Journey beyond the frame of who you think you are, the roles you play, and the labels you wear to discover God's true plans of success for you.

Beyond the Frame explores the importance of visual images in the identities and material conditions of women of color as they relate to social power, oppression, and resistance. The goal of the collection is to rethink the category of visual theory through women of color. It also explores the political and social ramifications of visual imagery for women of color, and the political consciousness that can emerge alongside a critical understanding of the impact of visual imagery. The book begins with a general exploration of what it means to develop a women of color criticism (rather than an analysis of women of color), and goes on to look specifically at topics such as 90s fashion advertisements, the politics of cosmetic surgery, and female fans of East LA rock bands.

In the vibrant heart of Kolkata, where the old-world charm meets the frenetic energy of modern life, two friends dared to dream. Rito and Sayan, united by their passion for cinema, embarked on a journey to create a film that would leave an indelible mark on the world. "Beyond The Frame" is their story tale of unwavering dedication, relentless struggles, and the triumph of creative spirit. This novel chronicles the tumultuous yet exhilarating journey of Rito and Sayan as they navigate the treacherous waters of filmmaking. From casting the perfect hero and heroine, grappling with budget constraints, and dealing with unforeseen political disturbances, to the emotional entanglements that threaten to derail their dream, every step of their journey is a testament to their resilience and passion.

'Blood may well be thicker than water, but in some families, money runs thicker than blood.' A story of the darkness of the human soul, the twists of fate that can transform our lives and the dazzling beauty of our world. Adyn Cole boards a flight from New York. He returns to Australia to bury his uncle, Fletcher, leaving a decade of life behind him--a lost job, a relationship in ruins. Although Adyn is favoured by his uncle's estate, Fletcher's passing yields a legacy of betrayal and ruptured kinship. In Koorawatha, his inherited Blue Mountains home, Adyn will discover how hard it is to escape the demons of the past, and how profoundly a family can be corrupted by greed. Yet living in the house are two people who will redeem him, helping him to mend a part of himself that has long been broken. A compelling story of the darkness of the human soul, the twists of fate that can transform our lives and the dazzling beauty of our world, BEYOND tHE FRAME'S EDGE is a powerful novel from an exciting new literary talent.

Liza Bear's Beyond the Frame provides immediate insights into the modus operandi of many of the most intriguing figures of world cinema from the past 20 years. This lively collection consists of in-depth profiles reprinted from the cultural quarterly Bomb, and feature stories written for the mass media. Speaking here in their own voices are master directors such as Gillian Armstrong, Milos Forman, Takeshi Kitano, Wong Kar-wai, Mohsen Makhmalbaf, Jacques Rivette, Ousmane Sembene, Agnes Varda, and Zhang Yimou. The spontaneity of the exchanges cuts to the creative quick. What drives filmmakers? What are the sources of their scripts? How do art films get made? These and other questions explored in incisive interviews uncover a rich array of topics, from sociopolitical context and family collaborations to directorial choices of casting, location, and mise-en-scene. In addition to cinema veterans, the book focuses on debut features such as Alejandro Inarritu's Amores Perros, Shirley Barrett's Love Serenade, Samira Makhmalbaf's The Apple, and Jafar Panahi's The White Balloon. Other highly original films discussed include Infernal Affairs, Swimming Pool, and Princess Mononoke. Supplementary to the interviews is an introduction by noted author Robin Andersen that elucidates recurrent themes arising out of the discussions, a foreword by Laurence A. Kardish, Film Curator at the Museum of Modern Art, an index, and numerous photographs.

'We'll all recognise ourselves somewhere in this book' Emily Chappell 'One of the best cycling books of all time' BookAuthority A joyful dose of inspiration that every cyclist, from rookie to randonneur, can take something valuable from' Road.cc If your bike has become your biggest escape of late, Back in the Frame from award-winning blogger, Lady Vélo, is the book for you Jools Walker rediscovered cycling aged 28 after a decade-long absence from the saddle. When she started blogging about her cycle adventures under the alias Lady Vélo, a whole world was opened up to her. But it's hard to find space in an industry not traditionally open to women - especially women of colour. Shortly after getting back on two wheels, Jools was diagnosed with depression and then, in her early thirties, hit by a mini-stroke. Yet, through all of these punctures, one constant remained: Jools' love of cycling. Funny, moving and motivational, this book tells the story of how Jools overcame these challenges, stepped outside her comfort zone and learned to cycle her own path. Along the way she shares a wealth of inspirational stories and tips from other female trailblazers, and shows how cycling can and should be a space for everyone. A celebration of cycling, Back in the Frame will motivate you to get back on your bike and enjoy the ride, no matter what life throws at you.

Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection.