The author of The Woman Who Heard Color transports readers to a dreary Good Friday in Prague in an "intriguing thriller"* as the mysterious death of a nun sets off a tangled chain of events that inexorably draws three strangers together—and forever changes their lives… Just after the fall of the Berlin Wall, aspiring journalist Dana Pierson joined the hordes of young people traveling to Eastern Europe to be a part of history. There, she and her best friend were swept up in the excitement of the Velvet Revolution. Twenty years later, Dana returns to the city of her youthful rebellion to reconnect with her old confidant, who never left the city. But the visit that was reserved for healing intimacies and giddy reminiscences is marred by a strange death in one of Prague’s most famous Catholic churches—and an even more peculiar mystery surrounding it… In a city where the past is never far from the present, Dana must work with a conflicted Italian priest and a world-weary Czech investigator to unlock dark secrets hidden in Prague’s twisted streets. But the key to solving the puzzle may lie in memories of Dana’s long-ago visit, even as she is forced to face the reality of a more recent loss… *Publisher Weekly

The author of The Woman Who Heard Color transports readers to a dreary Good Friday in Prague in an "intriguing thriller"* as the mysterious death of a nun sets off a tangled chain of events that inexorably draws three strangers together--and forever changes their lives... Just after the fall of the Berlin Wall, aspiring journalist Dana Pierson joined the hordes of young people traveling to Eastern Europe to be a part of history. There, she and her best friend were swept up in the excitement of the Velvet Revolution. Twenty years later, Dana returns to the city of her youthful rebellion to reconnect with her old confidant, who never left the city. But the visit that was reserved for healing intimacies and giddy reminiscences is marred by a strange death in one of Prague's most famous Catholic churches--and an even more peculiar mystery surrounding it... In a city where the past is never far from the present, Dana must work with a conflicted Italian priest and a world-weary Czech investigator to unlock dark secrets hidden in Prague's twisted streets. But the key to solving the puzzle may lie in memories of Dana's long-ago visit, even as she is forced to face the reality of a more recent loss... *Publisher Weekly

After the fall of communism, Russia was in a state of shock. The sudden and dramatic change left many people adrift and uncertain—but also full of a tentative but tenacious hope. Returning again and again to the provincial hinterlands of this rapidly evolving country from 1992 to 2008, Susan Richards struck up some extraordinary friendships with people in the middle of this historical drama. Anna, a questing journalist, struggles to express her passionate spirituality within the rules of the new society. Natasha, a restless spirit, has relocated from Siberia in a bid to escape the demands of her upper-class family and her own mysterious demons. Tatiana and Misha, whose business empire has blossomed from the ashes of the Soviet Union, seem, despite their luxury, uneasy in this new world. Richards watches them grow and change, their fortunes rise and fall, their hopes soar and crash. Through their stories and her own experiences, Susan Richards demonstrates how in Russia, the past and the present cannot be separated. She meets scientists convinced of the existence of UFOs and mind-control warfare. She visits a cult based on working the land and a tiny civilization founded on the practices of traditional Russian Orthodoxy. Gangsters, dreamers, artists, healers, all are wondering in their own ways, “Who are we now if we’re not communist? What does it mean to be Russian?” This remarkable history of contemporary Russia holds a mirror up to a forgotten people. Lost and Found in Russia is a magical and unforgettable portrait of a society in transition.

An aristocratic Hungarian colonel, whose family has been broken and scattered by the Holocaust and WWII, seeks to survive and reunite his family. In an adopted role as a Hassidic Jew, he recovers treasures from hidden Nazi loot and schleps money from wealthy Jews around the world to Swiss accounts. His sons survive behind the Iron Curtain and migrate to the West. One son, Robin, studies at a New York cancer institute where his and his mentor's research on a cancer vaccine becomes contentious. He moves to the South and becomes a prominent oncologist. He shows us the intrigues of basic research and of academia where jealousy and avarice can be motives. Each in their own worlds. Each fights for survival and identity.

Can true love prevail when the real and online worlds collide? Perfect for the fans of Miranda Dickenson and Paige Toon. Melissa Riva works in Milan as a university researcher. After buying an iPad at auction, she finds it contains files belonging to its previous owner. Fascinated by the beautiful photographs of romantic landscapes and views of the city, she starts her search for the previous owner. Locating him through Facebook, Melissa can't resist contacting him. Melissa and Riccardo begin chatting online. Both of them becoming increasingly dependent on this strange relationship, though acutely aware that it's only likely to remain a virtual one. But when real life bursts in on their digital world, they can't resist revealing their true feelings... What readers are saying about LOST AND FOUND: 'Well written with great characters' 'A light entertaining read... Perfect for a long train journey or in the garden on a hot sunny day'

This ground-breaking book is the first-ever study of the role played in musical history by song collectors.This is the first-ever book about song collectors, music''s unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs.Today''s collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.sic''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.