This longitudinal study is based on the story of Lola, who was gang raped during the war in Bosnia and Herzegovina in 1992. At the time, she was in a detention camp with her young children. Only one of Lola’s several perpetrators was convicted but his sentence of six years of imprisonment has never been actioned by the Bosnian judiciary. Lola’s rapist is still free and she lives in continual fear that he will retaliate against her and her children for her role in his trial.

During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.” M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture. Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.

This book details the struggles of a Mexican-American girl born in Indian captivity, Lola, in an American society obsessed with class, religion, race and gender. The first part of the book follows the central family in the years leading up to the start of the American Civil War and the attack on Fort Sumter (1857–1861), and flashbacks are meant to take the readers back further than that time line, such as the kidnapping of Lola's mother in 1846. The second part chronicles the events that took place during the Civil War (1861–1864). Each chapter focuses on a particular character and is told from an omniscient point of view. Who Would Have Thought It? is a semi-autobiographical novel written by María Ruiz de Burton and it reflects the author's ambiguous position between the small in number Californio elite and the Anglo-American populace, which form the majority of the United States population.

This Madison & Adams edition presents the greatest novels and stories written in the aftermath of the Civil War, trying to show the truth in disguise of fiction, the trauma, the turmoil, the massacre and the heroism of all people involved:_x000D_ Stephen Crane:_x000D_ The Red Badge of Courage_x000D_ The Little Regiment_x000D_ The Veteran_x000D_ The Private History of a Campaign That Failed & A Curious Experience (Mark Twain)_x000D_ Ambrose Bierce:_x000D_ An Occurrence at Owl Creek Bridge_x000D_ A Horseman in the Sky_x000D_ Chickamauga_x000D_ Joseph A. Altsheler: _x000D_ The Guns of Bull Run_x000D_ The Guns of Shiloh_x000D_ The Scouts of Stonewall_x000D_ The Sword of Antietam_x000D_ The Star of Gettysburg_x000D_ The Rock of Chickamauga_x000D_ The Shades of the Wilderness_x000D_ The Tree of Appomattox_x000D_ The Crisis (Winston Churchill)_x000D_ Miss Ravenel's Conversion from Secession to Loyalty (John William De Forest)_x000D_ With Lee in Virginia (G. A. Henty)_x000D_ Who Would Have Thought It? (María Ruiz de Burton)_x000D_ The Long Roll (Mary Johnston)_x000D_ Cease Firing (Mary Johnston)_x000D_ The Victim: A Romance of the Real Jefferson Davis (Thomas Dixon Jr.)_x000D_ Kincaid's Battery (George Washington Cable)_x000D_ The Border Spy (Harry Hazelton)_x000D_ The Battle Ground (Ellen Glasgow)_x000D_ Who Goes There? (B. K. Benson)_x000D_ Ailsa Paige (Robert W. Chambers)_x000D_ Special Messenger (Robert W. Chambers)_x000D_ How Private George W. Peck Put Down the Rebellion (George W. Peck)_x000D_ Raiding with Morgan (Byron A. Dunn)_x000D_ Mohun; Or, the Last Days of Lee and His Paladins (John Esten Cooke)_x000D_ Brother Against Brother (John R. Musick)_x000D_ The Last Three Soldiers (W. H. Shelton)_x000D_ A War-Time Wooing (Charles King)_x000D_ The Iron Game (Henry F. Keenan)_x000D_ The Blockade Runners (Jules Verne)_x000D_ The Lost Despatch (Natalie Sumner Lincoln)_x000D_ My Lady of the North (Randall Parrish)_x000D_ Uncle Daniel's Story of "Tom" Anderson (John McElroy)_x000D_ The Red Acorn (John McElroy)_x000D_ Winning His Way (Charles Carleton Coffin)_x000D_ A Daughter of the Union (Lucy Foster Madison)_x000D_ Chasing an Iron Horse (Edward Robins)_x000D_ The Man Without a Country (Edward Everett Hale)_x000D_ History of the Civil War, 1861-1865 (James Ford Rhodes)

The desire to see afresh, to see differently, both old and not-so-old texts underlies Visions and Revisions: Women's Narrative in Twentieth-Century Spain. The authors studied, born between 1867 and l966, evince an interest in one or more of the issues that structure and give unity to this book: the construction of the self, concepts of gender and nation, center and margin, and efforts to recover and/or reconstruct the past, both individual and collective. In addition to focusing on questions that are currently of great critical interest, the volume features both Castilian and Catalan authors: Josefina Aldecoa, Carmen de Burgos, Maria Aurèlia Capmany, Dulce Chacón, Lucía Etxebarria, Ana María Moix, Carme Riera, Montserrat Roig, and Mercedes Salisachs. The contributors are distinguished Hispanists based in the United States, Spain, Canada, England, and New Zealand: Christine Arkinstall, Silvia Bermúdez, Maryellen Bieder, José F. Colmeiro, M. Àngels Francés, David K. Herzberger, P. Louise Johnson, Shirley Mangini, Esther Raventós-Pons, and Lisa Vollendorf. Their essays, which employ a variety of critical and theoretical approaches, will be of special interest to students of twentieth-century Peninsular literature, comparative literature, women's studies, and feminist criticism.