“An utterly unique journey down some of the mind’s more mysterious byways . . . ranges from the shocking to the simply lovely.”—Marya Hornbacher Stacy Pershall grew up as an overly intelligent, depressed, deeply strange girl in Prairie Grove, Arkansas, population 1,000. From her days as a thirteen-year-old Jesus freak through her eventual diagnosis of bipolar disorder and borderline personality disorder, this spirited memoir chronicles Pershall’s journey through hell and her struggle with the mental health care system.

"One of the 25 Greatest Rock Memoirs of All Time” --Rolling Stone Magazine (#8) “Sensitive and emotionally raw… it’s also wildly funny”--The New York Times Book Review A powerfully original memoir of pregnancy and mental illness by the legendary founder of the seminal rock band Throwing Muses, 'a magnificently charged union of Sylvia Plath and Patti Smith' - The Guardian Kristin Hersh was a preternaturally bright teenager, starting college at fifteen and with her band, Throwing Muses, playing rock clubs she was too young to frequent. By the age of seventeen she was living in her car, unable to sleep for the torment of strange songs swimming around her head - the songs for which she is now known. But just as her band was taking off, Hersh was misdiagnosed with schizophrenia. Rat Girl chronicles the unraveling of a young woman's personality, culminating in a suicide attempt; and then her arduous yet inspiring recovery, her unplanned pregnancy at the age of 19, and the birth of her first son. Playful, vivid, and wonderfully warm, this is a visceral and brave memoir by a truly original performer, told in a truly original voice.

An honest and compelling memoir, Girl in Need of a Tourniquetis Merri Lisa Johnsons account of her borderline personality disorder and how it has affected her life and relationships. Johnson describes the feeling of ''bleeding out'' - unable to tell where she stopped and where her partner began. A self-confessed ''psycho girlfriend,'' she was influenced by many emotional factors from her past. She recalls her path through a dysfunctional, destructive relationship, while recounting the experiences that brought her to her breaking point. In recognizing her struggle with borderline personality disorder, Johnson is ultimately able to seek help, embarking on a soul-searching healing process. It's a path that is painful, difficult, and at times heart-wrenching, but ultimately makes her more able to love and coexist in healthy relationships.

The popular indie rock performer describes her battle against the hereditary mental illness that decimated her mother's health and prompted the author to engage in a self-destructive downward spiral before discovering her musical talent.

'Glorious, hilarious and life affirming . . . I absolutely loved it' - EMMA HUGHES, author of No Such Thing As Perfect Would you entrust your life choices to someone hell-bent on avoiding theirs? Natasha has everything under control, at least that's what her clients think. As a therapist, she has all the answers but when it comes to her personal life, she seriously needs to start taking her own advice. Still living with her ex-girlfriend, Natasha's messy love life is made up of dates and one-night stands. After all, why would you commit to one person, when there is an endless stream of people waiting for you to swipe right? Besides, people always leave. But when Margot arrives on the scene, everything changes. Flailing between mending long broken relationships and starting new ones, Natasha's walking the line between self-actualisation and self-destruction... With denial no longer an option, it is time for Natasha to take control of her own happiness. ~*~ PRAISE FOR TELL ME EVERYTHING ~*~ 'A captivating read from a truly exciting talent' JUSTIN MYERS, author of The Fake-Up 'Truly joyful and uplifting . . . this is a big-hearted story about what really matters in life: friends, family and love' LUCY DIAMOND, author of Anything Could Happen 'Tell Me Everything is a book that reads like a crush, all summer and exuberance with a tight, intelligent kernel of anxiety at its core' MIKAELLA CLEMENTS & ONJULI DATTA, authors of The View Was Exhausting 'Hilarious, tender and romantic . . . with characters you'll wish were real and an ending that will leave you fully uplifted' CRESSIDA MCLAUGHLIN, author of The Staycation 'It's sweet, sexy, funny and full of adorable characters . . . The kind of book that makes you feel like everything's going to be alright!' MATT CAIN, author of The Secret Life of Albert Entwistle 'Laura Kay's writing is so warm and open-hearted, but also has a dry wit that makes you snort with delighted recognition' LILY LINDON, author of Double Booked

From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer’s rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms—and staying true to himself Before Mark Morris became “the most successful and influential choreographer alive” (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham’s finest experiments with time and space, of Twyla Tharp’s virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because “if you missed anything, you missed everything.” This collective, led by Morris’s fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker’s critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo’s David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris’s memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance.

A keenly observed and irresistibly funny memoir about literary New York in the late nineties, a pre-digital world on the cusp of vanishing. Now a major motion picture starring Sigourney Weaver and Margaret Qualley After leaving graduate school to pursue her dream of becoming a poet, Joanna Rakoff takes a job as assistant to the storied literary agent for J. D. Salinger. Precariously balanced between poverty and glamour, she spends her days in a plush, wood-paneled office—where Dictaphones and typewriters still reign and agents doze after three-martini lunches—and then goes home to her threadbare Brooklyn apartment and her socialist boyfriend. Rakoff is tasked with processing Salinger’s voluminous fan mail, but as she reads the heart-wrenching letters from around the world, she becomes reluctant to send the agency’s form response and impulsively begins writing back. The results are both humorous and moving, as Rakoff, while acting as the great writer’s voice, begins to discover her own.