and community pride. Along the way, he takes readers into the high school band rooms, fraternal ballrooms, vaudeville houses, and circus tent shows that shaped a musical movement, revealing a community of players whose influence spread throughout the world.

A simple black and white photograph taken during the 1964 Cassius Clay-Sonny Liston fight on Miami Beach may hold the key to a horrific, politically-motivated crime forty-two years earlier. After it mysteriously reappears, the photo is burned in an act of arson that sets off a modern-day killing spree reaching from the quiet neighborhoods of Miami to the back corridors of the White House. What the killer did not know is that a copy of the photograph still remains. When it falls into Thorn’s hands, he and everyone he close to him—including his beloved Alexandra—become the targets of madmen and trained hitmen, each of whom has a powerful motive to see the photograph destroyed…and will go to murderous lengths to make it disappear forever.

This exploration of rock ’n’ roll music and culture in Birmingham, Alabama, is based on the oral histories of musicians, their fans and professionals in the popular music industry. Collected over a twenty-year period, their stories describe the coming of rock ’n’ roll in the 1950s, the rise of the garage bands in the 1960s, of southern rock in the 1970s, and of alternative music in the 1980s and 1990s. Told in the words of the musicians themselves, Magic City Nights provides an insider’s view of the dramatic changes in the business and status of popular music from the era of the vacuum tube to twenty-first-century digital technology. These collective memories offer a unique perspective on the impact of a subversive and racially integrated music culture in one of the most conservative and racially divided cities in the country.

Thirty-two million Americans have lost jobs because of permanent factory closings since 1970. Gregory Pappas here provides an intimate account of the economic, social, psychological, and medical consequences of one such closing. Once known as "the magic city" of economic opportunity, Barberton, Ohio, is an industrial working-class town of second- and third-generation factory workers. When the Seiberling tire plant in Barberton was closed in 1980, over 1200 jobs were eliminated. Drawing on extensive research, including surveys and interviews with workers laid off by the closing, Pappas offers an incisive analysis of their responses to unemployment. Pappas first details the ways in which the unemployed rubber workers have met their economic needs in the face of declining income. He next evaluates their success in reentering the labor market, as he examines the job-hunting process, the unemployment insurance system, and workers' initiatives toward retraining and relocation. Turning to the psychological effects of the shutdown on workers and their families, Pappas describes unemployed workers' responses to the loss of status, identity, participation in the community, and sense of time. He next considers central historical questions, offering an explanation of the contemporary rise in unemployment and analyzing the prior development of this community that must now bear the burden of change. Two detailed portraits document the adaptations of individuals to the shutdown and explore the complex relationship between social change and personality.