Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane (1871-1900). The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risqué by publishers because of itsLiteraryrealism and strong themes. Crane - who was 22 years old at the time - financed the book's publication himself, although the original 1893 edition was printed under the pseudonym Johnston Smith. After the success of 1895's The Red Badge of Courage, Maggie was reissued in 1896 with considerable changes and re-writing. The story is followed by George's Mother.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Formatted for e-reader Illustrated About Maggie: A Girl of the Streets by Stephen Crane Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane (1871-1900). The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risqu� by publishers because of its literary realism and strong themes. Crane - who was 22 years old at the time - financed the book's publication himself, although the original 1893 edition was printed under the pseudonym Johnston Smith. After the success of 1895's The Red Badge of Courage, Maggie was reissued in 1896 with considerable changes and re-writing. The story is followed by George's Mother. The story opens with Jimmie, at this point a young boy, trying by himself to fight a gang of boys from an opposing neighborhood. He is saved by his friend, Pete, and comes home to his sister Maggie, his toddling brother Tommie, his brutal and drunken father and mother, Mary Johnson. The parents terrify the children until they are shuddering in the corner.Years pass, the father and Tommie die, and Jimmie hardens into a sneering, aggressive, cynical youth. He gets a job as a teamster, having no regard for anyone but firetrucks who would run him down. Maggie begins to work in a shirt factory, but her attempts to improve her life are undermined by her mother's drunken rages. Maggie begins to date Jimmie's friend Pete, who has a job as a bartender and seems a very fine fellow, convinced that he will help her escape the life she leads. He takes her to the theater and the museum. One night Jimmie and Mary accuse Maggie of "Goin to deh devil", essentially kicking her out of the tenement, throwing her lot in with Pete. Jimmie goes to Pete's bar and picks a fight with him (even though he himself has ruined other boys' sisters). As the neighbors continue to talk about Maggie, Jimmie and Mary decide to join them in badmouthing her instead of defending her.

Originally published under the pseudonym of Johnston Smith, this novella was Stephen Crane's first, large venture into the publishing world. Rejected by several publishing firms, Crane self-published this work. Although it wasn't received well by the public at the time, this early work of Crane is important in relation to his later notoriety as an author

The American novelist Stephen Crane is now recognised by modern critics as one of the most innovative writers of his generation. Having won international acclaim in 1895 for his Civil War novel ‘The Red Badge of Courage’, Crane was prolific throughout his short life, creating notable works in the Realist and American Naturalism traditions. Now readers can enjoy Crane’s complete published works for the first in publishing history in a single volume. This comprehensive eBook presents numerous illustrations, rare texts, informative introductions and a wealth of bonus material. (Version 1) * Beautifully illustrated with images relating to Crane's life and works * Concise introductions to the novels and other texts * ALL 6 novels, with individual contents tables * Includes the scarce novel GEORGE’S MOTHER, available in no other digital collection * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * All the short story collections, including the rare THE OPEN BOAT AND OTHER TALES OF ADVENTURE, appearing in this digital collection for the first time * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Includes Crane's posthumously published non-fiction work GREAT BATTLES OF THE WORLD, fully illustrated * Special ‘Contextual Pieces’ section, with many essays and reviews evaluating Crane’s contribution to literature and his life and times * Scholarly ordering of texts into chronological order and literary genres Please note: some rare uncollected short stories, poems and news reports cannot appear in this collection due to copyright restrictions. When these texts enter the public domain, they will be added to the collection as a free update. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels MAGGIE: A GIRL OF THE STREETS THE RED BADGE OF COURAGE GEORGE’S MOTHER THE THIRD VIOLET ACTIVE SERVICE THE O’RUDDY The Short Story Collections THE LITTLE REGIMENT AND OTHER EPISODES FROM THE AMERICAN CIVIL WAR THE OPEN BOAT AND OTHER TALES OF ADVENTURE THE MONSTER AND OTHER STORIES WHILOMVILLE STORIES WOUNDS IN THE RAIN: WAR STORIES THE MONSTER The Short Stories LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER LIST OF SHORT STORIES IN ALPHABETICAL ORDER The Poetry Collections THE BLACK RIDERS AND OTHER LINES WAR IS KIND The Non-Fiction GREAT BATTLES OF THE WORLD Contextual Pieces LIST OF ESSAYS AND REVIEWS Please visit www.delphiclassics.com to browse through our range of exciting titles

Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane. The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risqué by publishers because of its literary realism and strong themes

In 1892 Stephen Crane (1871-1900) published Maggie, Girl of the Streets at his own expense. Considered at the time to be immature, it was a failure. Since that time it has come to be considered one of the earliest American realistic novels. Maggie is the story of a pretty child of the Bowery which is written with the same intensity and vivid scenes of his masterpiece -- The Red Badge of Courage. In her short life, Maggie "blossomed in a mud puddle," was driven to prostitution, and died by her own hand while still a teenager. Crane, who worked as a free lance reporter, was in many ways addicted to the low life of the cities. He died at the age of 29.

In Facing Facts, David Shi provides the most comprehensive history to date of the rise of realism in American culture. He vividly captures the character and sweep of this all-encompassing movement - ranging from Winslow Homer to the rise of the Ash Can school, from Whitman to Henry James to Theodore Dreiser. He begins with a look at the antebellum years, when idealistic themes were considered the only fit subject for art (Hawthorne wrote that "the grosser life is a dream, and the spiritual life is a reality"). Whitman's assault on these otherworldly standards coincided with sweeping changes in American society: the bloody Civil War, the aggressive advance of a modern scientific spirit, the emergence of photography and penny newspapers, the expansion of cities, capitalism, and the middle class - all worked to shake the foundations of genteel idealism and sentimental romanticism. The public developed an ever-expanding appetite for concrete facts and for art that accurately depicted them. As Shi proceeds through the nineteenth century, he traces the realist impulse in each major area of arts and letters, combining an astute analysis of the movement's essential themes with incisive portraits of its leading practitioners. Here we see Oliver Wendell Holmes, Jr., shaken to stern realism by the horrors of the Civil War; the influence of Walt Whitman on painter Thomas Eakins and architect Louis Sullivan, a leader of the Chicago school; the local-color verisimilitude of Louisa May Alcott and Sarah Orne Jewett; and the impact of urban squalor on intrepid young writers such as Stephen Crane. In the process of surveying nineteenth-century cultural history, Shi provides fascinating insights into thespecific concerns of the realist movement - in particular, the nation's growing obsession with gender roles. Realism, he observes, was in part an effort to revive masculine virtues in the face of effeminate sentimentality and decorous gentility. By the end of the nineteenth century, realism had displaced idealism as the dominant approach in thought and the arts. During the next two decades, however, a new modernist sensibility challenged the fact-devouring emphasis of realism: "Is it not time", one critic asked, "that we renounce the heresy that it is the function of art to record a fact?" Shi examines why so many Americans answered yes to this question, under influences ranging from psychoanalysis to the First World War. Nuanced, detailed, and comprehensive, Facing Facts provides the definitive account of the realist phenomenon, revealing its essential causes, explaining why it played so great a role in American cultural history, and suggesting why it retains its perennial fascination.