Delve into a legendary literary love affair 'I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you...' At a dinner party in 1922, Virginia Woolf met the renowned author, aristocrat - and sapphist - Vita Sackville-West. Virginia wrote in her diary that she didn't think much of Vita's conversation, but she did think very highly of her legs. It was to be the start of almost twenty years of flirtation, friendship, and literary collaboration. Their correspondence ended only with Virginia's death in 1941. Intimate and playful, these selected letters and diary entries allow us to hear these women's constantly changing feelings for each other in their own words. Eavesdrop on the affair that inspired Virginia to write her most fantastical novel, Orlando, and discover a relationship that - even a hundred years later - feels radical and relatable. WITH A NEW INTRODUCTION FROM ALISON BECHDEL, AUTHOR OF FUN HOME AND CREATOR OF THE BECHDEL TEST.

After they met in 1922, Vita Sackville-West and Virginia Woolf began a passionate relationship that lasted until Woolf's death in 1941. Their revealing correspondence leaves no aspect of their lives untouched. This volume, which features over 500 letters spanning 19 years, includes the writings of both of these literary icons.

A double biography of Virginia Woolf and Vita Sackville-West, their friendship and love affair. Virginia Woolf is one of the world’s most famous writers – a leading light of literary modernism and feminism – and a British icon. During the 1920s she had a passionate affair with a fellow author, Vita Sackville-West, and they remained friends until Virginia’s death in 1941. The hero of Virginia’s novel Orlando was modeled on Vita and the book has been described as ‘one of the longest and most charming love letters in history’. That’s on top of the more than 500 letters they wrote to each other. Vita & Virginia is the extraordinary account of the work, friendship and love affair of two prolific novelists, who came to redefine conventions of femininity, sexuality, art and politics for the modern world. The cultural legacies of these formidable women, enduring icons of sexual equality and female emancipation, proliferate around us today – in fashion and television, film and literature. In this scrupulously researched examination of the pair's long friendship, the National Trust draws on their poetry and treasured correspondence to tell the story of this thoroughly modern affair. Both novelists have become closely associated with the National Trust. Vita is most famous today as the co-creator of Sissinghurst, one of the most influential and visited gardens in the world, while Monk’s House, Virginia’s retreat and inspiration, was a celebrated haunt of the Bloomsbury Group, that influential set of artists, thinkers and writers who lived in squares and loved in triangles.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of her love affair with Violet Keppel Trefusis in 1920 is one of intrigue and bewilderment. In Portrait of a Marriage, Nigel Nicolson combines his mother's vivid memoir of escapade with what he learned from copious family letters and explains the context of this romantic crisis. He also describes how Vita Sackville-West and Harold Nicolson went on to live the rest of their lives in harmonious marriage.

'When I finished your book, I cried aloud "Phew!" And Phew meant that I wish I had written it. It seems to me remarkable that someone who never knew Vita and Virginia can understand them so much better than me, who knew both well. And I think of you spending all those years writing,researching, contemplating, finding so much that I have never read, never imagined, and coming up with a book that is a marvel of condensation and commitment.' Nigel NicolsonWhen Virginia Woolf first met Vita Sackville-West at Clive Bell's house in 1922, she wrote that Vita made her feel 'virgin, shy, and schoolgirlish'. But over the next three years Vita charmed away her shyness, and at the end of 1925 made Virginia her lover.Vita and Virginia examines the creative intimacy between the two, interpreting their relationship in the light of their experience as married lesbians. The contradictions and conflicts of their situation are worked out through the construction of different narratives of femininity, in letters,novels, diaries, and other texts. The book discusses the two women's continual renegotiation of what it means to be female, and suggests that the mutual exchange of different versions of 'womenhood' is crucial to the development of their friendship. Vita and Virginia offers innovative readings ofboth women's fiction, their autobiographical texts, and a long-overdue study of Sackville-West's work as a biographer and a novelist.Emphasizing also wider contexts, Suzanne Raitt assesses the links between homosexual desire and literary innovation, public politics and private lives. Her work provides an invaluable new perspective on the relations between sexuality and feminism in modernism.