Previously published as Mum Face. Best described as The Wrong Knickers for mums, in this wry, resonant and darkly funny memoir, journalist Grace Timothy explores motherhood as an issue of identity.

A mother and her child, lost and then found again after four decades: this extraordinary story of love, loss, and reunion is told in alternating voices by the two women, each relating her own powerful experience. For the mother, its the tale of an unhappy marriage followed by betrayal, a pregnancy of uncertain paternity, and the heartrending decision to give up her newborn. The daughters search begins 40 years later, as she slowly, painstakingly, stitches together her story. These intertwined tales give us two unforgettable points of view of a remarkable journey-and of the multiple meanings of motherhood.

Selected as One of the Best Books of the Year by: National Public Radio, Esquire, Bustle, Refinery29, Thrillist, Electric Literature, Powell's, Autostraddle, BookRiot, Women.com "Smart, funny, and true in all the best ways, this book made me ache with recognition." -- Cheryl Strayed A raw, funny, and fiercely honest account of becoming a mother before feeling like a grown up. When Meaghan O'Connell got accidentally pregnant in her twenties and decided to keep the baby, she realized that the book she needed -- a brutally honest, agenda-free reckoning with the emotional and existential impact of motherhood -- didn't exist. So she decided to write it herself. And Now We Have Everything is O'Connell's exploration of the cataclysmic, impossible-to-prepare-for experience of becoming a mother. With her dark humor and hair-trigger B.S. detector, O'Connell addresses the pervasive imposter syndrome that comes with unplanned pregnancy, the fantasies of a "natural" birth experience that erode maternal self-esteem, post-partum body and sex issues, and the fascinating strangeness of stepping into a new, not-yet-comfortable identity. Channeling fears and anxieties that are still taboo and often unspoken, And Now We Have Everything is an unflinchingly frank, funny, and visceral motherhood story for our times, about having a baby and staying, for better or worse, exactly yourself.

"In this honest memoir, May recounts how she came to feel connected with her body again. It's a moving work for new moms about a subject that is often overlooked in conversations about postpartum depression." —Real Simple Molly Caro May grapples with questions of grief and rage as she undergoes several unexpected health issues after the birth of her first child. Body Full of Stars both reveals deeper truths about how disconnected many modern women are from their bodies and celebrates the greatest story of all time: mothers and daughters, partners and co–parents, and the feminine power surging beneath it all.

Motherhood: Lost and Found takes the reader on a journey where Alzheimer's disease and infertility intersect. At age 33, award-winning author and poet Ann Campanella returns to her home state of North Carolina ready to build a horse farm and start a family. Ann's foundation is shaken when she experiences multiple miscarriages at the same time her mother spirals into Alzheimer's. The author's devotion to her family and her horse Crimson sustain her as her mother's illness progresses and her own window of potential motherhood begins to close. The voice in Ann's memoir has been called constant and abiding, her imagery indelible. Her graceful, exacting language rises above the grief of infertility and the struggle to care for aging parents, connecting the reader ultimately to the heartbeat and resilience of the human experience. This memoir was a finalist in the Next Generation Independent Book Awards, the world's largest not-for-profit independent book awards.Praise for Motherhood: Lost and Found include:"Ann Campanella's Motherhood: Lost and Found is a chronicle of family tragedy and triumph told in some of the most truly lyrical writing you'll ever encounter. She writes of grief and loss with heart wrenching honesty but without sentimentality then adds humor in such unexpected places I found myself laughing and crying all on the same page. This is the best memoir I've read in years...."- Judith Minthorn Stacy, author of Maggie Sweet, winner of the Carolina Novel Award"The book is about ... the love of a family ... and how that love sustained them during a long and painful crisis, and how Ann's relationship with her husband Joel was deepened and enriched by that crisis, and how three generations are better than two. Motherhood: Lost and Found has much to teach us all as human beings."- Anthony (Tony) Abbott, Professor Emeritus at Davidson College, author of Leaving Maggie Hope, winner of the Novello Festival Press Book Award"A sensitive, in-depth study of one woman's slow descent into Alzheimer's as detailed by her daughter, Motherhood: Lost and Found involves us in the dynamic of a multi-generational family as well as the author's own story: horses, poetry, three terrible miscarriages, and in her 41st year, a final miracle." - Maxine Kumin, Pulitzer Prize winning poet"Ann Campanella's Motherhood: Lost and Found records the ordinary and extraordinary courage of those who must endure debilitating, even crushing illness and those who must suffer with them while they do so. Here is bravery, patience, reconciliation, and -- at long last -- hope. I found this story valuable in an intensely personal way. I think others readers will find it so too."- Fred Chappell, former Poet Laureate of North Carolina"It is the gift of a lifetime. Nothing I have ever read has affected me more deeply or made me more thankful that I am alive. You have made your place ... into your place on earth. And you have welcomed us - all of us - into it.... Through your book, you have made it ours. The voice in the book is constant. Faithful, I should say...You have delved into the scarcest moments and found the Abiding. Something as fundamental as fire - and earth and water and air. As death and love, as death and love and death and love again."- Mike Martin, writer and artist"I was so deeply touched by this memoir. Anyone with children or aging parents will be moved by this searingly honest story. Ann struggled with infertility at the same time she was trying to care for her mother with Alzheimer's. In a clear-eyed way, she explores how her family navigated the suffering caused by her mother's illness, and her own heartbreak of multiple miscarriages. Every sentence is beautifully crafted, with a poet's attention...

'BREATHTAKING' Dolly Alderton, 'REMARKABLE' Marian Keyes, 'LIFE-CHANGING' Emma Jane Unsworth, 'COMPELLING' Amy Liptrot, 'EXTRAORDINARY' Sali Hughes To everyone else, Terri White appeared to be living the dream – living in New York City, with a top job editing a major magazine. In reality, she was struggling with the trauma of an abusive childhood and rapidly skidding towards a mental health crisis that would land her in a psychiatric ward. Coming Undone is Terri's story of her unravelling, and her precarious journey back from a life in pieces.

"Lyrical and emotionally gutting." —O, THE OPRAH MAGAZINE “Intellectually satisfying [and] artistically profound.” —KIRKUS REVIEWS (STARRED REVIEW) “Mesmeric.”—THE PARIS REVIEW “Vividly awesome and truly great." —EILEEN MYLES “Gorgeous, gutting, unforgettable." —LENI ZUMAS “Brilliant.” —MICHELLE TEA An arresting memoir equal parts refugee-coming-of-age story, feminist manifesto, and meditation on motherhood, displacement, gender politics, and art that follows award-winning writer Sophia Shalmiyev’s flight from the Soviet Union, where she was forced to abandon her estranged mother, and her subsequent quest to find her. Russian sentences begin backward, Sophia Shalmiyev tells us on the first page of her striking lyrical memoir. To understand the end of her story, we must go back to the beginning. Born to a Russian mother and an Azerbaijani father, Shalmiyev was raised in the stark oppressiveness of 1980s Leningrad (now St. Petersburg), where anti-Semitism and an imbalance of power were omnipresent in her home. At just eleven years old, Shalmiyev’s father stole her away to America, forever abandoning her estranged alcoholic mother, Elena. Motherless on a tumultuous voyage to the states, terrified in a strange new land, Shalmiyev depicts in urgent, poetic vignettes her emotional journeys through an uncharted world as an immigrant, artist, and, eventually, as a mother of two. As an adult, Shalmiyev voyages back to Russia to search endlessly for the mother she never knew—in her pursuit, we witness an arresting, impassioned meditation on art-making, gender politics, displacement, and most potently, motherhood.