Over his long career as a cricket commentator and journalist, Ralph Dellor has met some of the greatest exponents of the "summer" game. In the 1990s he conducted a series of face-to-face taped interviews with famous cricketers past and present. Nine of these extraordinary interviews have now been captured in the written word. Ralph and his fellow sports journalist, Stephen Lamb, have edited and annotated the interviews so they are put into context of time and place. Each chapter is a classic piece of cricketing history, and an insight into the legends and lore of the game.

Surprisingly, perhaps, cricket is a game rich in international history, sporting characters and, on occasions, controversy. Over his long career as a cricket commentator and journalist Ralph Dellor has met some of the greatest exponents of the summer game. In the 1990s he conducted a series of face-to-face taped interviews with famous cricketers past and present. Along with Stephen Lamb, his fellow sports journalist and business partner, he has edited and annotated the interviews so they are put into context of time and place. Each chapter is a classic piece of cricketing history and insight into the legends and lore of the game. Featuring such names as Denis Compton, Brian Statham and Cyril Washbrook.

By offering some insights into a key area of West Africa, this book attempts to take the wonders of Ancient Egypt out of the realm of myths and folklore. The credit for the longevity of Ancient Egyptian traditions belongs to their erstwhile scribes,who managed to keep extensive records of Egypts history and achievements over an exceptionally long period. The Anang, Efik, and Ibibio people also deserve recognition for maintaining a spoken language that has notchanged very much from that spoken by the Ancient Egyptians at the various stages of their development, and for perpetuating a very unique culture that allows for the uncomplicated linkage of these two worlds. Bystudying this ancient language and culture, we can pose some formidable questions about our presentquestions that shape our understanding ofthe genesis of the three main Middle Eastern religious movements, and that help explain the evolution of modern science.The fact that other venerated civilizations, including the Semites, Persians, and Greeks, represented Egyptian words inaccurately does not warrant perpetuating such corruption, as this would rob those words of their true essence. Much as the corrupted English words Ikobi, inokobi would not sound familiar to an English-speaker as the words To be, or not to be, neither do words like miri, kem, or osiris represent the Ancient Egyptian muara, ekim, and ase, respectively....... Page 56, re men kimi - In Efik, these corrupted words should read as uyo mn ekim, meaning black voices (voices of those who are black). Up until the earlier period of the present-day Copts, Egyptians referred to themselves as such: mn ekim. In a similar vein, the present-day speakers of this languageincluding the Efik, Ibibio, Anang, rn, Etinan, Uyo, Nsit, Ibun, Itu, Ikt Abasi, ft, Ediene, Eket, Abak, Ikt Aran, Ikt Ub, Oku, Itam, Muaa (iba)are described in similar fashion, i.e., mn so-and-so. In this case, mn is used in a generic manner as opposed to nu, which has particular relevance to family or ancestors.

Acclaimed historian Max Arthur pays tribute to the Royal Navy from 1914 to 1945. Drawing on the personal stories of those who have served during this period, he has created a unique narrative history of the senior service. FORGOTTEN VOICES: THE ROYAL NAVY is a memorable and moving testament to the courage, spirit, skill and irrepressible humour of those who served in the Royal Navy during these crucial years.

Twice winner of the Miles Franklin Award and an Officer of the Order of Australia for his contribution to Australian literature, Christopher Koch returns with Lost Voices, a remarkable new novel that confirms him as one of our most significant and compelling novelists. Twice winner of the Miles Franklin Award, Christopher Koch returns with a remarkable novel of gripping narrative power. Young Hugh Dixon believes he can save his father from ruin if he asks his estranged great-uncle Walter- a wealthy lawyer who lives alone in a tasmanian farmhouse passed down through the family-for help. As he is drawn into Walter's rarefied world, Hugh discovers that both his uncle and the farmhouse are links to a notorious episode in the mid nineteenth century. Walter's father, Martin, was living in the house when it was raided by members of an outlaw community run by Lucas Wilson, a charismatic ex-soldier attempting to build a utopia. But like later societies with communitarian ideals, Nowhere Valley was controlled by the gun, with Wilson as benevolent dictator. twenty-year-old Martin's sojourn in the Valley as Wilson's disciple has become an obsession with Walter Dixon: one which haunts his present and keeps the past tantalizingly close. As Walter encourages Hugh's ambition to become an artist, and again comes to his aid when one of Hugh's friends is charged with murder, the way life's patterns repeat themselves from one generation to another becomes eerily apparent. Dramatic, insightful and evocative, Lost Voices is an intriguing double narrative that confirms Koch as one of our most significant and compelling novelists.

All the Lost Voices is a first-person narrative that vacillates between the narrator’s present condition in a Mexico City brothel and his past experiences growing up fast and frightened in the unforgiving landscape of his hometown, Paterson, New Jersey. The parallel story lines are artfully interwoven creating a sometimes furious, sometimes apologetic exposition that encompasses not only a glimpse into the current psychosis of the protagonist, Tony De Felice, but a rearward view of the process that has brought this madness to surface. Alcoholism, violence, thieving, murder, exile, the imprisonment of his father, the loss of a fragile youth—all are addressed in drunken rants and gentle, often philosophical appeals to the reader, a tempestuous marriage of form and content offset by unexpectedly funny bits of wisdom and hilarious scenes of youthful indiscretion. The novel advances in several directions at once, from Nuevo Laredo to Mexico City to Tuxpan in the present tense, and from Paterson to Florida to Oregon to any and all points of the American map in the past tense, via car, train, plane, and bus. Yet in spite of this motion, the narrator remains emotionally frozen, bound to his past and locked within the parameters of his mind, feverishly writing his way towards an elusive understanding of himself.